Allain, P. & British Grotowski Project. (2009). Grotowski’s empty room: Vol. Enactments. Seagull Books.
Arfara, K. (2008). Review Essay: The Wooster Group:                              , or the Tragic of the Surface. Performance Research, 13(1), 134–137. https://doi.org/10.1080/13528160802465680
Armstrong, J. (2015). Cruel Britannia: Sarah Kane’s postmodern traumatics. Peter Lang.
Benedetti, J. (1988). Stanislavski. Methuen.
Benedetti, J. (1998). Stanislavski and the actor. Methuen Drama.
Boenisch, P. M. (2015a). Directing scenes and senses: the thinking of regie. Manchester University Press. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4711189130002418&institutionId=2418&customerId=2415
Boenisch, P. M. (2015b). Directing scenes and senses: the thinking of regie. Manchester University Press. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4711575440002418&institutionId=2418&customerId=2415
Boenisch, P. M., & Ostermeier, T. (2016). ‘On Directing’. In The theatre of Thomas Ostermeier (pp. 132–184). Routledge.
Bogart, A. (2001). A director prepares: seven essays on art and theatre. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039381080002418&institutionId=2418&customerId=2415
Bogart, A. (2007). ‘Intention’ in And then, you act: making art in an unpredictable world. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203965504
Bogart, A. (2014). ‘Politics’ in What’s the story: essays about art, theater and storytelling. In What’s the story: essays about art, theater and storytelling (pp. 123–139). Routledge.
Bogart, A., & Landau, T. (2005). ‘Introducing the Individual Viewpoints’ in The viewpoints book: a practical guide to viewpoints and composition (1st ed). Theatre Communications Group.
Caldarone, M., & Lloyd-Williams, M. (2004). Actions: the actors’ thesaurus. Nick Hern.
Callens, J. (2004). The Wooster Group and its traditions: Vol. Dramaturgies. P.I.E.-Peter Lang. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013111230&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Catanese, B. W. (2014). Problem of the Color blind: Racial Transgression and the Politics of Black Performance: Vol. Theater: Theory/Text/Performance. University of Michigan Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=2463020580002418&institutionId=2418&customerId=2415
Cole, S. L. (1992). A Hidden World. In Directors in rehearsal: a hidden world (pp. 1–9). Routledge. https://contentstore.cla.co.uk/secure/link?id=26cc489b-4892-e711-80cb-005056af4099
Craig, M., Langton, J., Copernicus Films, & Insight Media (Firm). (2011). Stanislavsky and the Russian theatre. Copernicus Films.
Delgado, M. M., & Heritage, P. (1996). In contact with the Gods?: directors talk theatre. Manchester University Press.
Delgado, M. M., & Rebellato, D. (2010a). Contemporary European theatre directors. Routledge.
Delgado, M. M., & Rebellato, D. (2010b). Katie Mitchell in Contemporary European theatre directors. Routledge.
Delgado, M. M., & Rebellato, D. (2010c). Thomas Ostermeier. In Contemporary European theatre directors (pp. 339–359). Routledge.
Derrida, J., Rand, R., & Leavey, J. P. (1986). Glas. University of Nebraska Press.
Dixon, M. B., & Smith, J. A. (1995a). Anne Bogart: viewpoints: Vol. Career development series (1st ed). Smith and Kraus.
Dixon, M. B., & Smith, J. A. (1995b). Anne Bogart: viewpoints: Vol. Career development series (1st ed). Smith and Kraus.
Dutch courage: Toneelgroep Amsterdam’s Kings of War â�� in pictures | Stage | The Guardian. (n.d.). https://www.theguardian.com/stage/gallery/2016/apr/27/dutch-courage-toneeelgroep-amsterdam-kings-of-war-in-pictures#img-1
Eldridge, L. (2005). Genet’s The Maids: performativity in performance. Studies in Theatre and Performance, 25(2), 99–114. https://doi.org/10.1386/stap.25.2.99/1
Fensham, R. (2009). To watch theatre: essays on genre and corporeality: Vol. Dramaturgies. P.I.E. Peter Lang.
Finburgh, C., Lavery, C., & Shevtsova, M. (2006). Jean Genet: performance and politics. Palgrave Macmillan.
Flaszen, L. (2010). Grotowski & company. Icarus.
Gainor, J. E., & Gainor, J. E. (2012). Chapter 14 ‘On Jean Genet’s Late Works’ in Imperialism and Theatre. Taylor and Francis. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=2463020730002418&institutionId=2418&customerId=2415
Genet, J. (2009). The maids. Faber.
