1.
Bachelard, G. The Poetics of Reverie: Childhood, Language, and the Cosmos. (Beacon, Boston, Mass, 2004).
2.
Casey, E. S. The Fate of Place: A Philosophical History. (Univesity of California Press, London, 1997).
3.
Fuchs, E. & Chaudhuri, U. Land/Scape/Theater. vol. Theater--theory/text/performance (University of Michigan Press, Ann Arbor, 2002).
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Coult, T. & Kershaw, B. Engineers of the Imagination: The Welfare State Handbook. (Methuen, London, 1983).
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Certeau, M. de. ‘Walking in The City’ in The practice of everyday life. in The practice of everyday life (University of California Press, Berkeley, Calif, 1984).
6.
‘Theory of the Derive’. http://library.nothingness.org/articles/SI/en/display/314.
7.
Heathfield, A., Etchells, T., & Forced Entertainment (Theater company). Small Acts: Performance, the Millennium and the Marking of Time. (Black Dog, [London, 2000).
8.
Farquhar, A. The Storr: Unfolding Landscape. (Luath, Edinburgh, 2006).
9.
Fuchs, E. & Chaudhuri, U. ‘Theatrical Encounters: Staging the City’  in Land/scape/theater. in Land/scape/theater vol. Theater--theory/text/performance 94–118 (University of Michigan Press, Ann Arbor, 2002).
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Giannachi, G. & Stewart, N. ‘Introduction’ in Performing nature: explorations in ecology and the arts. in Performing nature: explorations in ecology and the arts (Lang, Oxford, 2005).
11.
‘Wandering and Wondering: Following Janet Cardiff’s Missing Voice’. in Performance and the contemporary city: an interdisciplinary reader (ed. Whybrow, N.) 167–179 (Palgrave Macmillan, Basingstoke, Hampshire, 2010).
12.
Performing the archive: following in the footsteps.
13.
Hill, L. & Paris, H. Performance and Place. vol. Performance interventions (Palgrave Macmillan, Houndmills, Basingstoke, Hampshire, 2006).
14.
Spier, S. ‘The Map is not the Territory’ in Urban visions. in Urban visions: experiencing and envisioning the city vol. Tate Liverpool critical forum 215–228 (Liverpool University Press, Liverpool, 2002).
15.
Kaye, N. Site-Specific Art: Performance, Place, and Documentation. (Routledge, London, 2000).
16.
Kaprow, A., Lebel, J.-J., & Gutai Bijutsu Kyōkai. Assemblage, Environments & Happenings. (H. N. Abrams, New York, 1966).
17.
Whybrow, N. ‘The Pepys of London E11: Graeme Miller and The Politics of Linked’ in Performance and the contemporary city: an interdisciplinary reader. in Performance and the contemporary city: an interdisciplinary reader 149–167 (Palgrave Macmillan, Houndmills, Basingstoke, Hampshire [England], 2010).
18.
Lefebvre, H., Kofman, E. & Lebas, E. ‘The Right to the City’ in Writings on cities. in Writings on cities 147–159 (Blackwell Publishers, Oxford, 1996).
19.
Lippard, L. R. The Lure of the Local: Senses of Place in a Multicentered Society. (New Press, New York, 1997).
20.
Massey, D. B. For Space. (SAGE, London, 2005).
21.
Massey, D. Space, Place and Gender. (Polity, Cambridge, 1994).
22.
Marranca, B. Ecologies of Theater: Essays at the Century Turning. vol. PAJ books (Johns Hopkins University Press, Baltimore, 1996).
23.
McAuley, G. Unstable Ground: Performance and the Politics of Place. vol. Dramaturgies (P.I.E. Peter Lang, Bruxelles, 2006).
24.
Crang, M., Thrift, N. J., & ebrary, Inc. ‘Henri Lefebvre: A Socialist in Space’ in Thinking space. in Thinking space vol. Critical geographies 167–182 (Routledge, London, 2000).
25.
Taylor, A.-M. ‘Special Worlds, Secret Maps: A Poetics of Performance’ in Staging Wales. in Staging Wales (University of Wales Press, Cardiff, 1997).
26.
Pearson, M. & Shanks, M. Theatre/Archaeology. (Routledge, London, 2001).
27.
Pearson, M. Site-Specific Performance. (Palgrave Macmillan, Basingstoke, 2010).
28.
Schama, S. Landscape and Memory. (HarperCollins, London, 1995).
29.
Baker, G., Cooke, L. & Kelly, K. J. Robert Smithson: Spiral Jetty : True Fictions, False Realities. (University of California Press, Berkeley, 2005).
