1
Enticknap LDG. Moving image technology: from zoetrope to digital. London: : Wallflower 2005.
2
Telotte JP. Animating space: from Mickey to WALL-E. Lexington, Ky: : University Press of Kentucky 2010. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247690002418&institutionId=2418&customerId=2415
3
Utterson A. Hopgood, Henry V. ‘Past, Present, and Future’ in Technology and culture, the film reader. In: Technology and culture, the film reader. London: : Routledge 2005. 13–6.
4
Toulmin V, Popple S. Visual delights two: exhibition and reception. Eastleigh: : John Libbey 2005.
5
Fleischer R. Out of the inkwell: Max Fleischerand the animation revolution. Lexington: : University Press of Kentucky 2005.
6
Crafton D. Shadow of a mouse: performance, belief, and world-making in animation. Berkeley, California: : University of California Press 2013.
7
Crafton D. Before Mickey: the animated film 1898-1928. Chicago: : University of Chicago Press 1993.
8
Barrier JM, ebrary, Inc. Hollywood cartoons: American animation in its golden age. New York: : Oxford University Press 1999. http://site.ebrary.com/lib/aber/Doc?id=10329700
9
Telotte JP, ebrary, Inc. The mouse machine: Disney and technology. Urbana: : University of Illinois Press 2008. http://site.ebrary.com/lib/aber/Doc?id=10593661
10
Susanin TS, ebrary, Inc. Walt before Mickey: Disney’s early years, 1919-1928. Jackson [Miss.]: : University Press of Mississippi 2011. http://site.ebrary.com/lib/aber/Doc?id=10463164
11
Apgar G, editor. A Mickey Mouse reader. Jackson: : University Press of Mississippi 2014. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037239910002418&institutionId=2418&customerId=2415
12
Robert. Russett Cecile Starr. Chapter 2. In: Experimental animation : origins of a new art. 1988. http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2140804010002418&indx=1&recIds=44WHELF_ABW_ALMA_DS2140804010002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&tab=local&dstmp=1447082239271&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Experimental%20animation%3A%20origins%20of%20a%20new%20art.&vid=44WHELF_ABW_VU1
13
Robert. Russett Cecile Starr. Chapter 3. In: Experimental animation : origins of a new art. 1988. http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2140804010002418&indx=1&recIds=44WHELF_ABW_ALMA_DS2140804010002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=scope:(44WHELF_ABW_ALMA_DS),scope:(44WHELF_ABW_ML_DS)&tab=local&dstmp=1447082239271&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Experimental+animation:+origins+of+a+new+art.&vid=44WHELF_ABW_VU1
14
Lamarre T. Magic Lantern, Dark Precursor. Animation 2011;6:127–48. doi:10.1177/1746847711406374
15
Nathan DL, Crafton D. The Making and Re-making of Winsor McCay’s Gertie (1914). Animation 2013;8:23–46. doi:10.1177/1746847712467569
16
Fresko D. Muybridge’s Magic Lantern. Animation 2013;8:47–64. doi:10.1177/1746847712473804
17
Morton D. Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film. Animation 2010;5:295–312. doi:10.1177/1746847710377551
18
Russett R, Starr C. Experimental animation: origins of a new art. Rev. ed. New York, N.Y.: : Da Capo Press 1988.
19
Gauthier P. A Trick Question: Are Early Animated Drawings a Film Genre or a Special Effect? Animation 2011;6:163–75. doi:10.1177/1746847711407624
20
Guido L, Lugon O, editors. Extract. In: Between Still and Moving Images: Photography and Cinema in the 20th Century. New Barnet: : John Libbey Publishing 2012. 81–96.
21
Betancourt M. The history of motion graphics: from avant-garde to industry in the United States. [Rockville, Maryland]: : Wildside Press 2013.
22
Dobson T. The film work of Norman McLaren. Eastleigh: : John Libbey 2006.
23
Gaudreault A, Dulac N, Hidalgo S, et al. A companion to early cinema. Malden, Mass: : Wiley-Blackwell 2012. http://site.ebrary.com/lib/aber/Doc?id=10558115
24
Grieveson L, Krämer P. The silent cinema reader. London: : Routledge 2004.
