Bibliography for HY32320 Studying Cuban History Through Film

Alea, T. G. (1990). Memories of Underdevelopment and Inconsolable Memories.

Alejandro Portes. (1969). Dilemmas of a Golden Exile: Integration of Cuban Refugee Families in Milwaukee. American Sociological Review, 34(4), 505–518. http://www.jstor.org/stable/2091960?seq=1#page_scan_tab_contents

Amaya, H. (20100901a). Screening Cuba : Film Criticism as Political Performance During the Cold War [Electronic resource]. University of Illinois Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037227160002418&institutionId=2418&customerId=2415

Amaya, H. (20100901b). Screening Cuba : Film Criticism as Political Performance During the Cold War [Electronic resource]. University of Illinois Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037227160002418&institutionId=2418&customerId=2415

Amaya, H. (20100901c). Screening Cuba : Film Criticism as Political Performance During the Cold War [Electronic resource]. University of Illinois Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037227160002418&institutionId=2418&customerId=2415

Amiot, J. (2003). Lucia. In The Cinema of Latin America: Vol. Frames 24. Wallflower.

Ann Marie Stock. (2007a). Imagining the Future in Revolutionary Cuba: An Interview with Fernando Pérez. Film Quarterly, 60(3), 68–75. http://www.jstor.org/stable/10.1525/fq.2007.60.3.68?seq=1#page_scan_tab_contents

Ann Marie Stock. (2007b). Imagining the Future in Revolutionary Cuba: An Interview with Fernando Pérez. Film Quarterly, 60(3), 68–75. http://www.jstor.org/stable/10.1525/fq.2007.60.3.68?seq=1#page_scan_tab_contents

Balaisis, N. (1990). Cuba, Cinema and the Post-revolutionary Public Sphere. Revue Canadienne d’études Cinématographiques =: Canadian Journal of Film Studies, 19(2), 26–42.

Barnard, T. (1997). Death is not True: Form and History in Cuban Film. In New Latin American cinema (Vol. 2). Wayne State University Press.

BARON, G. (2010a). The Illusion of Equality: Machismo and Cuban Cinema of the Revolution. Bulletin of Latin American Research, 29(3), 354–366. https://doi.org/10.1111/j.1470-9856.2010.00383.x

BARON, G. (2010b). The Illusion of Equality: Machismo and Cuban Cinema of the Revolution. Bulletin of Latin American Research, 29(3), 354–366. https://doi.org/10.1111/j.1470-9856.2010.00383.x

Baron, G. (2011). Chapter 1 and 2: Gender in Cuban Cinema : From the Modern to the Postmodern. In Hispanic Studies : Culture and Ideas, Volume 38 : Gender in Cuban Cinema : From the Modern to the Postmodern. Peter Lang AG. http://site.ebrary.com/lib/aber/detail.action?docID=10600545

Baron, G. & ebrary, Inc. (2011). Gender in Cuban cinema: from the modern to the postmodern: Vol. Hispanic studies: culture and ideas [Electronic resource]. Peter Lang. http://site.ebrary.com/lib/aber/Doc?id=10600545

Baron, Guy. (2011a). Chapter 3 and 4 Gender in Cuban Cinema : From the Modern to the Postmodern. In Hispanic Studies : Culture and Ideas, Volume 38 : Gender in Cuban Cinema : From the Modern to the Postmodern. Peter Lang AG. http://site.ebrary.com/lib/aber/detail.action?docID=10600545

Baron, Guy. (2011b). Chapter 3 and 4 Gender in Cuban Cinema : From the Modern to the Postmodern. In Hispanic Studies : Culture and Ideas, Volume 38 : Gender in Cuban Cinema : From the Modern to the Postmodern. Peter Lang AG. http://site.ebrary.com/lib/aber/detail.action?docID=10600545

Bejel, E. (1997). Strawberry and Chocolate: Coming out of the Cuban Closet? South Atlantic Quarterly, 96, 65–82.

Benzing, C. (2005). Cuba--Is the ‘Special Period’ Really Over? International Advances in Economic Research, 11(1), 69–82. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=16846201&site=ehost-live

Berthier, N. (2003). Memorias del subdesarrollo/Memories of underdevelopment’. In The Cinema of Latin America: Vol. Frames 24. Wallflower.

Brad Epps. (1995). Proper Conduct: Reinaldo Arenas, Fidel Castro, and the Politics of Homosexuality. Journal of the History of Sexuality, 6(2), 231–283. http://www.jstor.org/stable/3704123?seq=1#page_scan_tab_contents

Brenner, P. (2008a). A contemporary Cuba reader: reinventing the Revolution. Rowman and Littlefield.

