1
Brewster S, Thurston L, editors. The Routledge handbook to the ghost story. London: : Routledge 2017.
2
Anne Radcliffe. On the Supernatural in Poetry. The New monthly magazine and literary journal, Jan 1821-Dec 1836;16:145–52.http://search.proquest.com/britishperiodicals/docview/4400026/citation/D05DD27D6A994D49PQ/1?accountid=14783
3
Scott W. On the Supernatural in Fictitious Composition; and particularly on the Works of Ernest Theodore William Hoffman. The Foreign quarterly review, July 1827-July 1846;1:60–98.http://search.proquest.com/docview/2650203?accountid=14783
4
Gaskell E. The Old Nurse’s Story. In: The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 1852. 3–24.
5
Le Fanu J. Squire Toby’s Will. In: Cox M, Gilbert RA, eds. The Oxford book of English ghost stories. Oxford: : Oxford University Press 1868. 25–50.
6
Dickens C. The Signalman. In: The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 1866. 91–104.
7
Collins W. Mrs. Zant and the Ghost. In: Classic ghost stories. Mineola, N.Y.: : Dover Publications 1879. 30–58.
8
Jill L. Matus. Trauma, Memory, and Railway Disaster: The Dickensian Connection. Victorian Studies 2001;43:413–36.https://muse.jhu.edu/article/35840
9
Oliphant M. The Open Door. In: The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 1885. 193–203.
10
Lee V. A Wicked Voice. In: Cox M, Gilbert RA, eds. The Oxford book of English ghost stories. Oxford: : Oxford University Press 1890. 87–108.
11
Nesbit E. Man-Size in Marble. In: Cox M, Gilbert RA, eds. The Oxford book of English ghost stories. Oxford: : Oxford University Press 1893. 125–36.
12
Freeman N. E. Nesbit’s New Woman Gothic. Women’s Writing 2008;15:454–69. doi:10.1080/09699080802444918
13
O’Brien F-J. What Was It? In: The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 1859. 25–37.
14
Edwards AB. The Phantom Coach. In: Cox M, Gilbert RA, eds. The Oxford book of English ghost stories. Oxford: : Oxford University Press 1864. 13–24.
15
Edwards AB. The New Pass. In: Classic ghost stories. Mineola, N.Y.: : Dover Publications 1873. 74–85.
16
Bulwer-Lytton E. The Haunted and the Haunters: or, The House and the Brain. In: The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 1859. 39–66.
17
Srdjan Smajic. The Trouble with Ghost-Seeing: Vision, Ideology, and Genre in the Victorian Ghost Story. ELH 2003;70:1107–35.http://www.jstor.org/stable/30029915?seq=1#page_scan_tab_contents
18
Hearn L. The Nightmare Touch. In: The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 2010. 224–30.
19
Blackwood A. The Empty House. In: Cox M, Gilbert RA, eds. The Oxford book of English ghost stories. Oxford: : Oxford University Press 1906. 222–35.
20
Jacobs WW. The Monkey’s Paw. In: The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 1902. 231–42.
21
Freud S, McLintock D, Haughton H. The Uncanny. In: The uncanny. New York: : Penguin Books 2003. 121–62.
22
James MR. Oh Whistle, and I’ll Come to You, My Lad. In: The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 1904. 261–80.
23
James MR. The Mezzotint. In: Collected ghost stories. Ware, Hertfordshire: : Wordsworth Editions 1904. 24–34.
24
Ralph Harrington. ‘So jarred were all my nerves’: supernatural shock and traumatic terror in the ghost stories of M. R. James. 2006.https://blackboard.aber.ac.uk/bbcswebdav/pid-907538-dt-content-rid-1251439_1/courses/EN30820_AB0_2016-17/So_jarred_were_all_my_nerves_supernatura.pdf
25
Thurston L. Broken Lineage: M. R. James. In: Literary ghosts from the Victorians to Modernism: the haunting interval. New York: : Routledge 2012. 57–72.
26
James H. The Jolly Corner. In: The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 1908. 291–325.
27
The Queer subject of The Jolly Corner. The Henry James Review 1999;20:1–21.http://literature.proquest.com/searchFulltext.do?id=R01243926&divLevel=0&queryId=2968481230446&trailId=158F923AE33&area=abell&forward=critref_ft
28
Sinclair M. the Intercessor. In: Uncanny stories. Ware: : Wordsworth Editions 1911. 177–216.
29
Everett HD. The Next Heir. In: The crimson blind: and other stories. Ware: : Wordsworth Editions 1920. 81–112.
30
Broster DK. The Pestering. In: Couching at the door. London: : Wordsworth Editions 1932. 129–62.
