1
Bachelard G. The poetics of reverie: childhood, language, and the cosmos. Boston, Mass: Beacon 2004.
2
Casey ES. The fate of place: a philosophical history. London: Univesity of California Press 1997.
3
Fuchs E, Chaudhuri U. Land/scape/theater. Ann Arbor: University of Michigan Press 2002.
4
Coult T, Kershaw B. Engineers of the imagination: the Welfare State handbook. London: Methuen 1983.
5
Certeau M de. ‘Walking in The City’ in The practice of everyday life. The practice of everyday life. Berkeley, Calif: University of California Press 1984.
6
‘Theory of the Derive’. http://library.nothingness.org/articles/SI/en/display/314
7
Heathfield A, Etchells T, Forced Entertainment (Theater company). Small acts: performance, the millennium and the marking of time. [London: Black Dog 2000.
8
Farquhar A. The Storr: unfolding landscape. Rev. and expanded ed. Edinburgh: Luath 2006.
9
Fuchs E, Chaudhuri U. ‘Theatrical Encounters: Staging the City’  in Land/scape/theater. Land/scape/theater. Ann Arbor: University of Michigan Press 2002:94–118.
10
Giannachi G, Stewart N. ‘Introduction’ in Performing nature: explorations in ecology and the arts. Performing nature: explorations in ecology and the arts. Oxford: Lang 2005.
11
Whybrow N, editor. ‘Wandering and Wondering: Following Janet Cardiff’s Missing Voice’. Performance and the contemporary city: an interdisciplinary reader. Basingstoke, Hampshire: Palgrave Macmillan 2010:167–79.
12
Performing the archive: following in the footsteps.
13
Hill L, Paris H. Performance and place. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan 2006.
14
Spier S. ‘The Map is not the Territory’ in Urban visions. Urban visions: experiencing and envisioning the city. Liverpool: Liverpool University Press 2002:215–28.
15
Kaye N. Site-specific art: performance, place, and documentation. London: Routledge 2000.
16
Kaprow A, Lebel J-J, Gutai Bijutsu Kyōkai. Assemblage, environments & happenings. New York: H. N. Abrams 1966.
17
Whybrow N. ‘The Pepys of London E11: Graeme Miller and The Politics of Linked’ in Performance and the contemporary city: an interdisciplinary reader. Performance and the contemporary city: an interdisciplinary reader. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan 2010:149–67.
18
Lefebvre H, Kofman E, Lebas E. ‘The Right to the City’ in Writings on cities. Writings on cities. Oxford: Blackwell Publishers 1996:147–59.
19
Lippard LR. The lure of the local: senses of place in a multicentered society. New York: New Press 1997.
20
Massey DB. For space. London: SAGE 2005.
21
Massey D. Space, place and gender. Cambridge: Polity 1994.
22
Marranca B. Ecologies of theater: essays at the Century Turning. Baltimore: Johns Hopkins University Press 1996.
23
McAuley G. Unstable ground: performance and the politics of place. Bruxelles: P.I.E. Peter Lang 2006.
24
Crang M, Thrift NJ, ebrary, Inc. ‘Henri Lefebvre: A Socialist in Space’ in Thinking space. Thinking space. London: Routledge 2000:167–82.
25
Taylor A-M. ‘Special Worlds, Secret Maps: A Poetics of Performance’ in Staging Wales. Staging Wales. Cardiff: University of Wales Press 1997.
26
Pearson M, Shanks M. Theatre/archaeology. London: Routledge 2001.
27
Pearson M. Site-specific performance. Basingstoke: Palgrave Macmillan 2010.
28
Schama S. Landscape and memory. London: HarperCollins 1995.
29
Baker G, Cooke L, Kelly KJ. Robert Smithson: Spiral jetty : true fictions, false realities. Berkeley: University of California Press 2005.
30
Turner, C. Palimpsest or potential space? Finding a vocabulary for site-specific performance. New Theatre QuarterlyNew Theatre Quarterly. 2004;20:373–90.