Brenner, P. (2008b). A contemporary Cuba reader: reinventing the Revolution. Rowman and Littlefield.

Brenner, P. (2008c). A contemporary Cuba reader: reinventing the Revolution. Rowman and Littlefield.

Burton, J. (n.d.). Revolutionary Cuban cinema by Julianne Burton. http://www.ejumpcut.org/archive/onlinessays/JC19folder/CubanFilmIntro.html

Burton, J. (1986). Cinema and social change in Latin America: conversations with filmmakers: Vol. Special publication/ Institute of Latin American Studies, the University of Texas at Austin (1st ed). University of Texas Press.

C. A. M. Hennessy. (1963). The Roots of Cuban Nationalism. International Affairs (Royal Institute of International Affairs 1944-), 39(3), 345–359. http://www.jstor.org/stable/2611204?sid=primo&origin=crossref&seq=1#page_scan_tab_contents

Carmen, F. (2005). Balseros, Boteros, and El Bombo: Post-1994 Cuban Immigration to the United States and the Persistence of Special Treatment. Latino Studies, 3(3), 393–416. https://doi.org/10.1057/palgrave.lst.8600159

Castro, F. (n.d.). Words to the Intellectuals. Castro Speech Data Base - Latin American Network Information Center, LANIC. http://lanic.utexas.edu/project/castro/db/1961/19610630.html

Catherine Benamou. (1994). Cuban Cinema: On the Threshold of Gender. Frontiers: A Journal of Women Studies, 15(1), 51–75. http://www.jstor.org/stable/3346613?seq=1#page_scan_tab_contents

Catherine Davies. (1996). Recent Cuban Fiction Films: Identification, Interpretation, Disorder. Bulletin of Latin American Research, 15(2), 177–192. http://www.jstor.org/stable/3339505?seq=1#page_scan_tab_contents

Chanan, M. (n.d.). Remembering Titón. http://www.ejumpcut.org/archive/onlinessays/JC41folder/TitonMemory.html

Chanan, M. (2004a). Chapter 12 [Electronic resource]. In Cuban Cinema: Vol. Cultural Studies of the Americas. University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039382700002418&institutionId=2418&customerId=2415

Chanan, M. (2004b). Chapter 15 [Electronic resource]. In Cuban Cinema: Vol. Cultural Studies of the Americas. University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039382690002418&institutionId=2418&customerId=2415

Chanan, M. (2004c). Chapter 16 [Electronic resource]. In Cuban Cinema: Vol. Cultural Studies of the Americas. University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039310380002418&institutionId=2418&customerId=2415

Chanan, M. (2004d). Chapter 16 [Electronic resource]. In Cuban Cinema: Vol. Cultural Studies of the Americas. University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039444920002418&institutionId=2418&customerId=2415

Chanan, M. (2004e). Chapter 17 [Electronic resource]. In Cuban Cinema: Vol. Cultural Studies of the Americas. University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039444910002418&institutionId=2418&customerId=2415

Chanan, M. & ebrary, Inc. (2003a). Cuban cinema: Vol. Cultural studies of the Americas [Electronic resource]. University of Minnesota Press. http://site.ebrary.com/lib/aber/Doc?id=10151264

Chanan, M. & ebrary, Inc. (2003b). Cuban cinema: Vol. Cultural studies of the Americas [Electronic resource]. University of Minnesota Press. http://site.ebrary.com/lib/aber/Doc?id=10151264

Chanan, Mi. (2004). Chapter 16 [Electronic resource]. In Cuban Cinema: Vol. Cultural Studies of the Americas. University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039357120002418&institutionId=2418&customerId=2415

Chanan, Michael. (2003). Chapter 12: Four Films. In Cuban Cinema. University of Minnesota Press. http://site.ebrary.com/lib/aber/reader.action?docID=10151264&ppg=372

Chomsky, A., Carr, B., & Smorkaloff, P. M. (2003a). Part IV. In The Cuba reader: history, culture, politics: Vol. Latin America readers. Duke University Press.

Chomsky, A., Carr, B., & Smorkaloff, P. M. (2003b). Part VIII. In The Cuba reader: history, culture, politics: Vol. Latin America readers. Duke University Press.

Chomsky, A., Carr, B., & Smorkaloff, P. M. (2003c). Part VIII. In The Cuba reader: history, culture, politics: Vol. Latin America readers. Duke University Press.

Chomsky, A., Carr, B., & Smorkaloff, P. M. (2003d). The Cuba reader: history, culture, politics: Vol. Latin America readers. Duke University Press.