25
Stratyner L, Keller JR. Fantasy fiction into film: essays. Jefferson, N.C.: : McFarland & Co 2007.
26
LaMarre T, ebrary, Inc. The anime machine: a media theory of animation. Minneapolis: : University of Minnesota Press 2009. http://site.ebrary.com/lib/aber/Doc?id=10353988
27
Neupert RJ. French animation history. Chichester: : Wiley-Blackwell 2014.
28
Smith J. Phonograph Toys and Early Sound Cartoons: Towards a History of Visualized Phonography. Animation 2012;7:151–74. doi:10.1177/1746847712439577
29
Brown S, Street S, Watkins LI, editors. Color and the moving image: history, theory, aesthetics, archive. New York: : Routledge 2013.
30
Coates P, British Film Institute. Cinema and colour: the saturated image. Basingstoke: : Palgrave Macmillan 2010.
31
Crafton D. The talkies: American cinema’s transition to sound, 1926-1931. Berkeley, Calif: : University of California Press 1999.
32
Dalle Vacche A, Price B. Color : the film reader. London: : Routledge 2006.
33
Altman R. Sound theory, sound practice. New York: : Routledge 1992.
34
Cubitt S. Line and Colour in The Band Concert. Animation 2009;4:11–30. doi:10.1177/1746847708099739
35
Osmond A, British Film Institute. Spirited away. Basingstoke: : Palgrave Macmillan 2008.
36
Mark Wheeler Macwilliams 1952-; ebrary, Inc. "Heart of Japaneseness: History and Nostalgia in Hayao Miyazaki’s Spirited Away,”. In: Japanese visual culture explorations in the world of manga and anime. 2008. 237–155.http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS5159980420002418&indx=1&recIds=44WHELF_ABW_ALMA_DS5159980420002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&tab=local&dstmp=1447084907960&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Japanese%20visual%20culture%20explorations%20in%20the%20world%20of%20manga%20and%20anime.%20&vid=44WHELF_ABW_VU1
37
Odell C, Le Blanc M. Studio Ghibli: the films of Hayao Miyazaki & Isao Takahata. Harpenden: : Kamera Books 2014.
38
Robinson J. The cinema of Hayao Miyazaki. Second edition. Maidstone, Kent: : Crescent Moon 2013.
39
Lim TW. Spirited Away: Conceptualizing a Film-Based Case Study through Comparative Narratives of Japanese Ecological and Environmental Discourses. Animation 2013;8:149–62. doi:10.1177/1746847713486972
40
Bigelow SJ. Technologies of Perception: Miyazaki in Theory and Practice. Animation 2009;4:55–75. doi:10.1177/1746847708099740
41
Napier SJ. Anime from Akira to Princess Mononoke: experiencing contemporary Japanese animation. 1st ed. New York: : Palgrave 2001.
42
Cavallaro D. The anime art of Hayao Miyazaki. Jefferson, N.C.: : McFarland 2006. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037228150002418&institutionId=2418&customerId=2415
43
McCarthy H. Hayao Miyazaki: master of Japanese animation : films, themes, artistry. Rev. ed. Berkeley, Calif: : Stone Bridge Press 2002.
44
Taylor D, Stokowski L, Disney W, et al. Fantasia: the original classic. 2011.
45
Miyazaki H, Hisaishi J. Spirited away. 2005;Studio Ghibli.
46
Prévert J, Grimault P, Martin J, et al. The King and the mockingbird. 2014.
47
Utterson A. Technology and culture, the film reader. London: : Routledge 2005.
48
Pilling J, Society of Animation Studies. A reader in animation studies. London: : J. Libbey 1997. http://www.loc.gov/catdir/enhancements/fy1401/98166815-b.html
49
Furniss M. Animation: art and industry. New Barnet: : John Libbey 2009. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037236600002418&institutionId=2418&customerId=2415
50
Buchan S, editor. Pervasive animation. New York: : Routledge 2013.
51
Furniss M. Art in motion: animation aesthetics. Rev. ed. Eastleigh, UK: : John Libbey 2007.
52
Buchan S. Animated ‘worlds’. Eastleigh: : John Libbey Publishing 2006.
