Bibliography for FM11020 British Cinema BETA

Aldgate, Anthony, and Jeffrey H. Richards. 1999. Best of British: Cinema and Society from 1930 to the Present. New edition. I.B. Tauris.

Ashby, Justine, and Andrew Higson. 2000. British Cinema, Past and Present. Routledge.

Baker, Houston A., Manthia Diawara, and Ruth H. Lindeborg. 1996. Black British Cultural Studies: A Reader. Black literature and Culture. University of Chicago Press.

Barr, Charles. 1998. Ealing Studios. 3rd ed. Cameron & Hollis.

Barr, Charles and British Film Institute. 1986. All Our Yesterdays: 90 Years of British Cinema. BFI Publishing.

Bassnett, Susan. 2003. Studying British Cultures: An Introduction. 2nd ed. New accents. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037229790002418&institutionId=2418&customerId=2415.

Bell, Melanie. 2010. Femininity in the Frame: Women and 1950s British Popular Cinema. Cinema and Society series. I.B. Tauris.

Bell, Melanie, and Melanie Williams. 2010. British Women’s Cinema. Routledge.

Bourne, Stephen. 1996. Brief Encounters: Lesbians and Gays in British Cinema 1930-1971. Cassell.

Bourne, Stephen. 1998. Black in the British Frame: Black People in British Film  and Television, 1896-1996. Cassell.

Chapman, James. 1999. Licence to Thrill: A Cultural History of the James Bond Films. I. B. Tauris.

Chapman, James. 2005. Past and Present: National Identity and the British Historical Film. I. B. Tauris. Electronic resource. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.aber.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000009908.

Chibnall, Steve, and Robert Murphy. 1999. British Crime Cinema. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037249070002418&institutionId=2418&customerId=2415.

Chibnall, Steve, and Julian Petley. 2002. British Horror Cinema. British popular cinema. Routledge.

Christie, Ian. 1994. Arrows of Desire: The Films of Michael Powell and Emeric Pressburger. New ed. Faber and Faber.

Christie, Ian, Michael Powell, Emeric Pressburger, and British Film Institute. 2000. A Matter of Life and Death. BFI film classics. BFI Publishing.

Cook, Pam. 1997. Gainsborough Pictures, 1924-1950. Rethinking British cinema. Cassell.

Corner, John, and Sylvia Harvey. 1991. Enterprise and Heritage: Crosscurrents of National Culture. Routledge.

Curran, James, and Vincent Porter. 1983. British Cinema History. Barnes & Noble Books.

Dixon, Wheeler Winston. 1994. Re-Viewing British Cinema, 1900-1992: Essays and Interviews. State University of New York Press.

Donnelly, K. J. 2001. Pop Music in British Cinema: A Chronicle. BFI Pub.

Drazin, Charles. 2007. The Finest Years: British Cinema of the 1940s. I. B. Tauris.

Dyer, Richard and British Film Institute. 1993. Brief Encounter. BFI film classics. British Film Institute.

Forshaw, Barry. 2013. British Gothic Cinema. The Palgrave gothic series. Palgrave Macmillan.

Friedman, Lester D., and Lester D. Friedman. 2006. Fires Were Started: British Cinema and Thatcherism. 2nd ed. Wallflower.

Gledhill, Christine and British Film Institute. 1987. Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. British Film Institute.

Griffiths, Robin. 2006. British Queer Cinema. British popular cinema. Routledge.

Hall, Stuart, and Paul Du Gay. 1996a. Questions of Cultural Identity. Sage. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037259550002418&institutionId=2418&customerId=2415.

Hall, Stuart, and Paul Du Gay. 1996b. Questions of Cultural Identity. Sage. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037259530002418&institutionId=2418&customerId=2415.

Harper, Sue and British Film Institute. 1994. Picturing the Past: The Rise and Fall of the British Costume Film. BFI Publishing.

Hedling, Erik. 1998. Lindsay Anderson: Maverick Film Maker. Cassell.

Higson, Andrew. 1996. Dissolving Views: Key Writings on British Cinema. Cassell.

Higson, Andrew. 1997. Waving the Flag: Constructing a National Cinema in Britain. Clarendon. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037238220002418&institutionId=2418&customerId=2415.

Higson, Andrew. 2003. English Heritage, English Cinema: Costume Drama since 1980. Oxford University Press.

Hill, John. 1986. Sex, Class and Realism: British Cinema 1956-1963. BFI books. British Film Institute.

Hill, John. 1999. British Cinema in the 1980s: Issues and Themes. Clarendon.

Hill, John, Martin McLoone, and Paul Hainsworth. 1994. Border Crossing: Film in Ireland, Britain and Europe. Institute of Irish Studies, in association with the University of Ulster, and the British Film Institute.

Hjort, Mette, and Scott MacKenzie. 2000. Cinema and Nation. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037259570002418&institutionId=2418&customerId=2415.

Hunt, Leon. 1998. British Low Culture: From Safari Suits to Sexploitation. Routledge.

Hunter, I. Q. 1999. British Science Fiction Cinema. British popular cinema. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037302550002418&institutionId=2418&customerId=2415.

Hunter, I. Q. and British Film Institute. 2013. British Trash Cinema. Palgrave Macmillan.

Hutchings, Peter. 1993. Hammer and beyond: The British Horror Film. Manchester University Press.