Chomsky, A., Carr, B., & Smorkaloff, P. M. (2003e). The Cuba reader: history, culture, politics: Vol. Latin America readers. Duke University Press.

Chomsky, A., Carr, B., & Smorkaloff, P. M. (2003f). The Cuba reader: history, culture, politics: Vol. Latin America readers. Duke University Press.

Chomsky, A., Carr, B., & Smorkaloff, P. M. (2003g). The Cuba reader: history, culture, politics: Vol. Latin America readers. Duke University Press.

Chomsky, A., Carr, B., & Smorkaloff, P. M. (2003h). The Cuba reader: history, culture, politics: Vol. Latin America readers. Duke University Press.

Cuban Studies. (2010). In Cubans Abroad: A Gendered Case Study on International Migrations (Vol. 41). University of Pittsburgh Press. https://muse.jhu.edu/journals/cuban_studies/

David Craven. (1990). The State of Cultural Democracy in Cuba and Nicaragua during the 1980s. Latin American Perspectives, 17(3), 100–119. http://www.jstor.org/stable/2633814?seq=1#page_scan_tab_contents

Davidson, M. J., & Krull, C. (2011). Adapting to Cuba’s Shifting Food Landscapes: Women’s Strategies of Resistance. Cuban Studies, 42(1), 59–77. https://doi.org/10.1353/cub.2011.0028

Davies, C. (1997). Modernity, masculinity and imperfect cinema in Cuba. Screen, 38(4), 345–359. https://doi.org/10.1093/screen/38.4.345

DE LA FUENTE, A. (2008). The New Afro-Cuban Cultural Movement and the Debate on Race in Contemporary Cuba. Journal of Latin American Studies, 40(04). https://doi.org/10.1017/S0022216X08004720

Dennison, S., & Lim, S. H. (2006). Remapping world cinema: identity, culture and politics in film. In Mother lands, sister nations: the epic, poetic, propaganda films of Cuba and the Basque Country. Wallflower Press.

D’Lugo, M. (1997a). "Transparent Women”: Gender and Nation in Cuban Cinema. In New Latin American cinema (Vol. 2). Wayne State University Press.

D’Lugo, M. (1997b). "Transparent Women”: Gender and Nation in Cuban Cinema. In New Latin American cinema (Vol. 2). Wayne State University Press.

D’Lugo, M. (1997c). "Transparent Women”: Gender and Nation in Cuban Cinema. In New Latin American cinema (Vol. 2). Wayne State University Press.

Duncan, W. R. (1985a). The Soviet Union and Cuba: interests and influence: Vol. Studies of influence in international relations. Praeger.

Duncan, W. R. (1985b). The Soviet Union and Cuba: interests and influence: Vol. Studies of influence in international relations. Praeger.

Dur, P., & Gilcrease, C. (2002). US Diplomacy and the Downfall of a Cuban Dictator: Machado in 1933. Journal of Latin American Studies, 34(2), 255–282. http://www.jstor.org/stable/3875789?sid=primo&seq=1#page_scan_tab_contents

Eckstein, S. (1986). The Impact of the Cuban Revolution: A Comparative Perspective. Comparative Studies in Society and History, 28(03). https://doi.org/10.1017/S0010417500014031

Eckstein, S. (2003a). Back from the future: Cuba under Castro (2nd ed). Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039374440002418&institutionId=2418&customerId=2415

Eckstein, S. (2003b). Back from the future: Cuba under Castro (2nd ed). Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039374440002418&institutionId=2418&customerId=2415

Eckstein, S. (2003c). Back from the future: Cuba under Castro (2nd ed). Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039374440002418&institutionId=2418&customerId=2415

Edna Rodríguez-Mangual. (2002). Driving a Dead Body through the Nation: Death and Allegory in the Film ‘Guantanamera’. Chasqui, 31(1), 50–61. http://www.jstor.org/stable/29741725?seq=1#page_scan_tab_contents

Enrico Mario Santí. (1998). ‘Fresa y Chocolate’: The Rhetoric of Cuban Reconciliation. MLN, 113(2), 407–425. http://www.jstor.org/stable/3251482?seq=1#page_scan_tab_contents

Fernandes, S. (2006a). Chapter 2 [Electronic resource]. In Cuba represent!: Cuban arts, state power, and the making of new revolutionary cultures. Duke University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388227

Fernandes, S. (2006b). Cuba represent!: Cuban arts, state power, and the making of new revolutionary cultures [Electronic resource]. Duke University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388227

Fernandes, S. (2006c). Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba. Ethnography, 7(3), 303–327. https://doi.org/10.1177/1466138106069520

Fernandes, S. (2006d). Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba. Ethnography, 7(3), 303–327. https://doi.org/10.1177/1466138106069520

Ferraz (director), V. (2007). I am Cuba. the Siberian Mammoth. In I am Cuba (Limited ed. Deluxe box set). Mr Bongo Worldwide.