31
Bleiler R. May Sinclair’s Supernatural Fiction. In: May Sinclair: moving towards the modern. Aldershot, Hants: : Ashgate 2006. 123–38.
32
Hartley LP. A Visitor from Down Under. In: Cox M, Gilbert RA, eds. The Oxford book of English ghost stories. Oxford: : Oxford University Press 1926. 307–21.
33
Wharton E. Afterward. In: Ghosts. New York: : D. Appleton-Century Company 69–112.
34
Byatt AS. The July Ghost. In: Oxford Book of Twentieth-century Ghost Stories. Oxford Paperbacks 1987. 376–89.
35
Thurston L. Literary ghosts from the Victorians to Modernism: the haunting interval. New York: : Routledge 2012. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203112496
36
Thurston L. Literary ghosts from the Victorians to Modernism: the haunting interval. New York: : Routledge 2012. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203112496
37
Brian McCuskey. Not at Home: Servants, Scholars, and the UncannyNot at Home: Servants, Scholars, and the Uncanny. PMLA 2006;121:421–36.http://www.jstor.org/stable/25486323
38
Davies O. The haunted: a social history of ghosts. Basingstoke, Hampshire: : Palgrave Macmillan 2009.
39
McGarry M, ebrary, Inc. Ghosts of futures past: spiritualism and the cultural politics of nineteenth-century America. Berkeley: : University of California Press 2008. http://site.ebrary.com/lib/aber/Doc?id=10676250
40
Dickerson VD. Victorian ghosts in the noontide: women writers and the supernatural. Columbia: : University of Missouri Press 1996.
41
Radcliffe JN. Fiends, ghosts, and sprites: Including an account of the origin and nature of belief in the supernatural. London: : R.Bentley 1854.
42
Scott W, ebrary, Inc. The Tapestried chamber. London: : Electric Book Co 2001. http://site.ebrary.com/lib/aber/Doc?id=2001613
43
Wolfreys J. Victorian hauntings: spectrality, Gothic, the uncanny, and literature. Houndmills, Basingstoke, Hampshire: : Palgrave 2002.
44
Messent PB. Literature of the occult: a collection of critical essays. Englewood Cliffs, N.J: : Prentice-Hall 1981.
45
Brown M. The Gothic text. Stanford, Calif: : Stanford University Press 2005.
46
Sullivan J. The Penguin encyclopedia of horror and the supernatural. Harmondsworth: : Viking 1986.
47
Bown N, Burdett C, Thurschwell P. The Victorian supernatural. Cambridge: : Cambridge University Press 2004.
48
Wilson N, British Library. Shadows in the attic: a guide to British supernatural fiction, 1820-1950. 1st ed. Wetherby: : British Library 2000.
49
Blackwood A. Tales of the supernatural. Woodbridge: : Boydell 1983.
50
Gray M, Oliphant. Selected short stories of the supernatural. Edinburgh: : Scottish Academic 1985.
51
Kerr H, Crowley JW, Crow CL. The Haunted dusk: American supernatural fiction, 1820-1920. Athens, Ga: : University of Georgia Press 1983.
52
Royle N. The uncanny. Manchester: : Manchester University Press 2003.
53
Robbins R, Wolfreys J. Victorian gothic: literary and cultural manifestations in the nineteenth century. Basingstoke: : Macmillan 2000.
54
Baldick C. The Oxford book of gothic tales. Oxford [England]: : Oxford University Press 1992.
55
Harris JM. Folklore and the fantastic in nineteenth-century British fiction. Aldershot: : Ashgate 2008.
56
Kunka A, Troy MK. May Sinclair: moving towards the modern. Aldershot, Hants: : Ashgate 2006.
57
Cox M, Gilbert RA, editors. The Oxford book of English ghost stories. Oxford: : Oxford University Press 2008.
58
Newton M, editor. The penguin book of ghost stories: from Elizabeth Gaskell to Ambrose Bierce. London: : Penguin Books 2010.
59
James MR, Cox M. ‘Casting the runes’ and other ghost stories. Oxford: : Oxford University Press 2009.
60
Collins W, Grafton J. Classic ghost stories. Mineola, N.Y.: : Dover Publications 1998.
61
Blakemont AJ. The Gothic: 250 years of success: your guide to Gothic literature and culture. [Place of publication not identified]: : Dark Romantic Worlds 2014.
62
Luckhurst R. Late Victorian Gothic tales. Oxford: : Oxford University Press 2009.
63
Smith A. Victorian demons: medicine, masculinity, and the Gothic at the fin-de-siècle. Manchester: : Manchester University Press 2004.
