1.
Emerling J. Photography: history and theory. London: Routledge; 2012.
2.
Ingledew J. Photography. 2nd ed. Vol. Portfolio. London: Laurence King Publishing; 2013.
3.
Cotton C. The photograph as contemporary art [Internet]. Fourth edition. London: Thames and Hudson; 2020. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780500775936
4.
Enfield J. Photo-imaging: a complete guide to alternative processes. New York: Amphoto Books; 2002.
5.
Marien MW. Photography: a cultural history. Fourth edition. London: Laurence King Publishing; 2014.
6.
Webb R, Reed M. Alternative photographic processes: a working guide for image makers. 1st North American ed. Rochester, N.Y.: Silver Pixel Press; 2000.
7.
Coote JH, Ilford Limited. Ilford monochrome darkroom practice: a manual of black-and-white processing and printing. Third edition. Oxford: Focal Press; 1997.
8.
Stone J. Darkroom dynamics: a guide to creative darkroom techniques. Boston, Mass: Focal; 1985.
9.
Barnier J. Coming into focus: a step-by-step guide to alternative photographic printing processes. San Francisco, CA: Chronicle Books; 2000.
10.
Langford M. The darkroom handbook. New York: Alfred A. Knopf; 1984.
11.
Feininger A. Darkroom techniques: Vol.2: Equipment, materials, contact printing, enlarging. London: Thames and Hudson; 1974.
12.
Farber R. Historic photographic processes. New York: Allworth Press; 1998.
13.
James C. Book of alternative photographic processes. Albany, N.Y.: Delmar Thomson Learning; 2002.
14.
Enfield J. Photo-imaging: a complete guide to alternative processes. New York: Amphoto Books; 2002.
15.
Brandt B, Haworth-Booth M. The land: twentieth century landscape photographs. London: Gordon Fraser Gallery; 1975.
16.
Jussim E, Lindquist-Cock E. Landscape as photograph. New Haven: Yale University Press; 1985.
17.
Watkins CE, Le Gray G, J. Paul Getty Museum. Pioneers of landscape photography: Pioniere der Landschaftsphotographie ; Gustave Le Gray, Carleton E. Watkins ; photographs from the collection of the J. Paul Getty Museum. Frankfurt am Main: Stadtische Galerie im Stadelschen Kunstinstitut; 1993.
18.
Ganis J, Sobieszek RA, Thompson G, Diamond S. Consuming the American landscape. Stockport: Dewi Lewis; 2003.
19.
Wells L, ebrary, Inc. Land matters: landscape photography, culture and identity [Internet]. London: I.B. Tauris; 2011. Available from: http://site.ebrary.com/lib/aber/Doc?id=10522041
20.
Barthes R. Camera lucida: reflections on photography. London: Vintage; 1993.
21.
Batchen G. Each wild idea: writing, photography, history. Cambridge, Mass: MIT; 2002.
22.
Beloff H. Camera culture. Oxford: Blackwell; 1985.
23.
Berger J. About looking. London: Bloomsbury; 2009.
24.
Bolter JD, Grusin R. Remediation: understanding new media. Cambridge, Mass: MIT Press; 2000.
25.
Clarke G. The photograph. Vol. Oxford history of art. Oxford: Oxford University Press; 1997.
26.
Wells L. Photography: a critical introduction. 4th ed. London: Routledge; 2009.
27.
Sontag S, NetLibrary, Inc. On photography [Internet]. 1st electronic ed. New York: Rosetta; 2005. Available from: http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=140095
28.
Sontag S. Regarding the pain of others. London: Hamish Hamilton; 2003.
29.
Lister M. The photographic image in digital culture. Vol. Comedia. London: Routledge; 1995.
30.
Marien MW. Photography: a cultural history. Fourth edition. London: Laurence King Publishing; 2014.