Gertrude Stein’s Doctor Faustus Lights the Lights. (n.d.). https://faustuslightsthelights.files.wordpress.com/2015/07/stein_doctorfaustus.pdf
Giesekam, G. (2007a). Chapter 4 Postmodern Collage: The Wooster Group. In Staging the screen: the use of film and video in theatre: Vol. Theatre&performance practices (pp. 80–115). Palgrave Macmillan.
Giesekam, G. (2007b). Staging the screen: the use of film and video in theatre: Vol. Theatre&performance practices. Palgrave Macmillan.
Goethe, J. W. von, Schönhofer, P., Grimm, T., Stein, P., Ganz, B., Nickel, C., & Hunger-Bühler, R. (2007). Peter Stein inszeniert Faust. Bel Air Ed.
Grotowski, J. (2002). Towards a poor theatre (E. Barba, Ed.; First Routledge edition). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203819814
Grotowski, J., Schechner, R., & Wolford, L. (2001). The Grotowski sourcebook: Vol. Worlds of performance. Routledge.
Hampton, C., & Chekhov, A. P. (2007). The seagull. FF plays. http://dx.doi.org/10.5040/9780571293520.00000005
Hedda Gabler [DVD] / by Henrik Ibsen ; directed by Thomas Ostermeier ; translation into German by Hinrich Schmidt-Henkel. (n.d.). http://69.70.65.162/in/faces/details.xhtml?id=p%3A%3Ausmarcdef_0000075519&highlight=*&posInPage=0&bookmark=4c8e456e-1e80-4b88-b09b-43d14fe2dfbe&queryid=e656dee3-c4db-445c-9cc4-68cf474a52df
Helland, F. (2015). Ibsen in practice: relational readings of performance, cultural encounters and power. Bloomsbury.
In between stage and screen: The intermedial in Katie Mitchell’s…some trace of her. (n.d.). http://www.tandfonline.com/doi/pdf/10.1386/padm.7.1.43_1
Innes, C. D. (2000). A sourcebook on naturalist theatre. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=2463020960002418&institutionId=2418&customerId=2415
Innes, C., & Shevtsova, M. (2013a). The Cambridge introduction to theatre directing: Vol. Cambridge introductions to literature. Cambridge University Press.
Innes, C., & Shevtsova, M. (2013b). The Cambridge introduction to theatre directing: Vol. Cambridge introductions to literature. Cambridge University Press.
Innes, C., & Shevtsova, M. (2013c). The Cambridge introduction to theatre directing: Vol. Cambridge introductions to literature. Cambridge University Press.
Innes, C., & Shevtsova, M. (2013d). The Cambridge introduction to theatre directing: Vol. Cambridge introductions to literature. Cambridge University Press.
Innes, C., & Shevtsova, M. (2013e). The Cambridge introduction to theatre directing: Vol. Cambridge introductions to literature. Cambridge University Press.
Innes, C., & Shevtsova, M. (2013f). The Cambridge introduction to theatre directing: Vol. Cambridge introductions to literature. Cambridge University Press. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781107255265
Inside the War Room | Barbican Blog. (n.d.). http://blog.barbican.org.uk/2016/04/inside-the-war-room/
Ivo van Hove on �Kings of War� | Barbican Blog. (n.d.). http://blog.barbican.org.uk/2016/04/ivo-van-hove-on-kings-of-war/
Kantor, T., & Kobialka, M. (1993). A journey through other spaces: essays and manifestos, 1944-1990. University of California Press.
Kantor, T., Munder, H., & Migros Museum für Gegenwartskunst. (n.d.). Tadeusz Kantor. Migros Museum für Gegenwartskunst.
Kantor, T., Porebski, M., Miodonska-Joucaviel, K., & Pleśniarowicz, K. (n.d.). Tadeusz Kantor: rozmowa = Tadeusz Kantor : conversation: Vol. Nouvelles scènes. Presses universitaires du Midi.
Kantor, T., Wajda, A., Puzyna, K., Różewicz, T., Polish Theatre Perspectives, & Instytut im. Jerzego Grotowskiego. (2015). Umarła klasa =: The dead class : a dramatic séance by Tadeusz Kantor ; filmed by Andrzej Wajda. Polish Theatre Perspectives, an imprint of TAPAC: Theatre and Performance Across Cultures.
Katie Mitchell ...some trace of her Workpack. (n.d.). http://d1wf8hd6ovssje.cloudfront.net/documents/Some%20trace%20of%20her%20workpack%20FINAL.pdf
Katie Mitchell’s The Waves Education Pack. (n.d.). http://www.nationaltheatre.org.uk/sites/all/libraries/files/documents/Waves_workpack.pdf
Kelleher, J. (2015). The illuminated theatre: studies on the suffering of images. Routledge.