64
Clery EJ, Miles R. Gothic documents: a sourcebook, 1700-1820. Manchester: : Manchester University Press 2000.
65
Punter D, Byron G. The Gothic. Malden, Mass: : Blackwell 2004.
66
Williams A. Art of darkness: a poetics of Gothic. Chicago: : University of Chicago Press 1995. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231740002418&institutionId=2418&customerId=2415
67
Mishra V. The gothic sublime. Albany: : State University of New York Press 1994.
68
Smith A, Hughes W. The Victorian gothic: an Edinburgh companion. Edinburgh: : Edinburgh University Press 2012.
69
Matus JL. Shock, memory and the unconscious in Victorian fiction. Cambridge: : Cambridge University Press 2011.
70
Kontou T. Women and the Victorian occult. London [u.a.]: : Routledge 2011. http://www.gbv.de/dms/goettingen/669387444.pdf
71
Smajic S. Ghost-seers, detectives, and spiritualists: theories of vision in Victorian literature and science. Cambridge: : Cambridge University Press 2013.
72
Owen A. The darkened room: women, power, and spiritualism in late Victorian England. Chicago: : University of Chicago Press 2004.
73
Oppenheim J. The other world: spiritualism and psychical research in England, 1850-1914. Cambridge: : Cambridge University Press 1988.
74
Melechi A. Servants of the supernatural: the night side of the Victorian mind. London: : Arrow 2009.
75
Smith A. The ghost story, 1840-1920: a cultural history. Manchester: : Manchester University Press 2012. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037250070002418&institutionId=2418&customerId=2415
76
Sullivan J. Elegant nightmares: the English ghost story from Le Fanu to Blackwood. Athens: : Ohio University Press 1978.
77
Briggs J. Night visitors: the rise and fall of the English ghost story. London: : Faber 1977.
78
Joshi AST. The Weird Tale. Wildside Press 2003.
79
Joshi ST, Pardoe R, editors. Warnings to the curious: a sheaf of criticism on M.R. James. New York: : Hippocampus Press 2007.
80
Hay SJ. A history of the modern British ghost story. Basingstoke: : Palgrave Macmillan 2011.
81
Davies O. The haunted: a social history of ghosts. Basingstoke, Hampshire: : Palgrave Macmillan 2009.
82
Fernie E. The demonic: literature and experience. London: : Routledge 2013.
83
Hogle JE. Cambridge companion to gothic fiction. Cambridge: : Cambridge University Press 2002.
84
Spooner CL, McEvoy E. The Routledge companion to Gothic. London: : Routledge 2007.
85
Lustig TJ. Henry James and the ghostly. Cambridge: : Cambridge University Press 2010.
86
Punter D. The literature of terror: a history of Gothic fictions from 1765 to the present day, Volume 1: The Gothic tradition. London: : Longman 1996.
87
Punter D. Gothic pathologies: the text, the body and the law. Basingstoke: : Macmillan Press 1998.
88
Raitt S. May Sinclair: a modern Victorian. Oxford: : Clarendon Press 2000.
89
Sinclair M, March-Russell P. Uncanny stories. Ware: : Wordsworth Editions 2006.
90
Rowe K. Dead hands: fictions of agency, Renaissance to modern. Stanford, CA: : Stanford University Press 1999.
91
Collings R, editor. Classic Victorian & Edwardian ghost stories. Ware: : Wordsworth Editions 1996.
92
James MR. Collected ghost stories. Herts: : Wordsworth Editions 2007.
93
Kellermeyer MG, editor. The best Victorian ghost stories: annotated and illustrated tales of murder, mystery, hauntings & horror. Second edition. [Place of publication not identified]: : Oldstyle Tales press 2014.
94
James H, Schofield M, Davies DS. Ghost Stories of Henry James. Herts: : Wordsworth Editions Ltd 2008.
95
Conrad-O’Briain H, Stevens JA. The ghost story from the middle ages to the 20th century: a ghostly genre. Dublin: : Four Courts Press 2010.
96
Broster DK. Couching at the door. London: : Wordsworth Editions 2007.