Fraunhar, A. (2005). Mulata Cubana: The Problematics of National Allegory. In Latin American cinema: essays on modernity, gender and national identity. McFarland & Co.

Fuente, A. de la & ebrary, Inc. (2001a). A nation for all: race, inequality, and politics in twentieth-century Cuba: Vol. Envisioning Cuba [Electronic resource]. University of North Carolina Press. http://site.ebrary.com/lib/aber/Doc?id=10355397

Fuente, A. de la & ebrary, Inc. (2001b). A nation for all: race, inequality, and politics in twentieth-century Cuba: Vol. Envisioning Cuba [Electronic resource]. University of North Carolina Press. http://site.ebrary.com/lib/aber/Doc?id=10355397

García Luis, J. (2001a). Cuban revolution reader: a documentary history of 40 key moments of the Cuban revolution. Ocean Press.

García Luis, J. (2001b). Cuban revolution reader: a documentary history of 40 key moments of the Cuban revolution. Ocean Press.

García Luis, J. (2001c). Cuban revolution reader: a documentary history of 40 key moments of the Cuban revolution. Ocean Press.

García Luis, J. (2001d). Cuban revolution reader: a documentary history of 40 key moments of the Cuban revolution. Ocean Press.

García, M. C. (1996a). Chapter 1. In Havana USA: Cuban exiles and Cuban Americans in South Florida, 1959-1994. University of California Press.

García, M. C. (1996b). Havana USA: Cuban exiles and Cuban Americans in South Florida, 1959-1994. University of California Press.

García Osuna, A. J. (2006). The Cuban filmography, 1897 through 2001 [Electronic resource]. McFarland & Co. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781476605319

Gorsuch, A. (2015). ‘Cuba, My Love’: The Romance of Revolutionary Cuba in the Soviet Sixties. The American Historical Review, 120(2), 497–526. https://doi.org/10.1093/ahr/120.2.497

Gutierrez Alea, T. (n.d.). ‘The Viewer’s Dialectic’ by TomÃ¡s Gutierrez Alea part 1. http://www.ejumpcut.org/archive/onlinessays/JC29folder/ViewersDialec1.html

Gutiérrez Alea, T., Desnoes, E., & Chanan, M. (1990). Memories of underdevelopment: Tomás Gutiérrez Alea, director. Inconsolable memories : Edmundo Desnoes, author: Vol. Rutgers films in print. Rutgers University Press.

Hamilton, C. (2012). Sexual Revolutions in Cuba: Passion, Politics and Memory: Vol. Envisioning Cuba Sexual revolutions in Cuba [Electronic resource]. University of North Carolina Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039364360002418&institutionId=2418&customerId=2415

Henry Fernandez, D. I. Grossvogel, Emir Rodriguez Monegal and Isabel C. Gómez. (1974). 3/on 2 Desnoes Gutiérrez Alea. Diacritics, 4(4), 51–64. http://www.jstor.org/stable/465124?sid=primo&seq=1#page_scan_tab_contents

Hernandez-Reguant, A. (2009). Cuba in the special period: culture and ideology in the 1990s (1st ed) [Electronic resource]. Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230618329

Hess, J. (n.d.). Strawberry and Chocolate Melodrama, sex, and the Cuban revolution. http://www.ejumpcut.org/archive/onlinessays/JC41folder/StrawbChocolate.html

Hippe, J. (2011). Performance, Power, and Resistance: Theorizing the Links among Stigma, Sexuality, and HIV/AIDS in Cuba. Cuban Studies, 42(1), 199–217. https://doi.org/10.1353/cub.2011.0016

Interview with Humberto Solas Julianne Burton and Marta Alvearby. (n.d.). http://www.ejumpcut.org/archive/onlinessays/JC19folder/SolasInt.html

Iordanova, D. (1997). Film Review: I am Cuba. Russian Review, 56(1), 125–126. http://www.jstor.org/stable/131489?seq=1#page_scan_tab_contents

Johannes Birringer, Jorge Perugorría and Gabriela M. Cambiasso. (1996). Homosexuality and the Nation: An Interview with Jorge Perugorría. TDR (1988-), 40(1), 61–76. http://www.jstor.org/stable/1146510?sid=primo&origin=crossref&seq=1#page_scan_tab_contents