Kirwan, P. (2010). Review of Shakespeare’s Roman Tragedies (Coriolanus, Julius Caesar, Antony and Cleopatra) (directed by Ivo Van Hove for Toneelgroep Amsterdam) at the Barbican, London, 20 November 2009. Shakespeare, 6(4), 478–482. https://doi.org/10.1080/17450918.2010.527362
Klich, R., & Scheer, E. (2012). Chapter 3: The Theatre of Images Revisited. In Multimedia performance (pp. 53–46). Palgrave Macmillan. https://whelf-aber.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4688967020002418&institutionId=2418&customerId=2415
Klotz, N., Perceval, E., & Baecque, A. de. (2013). Le  vent souffle dans la cour d’honneur: les utopies contemporaines du Festival d’Avignon. Compagnie des Indes.
Kobialka, M. (2009). Further on, Nothing: Tadeusz Kantor’s Theatre. University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=2608318200002418&institutionId=2418&customerId=2415
Kumiega, J. (1985). Extract from ‘ Koridan to The Constant Prince’. In The theatre of Grotowski (pp. 66–71). Methuen.
Lavery, C. (2010). Chapter 6 - The Blacks in The politics of Jean Genet’s late theatre: spaces of revolution: Vol. Theatre : theory, practice, performance. Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=14a488df-5999-e711-80cb-005056af4099
LeCompte, E. & Wooster Group. (2004). House/Lights: after Gertrude Stein’s Doctor Faustus lights the lights. Wooster Group.
Lewin, A., & Stein, P. (2013). Lontano: die Schaubühne von Peter Stein. Andreas Lewin Filmproduktion.
Mangold, A. C. (2010). The empty I: Sarah Kane and the aesthetics of the new tragic.
Marlowe, Christopher, 1564-1593. (n.d.). The Tragical History of Doctor Faustus From the Quarto of 1604. http://www.gutenberg.org/ebooks/779
Marranca, B. (2003). The Wooster Group: A Dictionary of Ideas. PAJ: A Journal of Performance and Art, 25(2), 1–18. https://doi.org/10.1162/152028103321781510
Marranca, B. (2008). Performance histories (1st ed). PAJ Publications. http://catdir.loc.gov/catdir/toc/ecip0723/2007030976.html
McGuinness, F., Ibsen, H., McGuinness, F., & Barslund, C. (1996). A doll’s house: Vol. Faber plays. Faber. http://dx.doi.org/10.5040/9780571284245.00000005
Mitchell, K. (2009a). Chapter 11 of The director’s craft: a handbook for the theatre. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203889701
Mitchell, K. (2009b). The director’s craft: a handbook for the theatre. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203889701
Mitter, S. (1992). Systems of rehearsal: Stanislavsky, Brecht, Grotowski and Brook. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037253950002418&institutionId=2418&customerId=2415
Mitter, S., & Shevtsova, M. (2005). Fifty key theatre directors: Vol. Routledge key guides. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037253940002418&institutionId=2418&customerId=2415
Moseley, N. (2016). Actioning and how to do it. Nick Hern Books.
Nally, C., & Smith, A. (2013). Chapter 3 of Naked Exhibitionism: Gendered Performance and Public Exposure: Vol. International library of cultural studies  Naked exhibitionism. I.B.Tauris.
O’Reilly, K. (2016). the 9 Fridas. In Atypical plays for atypical actors (pp. 171–213). Oberon Books.
Ostermeier, T. (n.d.). Hamlet.
Oswald, L. (1989a). Jean Genet and the semiotics of performance: Vol. Advances in semiotics. Indiana University Press.
Oswald, L. (1989b). Jean Genet and the semiotics of performance: Vol. Advances in semiotics. Indiana University Press.
Pappelbaum, J., & Dürrschmidt, A. (2006). You should be able to sit in an Ibsen play: An interview with Jan Pappelbaum. In Dem Einzelnen ein Ganzes: BuÌhnen = A whole for the parts : stages (pp. 16–30). Theater der Zeit.
Parker-Starbuck, J. (2014a). CONTROLling the channel: House/lights and intersecting landscapes. In Cyborg theatre: corporeal/technological intersections in multimedia performance: Vol. Performance interventions (pp. 110–119). Palgrave Macmillan.
Parker-Starbuck, J. (2014b). Cyborg theatre: corporeal/technological intersections in multimedia performance: Vol. Performance interventions. Palgrave Macmillan.