97
Trauma, Memory, and Railway Disaster: The Dickensian Connection. Victorian Studies;43:413–36.http://muse.jhu.edu/journals/vic/summary/v043/43.3matus.html
98
Freeman N. E. NESBIT’S NEW WOMAN GOTHIC. Women’s Writing 2008;15:454–69. doi:10.1080/09699080802444918
99
Savoy E. The Queer Subject of ‘The Jolly Corner’. The Henry James Review 1999;20:1–21. doi:10.1353/hjr.1999.0007
100
Ghosts & Scholars, Montague Rhodes James, M.R. James Newsletter. http://www.users.globalnet.co.uk/~pardos/GS.html
101
M.R. James on Le Fanu. http://www.users.globalnet.co.uk/~pardos/ArchiveLeFanu.html
102
May Sinclair: Moving towards the Modern. http://www.gbv.de/dms/goettingen/512869944.pdf
103
Ghosts of the Mind: The Supernatural and Madness in Victorian Gothic Literature - viewcontent.cgi. http://aquila.usm.edu/cgi/viewcontent.cgi?article=1098&context=honors_theses
104
Sound of Terror: Hearing Ghosts in Victorian Fiction - viewcontent.cgi. http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1024&context=english_diss
105
Norman T. A History of the Modern British Ghost Story. Simon Hay. New York: Palgrave Macmillan, 2011. 264pp. $85.00 cloth. The Journal of Popular Culture 2013;46:237–9. doi:10.1111/jpcu.12022_9
106
Thurston L. Double-crossing: Elizabeth Bowen’s ghostly short fiction. Textual Practice 2013;27:7–28. doi:10.1080/0950236X.2013.752215
107
Henson L, Burdett C, Thurschwell P. Dickens and Ghosts. Cambridge: : Cambridge University Press 2004.
108
Leighton, Angela. GHOSTS, AESTHETICISM, AND %u201CVERNON LEE%u201D. Victorian Literature and Culture 2000;28:1–14.http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=56253&fileId=S1060150300281011
109
Fluhr N. Empathy and Identity in Vernon Lee’s Hauntings. Victorian Studies 2006;48:287–94. doi:10.1353/vic.2006.0079
110
A History of the Modern British Ghost Story by Simon Hay, and: Literary Ghosts from the Victorians to Modernism: The Haunting Interval by Luke Thurston (review). Victorian Studies;56:325–7.http://muse.jhu.edu/journals/victorian_studies/v056/56.2.galvan.html
111
‘Every word of it is true’: the cultural significance of the Victorian ghost story. http://mspace.lib.umanitoba.ca/handle/1993/116
112
Spirit writing: the influence of spiritualism on the Victorian ghost story. http://dspace.stir.ac.uk/handle/1893/373#.VHb-gaPG4Sk
113
Spectres of the Self: Thinking about Ghosts and Ghost-Seeing in England, 1750-1920 (review). Victorian Studies;54:336–7.http://muse.jhu.edu/journals/victorian_studies/v054/54.2.smajic.html
114
Louise Henson. ‘Phantoms Arising from the Scenes of Our Too-Long Neglect’: Charles Dickens, Victorian Chemistry, and the Folklore of the Ghost. Victorian Review 2000;26:6–23.http://www.jstor.org/stable/27793426?seq=1#page_scan_tab_contents
115
Gendering the Spectral Encounter at the Fin de Siècle: Unspeakability in Vernon Lee’s Supernatural Stories - Gothic Studies - Volume 15, Number 2 / November 2013 - Manchester University Press. http://manchester.metapress.com/content/b1801587p8g052q0/
116
Fighting Spirit: Victorian women’s ghost stories. http://theses.gla.ac.uk/1610/1/2000stewartphd.pdf
117
Oppenheim J. The other world: spiritualism and psychical research in England, 1850-1914. Cambridge: : Cambridge University Press 1988.
118
Crowe C. The night side of nature: or, Ghosts and ghost seers. Memphis: : General Books LLC 2012.
119
H.P. Lovecraft’s ‘Supernatural Horror in Literature’. http://www.hplovecraft.com/writings/litcrit/shil.aspx
120
Gurney E, Myers FWH, Podmore F, et al. Phantasms of the living. Memphis: : General Books 2012.
121
Review: Luke Thurston’s Literary Ghosts from the Victorians to Modernism: The Haunting Interval | The Gothic Imagination. http://www.gothic.stir.ac.uk/blog/review-luke-thurstons-literary-ghosts-from-the-victorians-to-modernism-the-haunting-interval/
122
review of Luke Thurston: Literary Ghosts from the Victorians to Modernism: The Haunting. http://www.archivdigital.info/ce/luke-thurston-literary-ghosts-from-the-victorians-to-modernism-the-haunting-interval/detail.html
123
Edmundson Makala M. Women’s ghost literature in nineteenth-century Britain. Cardiff, Wales: : University of Wales Press 2013. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037233260002418&institutionId=2418&customerId=2415
124
Conrad-O’Briain H, Stevens JA. The ghost story from the middle ages to the 20th century: a ghostly genre. Dublin: : Four Courts Press 2010.
