1.
Chekhov, A. P. & Jones, W. G. Gwylan. vol. Cyfres y ddrama yn Ewrop (Gwasg Prifysgol Cymru, Caerdydd [Cardiff], 1970).
2.
Miles, G. & Euripides. Y Bacchai. (Y Ganolfan Astudiaethau Addysg, Aberystwyth, 2003).
3.
Shakespeare, W. & Lewis, G. Y Storm. (Gyhoeddiadau Barddas, [s.l.], 2012).
4.
Beckett, S. & Thomas, G. Diweddgan. vol. Cyfres y ddrama yn Ewrop (Gwasg Prifysgol Cymru, Caerdydd, 1969).
5.
Mitchell, K. The Director’s Craft: A Handbook for the Theatre. (Routledge, London, 2009).
6.
Merlin, B. Konstantin Stanislavsky. vol. Routledge performance practitioners (Routledge, New York, 2003).
7.
Carnicke, S. M. Checking Out Chekhov: A Companion to Anton Chekhov’s Plays. vol. Companions to Russian Literature (Academic Studies Press, Brighton, 2014).
8.
Stanislavsky, K. & Hapgood, E. R. Building a Character. vol. Methuen paperback (Methuen Drama, London, 1988).
9.
Stanislavsky, K. An Actor Prepares. (Bles, London, 1937).
10.
Stanislavsky, K., Benedetti, J. & Stanislavsky, K. An Actor’s Work on a Role. (Routledge, London, 2010).
11.
Kott, J. The Eating of the Gods: An Interpretation of Greek Tragedy. (Eyre Methuen, London, 1974).
12.
Kott, J. Shakespeare Our Contemporary. (Methuen, London, 1967).
13.
Griffiths, J. G. & Aristotle. Barddoneg. (Gwasg Prifysgol Cymru, Caerdydd, 1978).
14.
Moseley, C. W. R. D. William Shakespeare: The Tempest. vol. Humanities Insights (Humanities-Ebooks, LLP, Penrith, 2007).
15.
Noble, A. How to Do Shakespeare. (Routledge, New York, 2010).
16.
Goldsby, R. W. Molière on Stage: What’s So Funny? vol. Anthem Studies in Theatre and Performance (Anthem Press, London, 2012).
17.
Kalb, J. Beckett in Performance. (Cambridge University Press, Cambridge, 1991).
18.
McMillan, D. & Fehsenfeld, M. Beckett in the Theatre: The Author as Practical Playwright and Director, 1: From Waiting for Godot to Krapp’s Last Tape. (John Calder, London, 1988).