Jancovich, Mark. 2002. Horror, the Film Reader. In focus--Routledge film readers. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037249110002418&institutionId=2418&customerId=2415.

Landy, Marcia. 1991. British Genres: Cinema and Society, 1930-1960. Princeton University Press.

Lant, Antonia. 1991. Blackout: Reinventing Women for Wartime British Cinema. Princeton University Press.

Leach, Jim. 2004. British Film. National film traditions. Cambridge University Press.

Leggott, James. 2008. Contemporary British Cinema: From Heritage to Horror. Short cuts series. Wallflower.

Lindner, Christoph. 2003. The James Bond Phenomenon: A Critical Reader. Manchester University Press.

Macnab, Geoffrey. 2000. Searching for Stars: Stardom and Screen Acting in British Cinema. Rethinking British cinema. Cassell.

Mather, Nigel. 2006. Tears of Laughter: Comedy-Drama in 1990s British Cinema. Manchester University Press.

McArthur, Colin. 1982. Scotch Reels: Scotland in Cinema and Television. BFI Pub.

Miller, Toby. 2003. Spyscreen: Espionage on Film and TV from the 1930s to the 1960s. Oxford University Press.

Monk, Claire. 2011. Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Edinburgh University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037229800002418&institutionId=2418&customerId=2415.

Monk, Claire, and Amy Sargeant. 2002a. British Historical Cinema: The History, Heritage and Costume Film. British popular cinema. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037302590002418&institutionId=2418&customerId=2415.

Monk, Claire, and Amy Sargeant. 2002b. British Historical Cinema: The History, Heritage and Costume Film. British popular cinema. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037249060002418&institutionId=2418&customerId=2415.

Moor, Andrew. 2012. Powell & Pressburger: A Cinema of Magic Spaces. Cinema and Society. I.B. Tauris.

Morley, David. 2000. Home Territories: Media, Mobility and Identity. Comedia. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037259590002418&institutionId=2418&customerId=2415.

Murphy, Robert. 1989. Realism and Tinsel: Cinema and Society in Britain, 1939-1948. Cinema and Society. Routledge.

Murphy, Robert. 2001. British Cinema and the Second World War. Continuum.

Murphy, Robert. 2008. The British Cinema Book. 3rd ed. BFI.

Murphy, Robert and British Film Institute. 1992. Sixties British Cinema. BFI.

Murphy, Robert and British Film Institute. 2000. British Cinema of the 90s. BFI Publishing.

Newland, Paul. 2010. Don’t Look Now: British Cinema in the 1970s. Intellect. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037259610002418&institutionId=2418&customerId=2415.

Newland, Paul. 2013. British Films of the 1970s. Manchester University Press.

North, Dan. 2008. Sights Unseen: Unfinished British Films. Cambridge Scholars.

Orr, John. 2010. Romantics and Modernists in British Cinema. Edinburgh studies in film. Edinburgh University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037302540002418&institutionId=2418&customerId=2415.

Owusu, Kwesi. 2000. Black British Culture and Society: A Text-Reader. Routledge.

Petrie, Duncan J. and British Film Institute. 1992. New Questions of British Cinema. BFI working papers. BFI Publishing.

Petrie, Duncan J. and British Film Institute. 2000. Screening Scotland. BFI Pub.

Pirie, David. 1973. A Heritage of Horror: The English Gothic Cinema, 1946-1972. Equinox Books/ Published by Avon.

Pirie, David. 2008. A New Heritage of Horror: The English Gothic Cinema. I. B. Tauris.

Richards, Jeffrey. 2010. The Age of the Dream Palace: Cinema and Society in 1930s Britain. Cinema and Society series. I. B. Tauris.

Rose, James. 2009. Beyond Hammer: British Horror Cinema since 1970. Auteur.

Ruppert, Jeanne M. and Florida State University Conference on Literature and Film. 1994. Gender: Literary and Cinematic Representation : Selected Papers from the Eleventh Annual Florida State University Conference on Literature and Film. University Press of Florida.

Sargeant, Amy and British Film Institute. 2005. British Cinema: A Critical History. BFI Publishing.

Shail, Robert. 2008. Seventies British Cinema. Palgrave Macmillan.

Shaw, Tony. 2006. British Cinema and the Cold War: The State, Propaganda and Consensus. Cinema and Society. I.B. Tauris.

Smith, Justin. 2010. Withnail and Us: Cult Films and Film Cults in British Cinema. Cinema and Society series. I. B. Tauris. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037259520002418&institutionId=2418&customerId=2415.

Spicer, Andrew. 2001. Typical Men: The Representation of Masculinity in Popular British Cinema. Cinema and Society. I.B. Tauris Publishers.

Street, Sarah. 1997. British National Cinema. National cinema series. Routledge.

Vitali, Valentina, and Paul Willemen. 2006. Theorising National Cinema. BFI.

Walker, Alexander. 1985. National Heroes: British Cinema in the Seventies and Eighties. Harrap.

Walker, John. 1985. The Once and Future Film: British Cinema in the Seventies and Eighties. Methuen.

White, John, and Sarah Barrow. 2008. Fifty Key British Films. Routledge.

Williams, Tony. 2000. Structures of Desire: British Cinema, 1939-1955. SUNY series, Cultural studies in cinema/video. State University of New York Press.