125
Smajic, Srdjan. The Trouble with Ghost-Seeing: Vision, Ideology, and Genre in the Victorian Ghost Story. http://primo.aber.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_museS1080654704411079&indx=1&recIds=TN_museS1080654704411079&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=7&dscnt=0&frbg=&scp.scps=primo_central_multiple_fe&tab=central&dstmp=1417100598673&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Smajic%20%27the%20Trouble%20with%20ghost-seeing%27&vid=ABERU_VU1&gathStatIcon=true
126
Wallace D, Smith A. The female gothic: new directions. New York: : Palgrave Macmillan 2009.
127
Amateur Error, Templar Terror, and M. R. James’s Haunted Whistle.
128
University of Iowa. Philological quarterly.
129
Haggerty GE. Queer Gothic. Urbana: : University of Illinois Press 2006.
130
Haefele-Thomas A. Queer others in Victorian Gothic: transgressing monstrosity. Cardiff: : University of Wales Press 2012. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037306680002418&institutionId=2418&customerId=2415
131
Smith A, Hughes W, editors. The Victorian gothic: an Edinburgh companion. Edinburgh: : Edinburgh University Press 2014.
132
Scott Brewster. Casting an Eye: M. R. James at the Edge of the Frame - Gothic Studies - Volume 14, Number 2 / November 2012 - Manchester University Press. http://manchester.metapress.com/content/j41286028812rx63/
133
Grimes H. The late Victorian Gothic: mental science, the uncanny, and scenes of writing. Farnham: : Ashgate 2011.
134
Smith A, Wallace J. Gothic modernisms. Basingstoke: : Palgrave 2001.
135
Conrad-O’Briain H, Stevens JA. The ghost story from the middle ages to the 20th century: a ghostly genre. Dublin: : Four Courts Press 2010.
136
Edmundson Makala M. Women’s ghost literature in nineteenth-century Britain. Cardiff, Wales: : University of Wales Press 2013. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037234130002418&institutionId=2418&customerId=2415
137
Smith A, Hughes W, editors. The Victorian gothic: an Edinburgh companion. Edinburgh: : Edinburgh University Press 2014.
138
Freeman N. SENSATIONAL GHOSTS, GHOSTLY SENSATIONS. Women’s Writing 2013;20:186–201. doi:10.1080/09699082.2013.773772
139
The Sympathetic Medium, Feminine Channeling, the Occult, and Communication Technologies, 1859�1919. http://www.cornellpress.cornell.edu/book/?GCOI=80140100071720
140
Grimes H. The late Victorian Gothic: mental science, the uncanny, and scenes of writing. Farnham: : Ashgate 2011.
141
Blanco M del P, Peeren E, editors. The spectralities reader: ghosts and haunting in contemporary cultural theory. London: : Bloomsbury 2013.
142
Gordon AF. Ghostly matters: haunting and the sociological imagination. 2nd University of Minnesota Press ed. Minneapolis: : University of Minnesota Press 2008. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037228590002418&institutionId=2418&customerId=2415
143
Cook M. Detective fiction and the ghost story: the haunted text. Basingstoke, Hampshire: : Palgrave Macmillan 2014.
144
Peterson LH, editor. The Cambridge companion to Victorian women’s writing. Cambridge, United Kingdom: : Cambridge University Press 2015. http://assets.cambridge.org/97811076/59612/cover/9781107659612.jpg
145
Oosterom-Pooley J van, Oosterom-Pooley J van. The whirligig of time: Margaret Oliphant in her later years. Bern: : P. Lang http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018886810&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
146
Hall TH. The medium and the scientist: the story of Florence Cook and William Crookes. Buffalo, N.Y.: : Prometheus Books http://catdir.loc.gov/catdir/enhancements/fy1309/84043102-d.html
147
Morton L. Ghosts: a haunted history. London: : Reaktion Books 2017. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781780235370
148
The Gothic. http://www.bl.uk/romantics-and-victorians/videos/the-gothic
149
Grimes H. The late Victorian Gothic: mental science, the uncanny, and scenes of writing. Farnham: : Ashgate 2011.
150
‘Prismatic and Profitable’: Commerce and the Corporate Person in James’s ‘The Jolly Corner’. ‘Prismatic and Profitable’: 2005;76:807–31.https://muse.jhu.edu/article/176817
151
Narcissism and the Conditions of Self-knowledge in James’s ‘The Jolly Corner’ - pdf. https://muse.jhu.edu/article/182758/pdf
152
Einhaus A-M, editor. The Cambridge companion to the English short story. New York: : Cambridge University Press 2016.