John A. Lent. (1988). Cuban Films and the Revolution. Caribbean Studies, 20(3), 59–68. http://www.jstor.org/stable/25612918?sid=primo&seq=1#page_scan_tab_contents

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Josep M. Colomer. (2000). Exit, Voice, and Hostility in Cuba. The International Migration Review, 34(2), 423–442. http://www.jstor.org/stable/2675908

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Julianne Burton. (1981a). Portrait of Teresa by Pastor Vega. Film Quarterly, 34(3), 51–58. http://www.jstor.org/stable/1212039?seq=1#page_scan_tab_contents

Julianne Burton. (1981b). Seeing, Being, Being Seen: Portrait of Teresa, or Contradictions of Sexual Politics in Contemporary Cuba. Social Text, 4, 79–95. http://www.jstor.org/stable/466277?sid=primo&origin=crossref&seq=1#page_scan_tab_contents

Kaplan, D. E. (2005). Fleeing the Revolution: The Exodus of Cuban Jewry in the Early 1960s. Cuban Studies, 36(1), 129–154. https://doi.org/10.1353/cub.2005.0036

King, J. (1990). Cuban Cinema: a reel revolution? In R. Gillespie (Ed.), Cuba after thirty years: rectification and the revolution.

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Lewis, O., Lewis, R. M., & Rigdon, S. M. (n.d.-a). Four women: Vol. Their Living the revolution. University of Illinois Press.

Lewis, O., Lewis, R. M., & Rigdon, S. M. (n.d.-b). Four women: Vol. Their Living the revolution. University of Illinois Press.

Lewis, O., Lewis, R. M., & Rigdon, S. M. (1977). Four men: Vol. Their Living the revolution. University of Illinois Press.

Lievesley, G. (2004a). The Cuban Revolution: past, present, and future perspectives [Electronic resource]. Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781403943972

Lievesley, G. (2004b). The Cuban Revolution: past, present, and future perspectives [Electronic resource]. Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781403943972

Lievesley, G. (2004c). The Cuban Revolution: past, present, and future perspectives [Electronic resource]. Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781403943972

López, M. E. (2011). Homosexuality and invisibility in revolutionary Cuba: Reinaldo Arenas and Tomás Gutiérrez Alea. http://discovery.ucl.ac.uk/1385151/

Louis A. Pérez. (1980). In the Service of the Revolution: Two Decades of Cuban Historiography 1959-1979. The Hispanic American Historical Review, 60(1), 79–89. http://www.jstor.org/stable/2513894?sid=primo&origin=crossref&seq=1#page_scan_tab_contents

Lourdes Arguelles and B. Ruby Rich. (1984). Homosexuality, Homophobia, and Revolution: Notes toward an Understanding of the Cuban Lesbian and Gay Male Experience, Part I. Signs, 9(4), 683–699. http://www.jstor.org/stable/3173617?sid=primo&seq=1#page_scan_tab_contents

‘Lucia’ by Peter Biskind. (n.d.). http://www.ejumpcut.org/archive/onlinessays/JC02folder/lucia.html

Lumsden, I. (1996). Machos, maricones, and gays: Cuba and homosexuality. Latin America Bureau.

Lynn Darrell Bender. (1973). The Cuban Exiles: An Analytical Sketch. Journal of Latin American Studies, 5(2), 271–278. http://www.jstor.org/stable/155811?seq=1#page_scan_tab_contents

Margot Kernan. (1976). Cuban Cinema: Tomas Guiterrez Alea. Film Quarterly, 29(2), 45–52. http://www.jstor.org/stable/1211748?seq=1#page_scan_tab_contents

Marjorie King. (1977). Cuba’s Attack on Women’s Second Shift 1974-1976. Latin American Perspectives, 4(1), 106–119. http://www.jstor.org/stable/2633165?Search=yes&resultItemClick=true&searchText=sn:0094582*&searchText=AND&searchText=vo:4&searchText=AND&searchText=year:1977&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dsn%253A0094582X%2BAND%2Bvo%253A4%2BAND%2Byear%253A1977%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents

Martin, M. T. (1997). New Latin American cinema: Vol. Contemporary film and television series. Wayne State University Press.

Michael T. Martin and Bruce Paddington. (2001). Restoration or Innovation? An Interview with Humberto Solás: Post-Revolutionary Cuban Cinema. Film Quarterly, 54(3), 2–13. http://www.jstor.org/stable/10.1525/fq.2001.54.3.2?seq=1#page_scan_tab_contents

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Bibliography for HY32320 Studying Cuban History Through Film BETA