[1]
D. Preziosi, The Art of Art History: A Critical Anthology, New ed., vol. Oxford history of art. Oxford: Oxford University Press, 2009 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247220002418&institutionId=2418&customerId=2415
[2]
A. D’Alleva, Methods and Theories of Art History, 2nd ed. London: Laurence King, 2012.
[3]
J. Harris and NetLibrary, The New Art History: A Critical Introduction. London: Routledge, 2001 [Online]. Available: http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=73809
[4]
A. Jones, A Companion to Contemporary Art since 1945, vol. Blackwell companions in art  history. Malden, MA: Blackwell Pub, 2006.
[5]
N. Mirzoeff, The Visual Culture Reader, 3rd ed. London: Routledge, 2013.
[6]
G. Rose, Visual methodologies: an introduction to researching with visual materials, 5th edition. Los Angeles: SAGE, 2023.
[7]
M. Sturken and L. Cartwright, Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press, 2001.
[8]
J. A. Walker and S. Chaplin, Visual Culture: An Introduction. Manchester: Manchester University Press, 1997.
[9]
Terry Smith, ‘The State of Art History: Contemporary Art’, The Art Bulletin, vol. 92, no. 4, pp. 366–383, 2010 [Online]. Available: http://www.jstor.org/stable/29546137?seq=1#page_scan_tab_contents
[10]
W. J. Simmons, ‘True to Form: Deborah Kass Shakes Up the Canon’. [Online]. Available: https://deborahkass.com/presspdfs/Deb%20Kass%20MP%20December%202015.pdf
[11]
D. C. Murray, ‘Notes to Self: The Visual Culture of Selfies in the Age of Social Media’, Consumption Markets & Culture, vol. 18, no. 6, pp. 490–516, Nov. 2015.
[12]
S. Boldrick, ‘Trash as Trash as Art: Reflections on the Preservation and Destruction of Waste in Artistic Practice’, NANO, vol. 7 [Online]. Available: https://nanocrit.com/issues/issue7/trash-trash-art
[13]
M. Fernández, ‘"Life-like”: Historicizing Process and Responsiveness in Digital Art.”’, in A companion to contemporary art since 1945, vol. Blackwell companions in art  history, Malden, MA: Blackwell Pub, 2006, pp. 557–581 [Online]. Available: https://www.vlebooks.com/Vleweb/Product/Index/22593?page=0
[14]
‘Like Blood or Blossom: Wangechi Mutu’s Resistant Harvests’, Feminist Studies, vol. 42, no. 2, 2016 [Online]. Available: https://www.jstor.org/stable/10.15767/feministstudies.42.2.0392
[15]
A. Alberro, ‘Institutions, Critique and Institutional Critique’, in Institutional critique: an anthology of artists’ writings, A. Alberro and B. Stimson, Eds. Cambridge, Massachusetts: MIT Press, 2011, pp. 2–19 [Online]. Available: http://www.columbia.edu/cu/arthistory/faculty/Alberro/Institutional-Critique.pdf
[16]
J. Harris, ‘Introduction: The ABC of Globalization and Contemporary Art’, Third Text, vol. 27, no. 4, pp. 439–441, Jul. 2013, doi: 10.1080/09528822.2013.816585.
[17]
T. Smith and S. Mathur, ‘Contemporary Art: World Currents in Transition Beyond Globalization’, Contemporaneity: Historical Presence in Visual Culture, vol. 3, pp. 163–173, Jun. 2014, doi: 10.5195/CONTEMP.2014.112.
[18]
B. Ashcroft, G. Griffiths, and H. Tiffin, The Post-colonial Studies Reader, 2nd ed. Abingdon, Oxford: Routledge, 2006.
[19]
R. Barthes and A. Lavers, Mythologies. London: Vintage, 1993.
[20]
G. S. Becker, Accounting for Tastes. Cambridge Massachusetts: Harvard University Press, 1998 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039319150002418&institutionId=2418&customerId=2415
[21]
J. Berger, Ways of Seeing. London: Penguin, 2008 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780141917986
[22]
P. Bourdieu and R. Johnson, The Field of Cultural Production: Essays on Art and Literature. Cambridge: Polity Press, 1993.
[23]
V. Buchli, The Material Culture Reader. Oxford: Berg, 2002.
[24]
L. Buck and P. Dodd, Relative Values: or What’s Art Worth? London: BBC Books, 1991.
[25]
G. Corsane, Heritage, Museums and Galleries: An Introductory Reader. London: Routledge, 2005 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037227700002418&institutionId=2418&customerId=2415
[26]
C. Gere, Digital Culture, Expanded 2nd ed. London: Reaktion, 2008 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037257310002418&institutionId=2418&customerId=2415
[27]
C. Gere, Art, Time, and Technology, English ed., vol. Culture machine series. Oxford: Berg, 2006.
[28]
J. Gibbons and ebrary, Inc, Contemporary art and memory: images of recollection and remembrance. London: I.B. Tauris, 2007 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10254890
[29]
R. Greenberg, B. W. Ferguson, and S. Nairne, Thinking about Exhibitions. London: Routledge, 1996.
[30]
K. Harvey, History and Material Culture: A Student’s Guide to Approaching Alternative Sources, vol. Routledge guides to using historical sources. London: Routledge, 2009.
[31]
E. Hooper-Greenhill, Museums and the Interpretation of Visual Culture, vol. Museum meanings. London: Routledge, 2000.
[32]
A. Jones, Self Image: Technology, Representation, and the Contemporary Subject. London: Routledge, 2006.
[33]
Z. Kocur, Global Visual Cultures. Chichester, West Sussex: Wiley-Blackwell, 2011.
[34]
P. Lord, The aesthetics of relevance, vol. Changing Wales. Llandysul: Gomer Press, 1992.
[35]
M. Meskimmon, Contemporary Art and the Cosmopolitan Imagination. London: Routledge, 2011.
[36]
M. Meskimmon, Women Making Art: History, Subjectivity, Aesthetics. London: Routledge, 2003 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203389461
[37]
L. Adams, The Methodologies of Art, Second edition. Boulder, CO: Westview Press, a member of the Perseus Books Group, 2010 [Online]. Available: https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4933260840002418&institutionId=2418&customerId=2415
[38]
D. J. Sherman and I. Rogoff, Museum Culture: Histories, Discourses, Spectacles. London: Routledge, 1994.
[39]
R. Williams, Art Theory: An Historical Introduction. Malden, Ma: Blackwell, 2004.