31
Tuan Y. Chapter 8. Topophilia: a study of environmental perception, attitudes, and values. Englewood Cliffs: Prentice-Hall 1974.
32
Tuan Y. Chapter 9. Topophilia: a study of environmental perception, attitudes, and values. Englewood Cliffs: Prentice-Hall 1974.
33
Wiles D. Introduction. A short history of Western performance space. Cambridge: Cambridge University Press 2003:1–22.
34
Wilkie, F. Mapping the terrain: A survey of site-specific performance in Britain. New Theatre QuarterlyNew Theatre Quarterly. 2002;18:140–60.
35
Holdsworth N, Luckhurst M. The Production of "Site”: Site-Specific Theatre’ in A concise companion to contemporary British and Irish drama. A concise companion to contemporary British and Irish drama. Oxford: Blackwell 2008.
36
Francis Alÿs:  ‘Nightwatch’.
37
Francis Alÿs: ‘The Guards’. http://www.outset.org.uk/england/projects/the-guards/
38
‘Kitchen Show’ (Bobby Baker).
39
Blast Theory: ‘A machine to see with’.
40
Blast Theory: ‘I’d hide you’.
41
Blast Theory: My Neck of the Woods.
42
Mike Brookes: ‘The last bus [of the millennium]’. http://mikebrookes.com/shame/archive01.html
43
Mike Brookes: ‘Something burning [but it will turn out wrong]’. http://mikebrookes.com/shame/archive01.html
44
Mike Brookes and Rosa Casado: Just a little bit of history repeating: ‘Alexandra Bandstand’.
45
Mike Brookes and Rosa Casado: ‘Euskalduna Shipyard’. http://mikebrookes.com/shame/archive01.html
46
Mike Brookes and Rosa Casado: ‘Parking lots of Providence / introduced birdsong’. http://mikebrookes.com/shame/archive01.html
47
Janet Cardiff: ‘Missing Voice’. http://www.artangel.org.uk/projects/1999/the_missing_voice_case_study_b
48
Jeremy Deller: ‘Battle of Orgreave’.
49
Olafur Eliasson: ‘The weather project’.
50
Fevered Sleep: ‘Weather Factory’.
51
Šejla Kameric: ‘1395 Days without Red’. http://www.mif.co.uk/event/sejla-kameric-anri-sala-1395-days-without-red-projections-works-from-the-artangel-collection/
52
Lone Twin: ‘The Boat Project’. http://www.theboatproject.com/
53
Gordon Matta-Clark: ‘Splitting’.
54
Gordon Matta-Clark: ‘Conical Intersect’.
55
NVA: ‘The Storr - Unfolding Landscape’.
56
NVA’s Speed of Light.
57
Mike Pearson: ‘Bubbling Tom’. https://worldtheatre2.wordpress.com/2012/11/04/bubbling-tom-mike-pearson/
58
Pearson/Brookes: ‘The first five miles’. http://www.mikebrookes.com/ambivalence/pearsonbrookes/firstfivemiles.htm
59
Pearson/Brookes: ‘Body of evidence’. http://www.mikebrookes.com/ambivalence/pearsonbrookes/bodyofevidence.htm
60
Pearson/Brookes: ‘Carrying Lyn’. http://www.mikebrookes.com/ambivalence/pearsonbrookes/carryinglyn.htm
61
Pearson/Brookes: ‘Polis’. http://www.mikebrookes.com/ambivalence/pearsonbrookes/polis.htm
62
Pearson/Brookes: ‘The Persians’.
63
Mike Pearson and John Hardy: ‘Carrlands’. http://www.carrlands.org.uk/
64
Platform: ‘And While London Burns’. http://andwhilelondonburns.com/
65
Fiona Templeton: ‘You the City’. http://www.fionatempleton.org/you-the%20city.htm
66
Townley and Bradby: ‘The Bowthorpe Experiment’.
67
Deborah Warner and Fiona Shaw: ‘Peace Camp’. http://www.peacecamp2012.com/
68
Rachel Whiteread: ‘House’. http://www.artangel.org.uk/projects/1993/house