Pavis, P. (2013a). Contemporary mise en scène: staging theatre today. Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203125137
Pavis, P. (2013b). Contemporary mise en scène: staging theatre today. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203125137
Quadri, F., Bertoni, F., & Stearns, R. (1998). Robert Wilson. Rizzoli.
Quick, A. (2007). House/Lights. In The Wooster Group work book (pp. 164–219). Routledge.
Review of Roman Tragedies. (n.d.). http://www.tandfonline.com/doi/pdf/10.1080/17450918.2010.527362
Richards, T., & Grotowski, J. (1995). At work with Grotowski on physical actions. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037248920002418&institutionId=2418&customerId=2415
Roberts, P., Stafford-Clark, M., & Haynes, J. (2007). Taking stock: the theatre of Max Stafford-Clark. Nick Hern.
Romanska, M. & ebrary, Inc. (2012). The post-traumatic theatre of Grotowski and Kantor: history and Holocaust in Akropolis and The dead class. Anthem Press. http://site.ebrary.com/lib/aber/Doc?id=10651449
Rossacher, H., Ostermeier, T., Büchner, G., Cathomas, B., Giesse, C., & Roemer, F. (2007). Woyzeck. [Arte France?].
Saunders, G. (2002). ‘Cleansed’. In ‘Love me or kill me’: Sarah Kane and the theatre of extremes (pp. 86–99). Manchester University Press.
Saunders, G. (2009). About Kane: the playwright and the work. Faber and Faber.
Savran, D., & Savran, D. (1988). Breaking the rules: the Wooster Group. Theatre Communications Group.
Shepherd, S. (2012a). Direction. Palgrave Macmillan. https://primo.aber.ac.uk/view/action/uresolver.do?operation=resolveService&package_service_id=5445943600002418&institutionId=2418&customerId=2415&VE=true
Shepherd, S. (2012b). Direction: Vol. Readings in theatre practice. Palgrave Macmillan. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039373230002418&institutionId=2418&customerId=2415
Shyer, L. (1989). Robert Wilson and his collaborators (1st ed). Theatre Communications Group.
Stafford-Clark, M. (1990). Extract. In Letters to George: the account of a rehearsal (pp. 66–73). Nick Hern. https://contentstore.cla.co.uk/secure/link?id=68437c2b-087c-e611-80c6-005056af4099
Stein, P. (1971). Peer Gynt.
Strindberg, A. (2006). Miss Julie. Methuen student editions. http://dx.doi.org/10.5040/9781408168189.00000018
Szondi, P., & Hays, M. (1987). Theory of the modern drama: a critical edition: Vol. Theory and history of literature. University of Minneapolis Press.
The Play of Regie | Issue No.10. (n.d.). http://www.criticalstages.org/the-play-of-regie/
Theatre Laid Bare - The New Yorker. (n.d.). http://www.newyorker.com/magazine/2015/10/26/theatre-laid-bare
Thomas Ostermeier. (2014). ‘The More Political We Are, the Better We Sell’: A Conversation about the Political Potential of Directing Classical Drama and the Nasty Traps of Today’s Cultural Industry. Performance Paradigm, 10. http://www.performanceparadigm.net/index.php/journal/article/view/142/141
Thomas Ostermeier, ‘Reading and Staging Ibsen’. (n.d.). http://www.schaubuehne.de/uploads/Reading-and-Staging-Ibsen.pdf
Toporkov, V. O. (1979). Stanislavski in rehearsal: the final years: Vol. A theatre arts book. Routledge.
Trevis, D. (2012). Being a director: a life in theatre. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203816363
Twitchin, M. (2016). The Theatre of Death - The Uncanny in Mimesis 2016: Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor: Vol. Performance Philosophy (1st ed. 2016). Palgrave Macmillan.
Viotte, M., Kent, D., Cavassilas, P., Rossacher, H., Faivre d’Arcier, B., Lassalle, J., Huppert, I., Bezace, D., Arditi, P., Sourdillon, A., Goldoni, C., Büchner, G., & Ostermeier, T. (2007). 60 Ans festival d’Avignon. Arte Boutique.
Vos, L. de, & Saunders, G. (2010). Sarah Kane in context. Manchester University Press.
Whyman, R. (2013). Stanislavski: Vol. The basics. Routledge.
Witts, N. (2010). Tadeusz Kantor: Vol. Routledge performance practitioners. Routledge.
Worthen, W. B. (2014). Shakespeare performance studies. Cambridge University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781316013601
Woycicki, P. (2014). Post-cinematic theatre and performance: Vol. Palgrave studies in performance and technology. Palgrave Macmillan.