30.
Turner, C. Palimpsest or potential space? Finding a vocabulary for site-specific performance. New Theatre QuarterlyNew Theatre Quarterly 20, 373–390 (2004).
31.
Tuan, Y. Chapter 8. in Topophilia: a study of environmental perception, attitudes, and values (Prentice-Hall, Englewood Cliffs, 1974).
32.
Tuan, Y. Chapter 9. in Topophilia: a study of environmental perception, attitudes, and values (Prentice-Hall, Englewood Cliffs, 1974).
33.
Wiles, D. Introduction. in A short history of Western performance space 1–22 (Cambridge University Press, Cambridge, 2003).
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Wilkie, F. Mapping the terrain: A survey of site-specific performance in Britain. New Theatre QuarterlyNew Theatre Quarterly 18, 140–160 (2002).
35.
Holdsworth, N. & Luckhurst, M. The Production of "Site”: Site-Specific Theatre’ in A concise companion to contemporary British and Irish drama. in A concise companion to contemporary British and Irish drama (Blackwell, Oxford, 2008).
36.
Francis Alÿs:  ‘Nightwatch’.
37.
Francis Alÿs: ‘The Guards’. http://www.outset.org.uk/england/projects/the-guards/.
38.
‘Kitchen Show’ (Bobby Baker).
39.
Blast Theory: ‘A machine to see with’.
40.
Blast Theory: ‘I’d hide you’.
41.
Blast Theory: My Neck of the Woods.
42.
Mike Brookes: ‘The last bus [of the millennium]’. http://mikebrookes.com/shame/archive01.html.
43.
Mike Brookes: ‘Something burning [but it will turn out wrong]’. http://mikebrookes.com/shame/archive01.html.
44.
Mike Brookes and Rosa Casado: Just a little bit of history repeating: ‘Alexandra Bandstand’.
45.
Mike Brookes and Rosa Casado: ‘Euskalduna Shipyard’. http://mikebrookes.com/shame/archive01.html.
46.
Mike Brookes and Rosa Casado: ‘Parking lots of Providence / introduced birdsong’. http://mikebrookes.com/shame/archive01.html.
47.
Janet Cardiff: ‘Missing Voice’. http://www.artangel.org.uk/projects/1999/the_missing_voice_case_study_b.
48.
Jeremy Deller: ‘Battle of Orgreave’.
49.
Olafur Eliasson: ‘The weather project’.
50.
Fevered Sleep: ‘Weather Factory’.
51.
Šejla Kameric: ‘1395 Days without Red’. http://www.mif.co.uk/event/sejla-kameric-anri-sala-1395-days-without-red-projections-works-from-the-artangel-collection/.
52.
Lone Twin: ‘The Boat Project’. http://www.theboatproject.com/.
53.
Gordon Matta-Clark: ‘Splitting’.
54.
Gordon Matta-Clark: ‘Conical Intersect’.
55.
NVA: ‘The Storr - Unfolding Landscape’.
56.
NVA’s Speed of Light.
57.
Mike Pearson: ‘Bubbling Tom’. https://worldtheatre2.wordpress.com/2012/11/04/bubbling-tom-mike-pearson/.
58.
Pearson/Brookes: ‘The first five miles’. http://www.mikebrookes.com/ambivalence/pearsonbrookes/firstfivemiles.htm.
59.
Pearson/Brookes: ‘Body of evidence’. http://www.mikebrookes.com/ambivalence/pearsonbrookes/bodyofevidence.htm.
60.
Pearson/Brookes: ‘Carrying Lyn’. http://www.mikebrookes.com/ambivalence/pearsonbrookes/carryinglyn.htm.
61.
Pearson/Brookes: ‘Polis’. http://www.mikebrookes.com/ambivalence/pearsonbrookes/polis.htm.
62.
Pearson/Brookes: ‘The Persians’.
63.
Mike Pearson and John Hardy: ‘Carrlands’. http://www.carrlands.org.uk/.
64.
Platform: ‘And While London Burns’. http://andwhilelondonburns.com/.
65.
Fiona Templeton: ‘You the City’. http://www.fionatempleton.org/you-the%20city.htm.
66.
Townley and Bradby: ‘The Bowthorpe Experiment’.
67.
Deborah Warner and Fiona Shaw: ‘Peace Camp’. http://www.peacecamp2012.com/.
68.
Rachel Whiteread: ‘House’. http://www.artangel.org.uk/projects/1993/house.