1.
Brewster S, Thurston L, eds. The Routledge Handbook to the Ghost Story. Routledge; 2017.
2.
Anne Radcliffe. On the Supernatural in Poetry. The New monthly magazine and literary journal, Jan 1821-Dec 1836. 16(61):145-152. http://search.proquest.com/britishperiodicals/docview/4400026/citation/D05DD27D6A994D49PQ/1?accountid=14783
3.
Scott W. On the Supernatural in Fictitious Composition; and particularly on the Works of Ernest Theodore William Hoffman. The Foreign quarterly review, July 1827-July 1846. 1(1):60-98. http://search.proquest.com/docview/2650203?accountid=14783
4.
Gaskell E. The Old Nurse’s Story. In: The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Vol Penguin classics. Penguin Books; 1852:3-24.
5.
Le Fanu J. Squire Toby’s Will. In: Cox M, Gilbert RA, eds. The Oxford Book of English Ghost Stories. Oxford University Press; 1868:25-50.
6.
Dickens C. The Signalman. In: The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Vol Penguin classics. Penguin Books; 1866:91-104.
7.
Collins W. Mrs. Zant and the Ghost. In: Classic Ghost Stories. Vol Dover thrift editions. Dover Publications; 1879:30-58.
8.
Jill L. Matus. Trauma, Memory, and Railway Disaster: The Dickensian Connection. Victorian Studies. 2001;43(3):413-436. https://muse.jhu.edu/article/35840
9.
Oliphant M. The Open Door. In: The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Vol Penguin classics. Penguin Books; 1885:193-203.
10.
Lee V. A Wicked Voice. In: Cox M, Gilbert RA, eds. The Oxford Book of English Ghost Stories. Oxford University Press; 1890:87-108.
11.
Nesbit E. Man-Size in Marble. In: Cox M, Gilbert RA, eds. The Oxford Book of English Ghost Stories. Oxford University Press; 1893:125-136.
12.
Freeman N. E. Nesbit’s New Woman Gothic. Women’s Writing. 2008;15(3):454-469. doi:10.1080/09699080802444918
13.
O’Brien FJ. What Was It? In: The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Vol Penguin classics. Penguin Books; 1859:25-37.
14.
Edwards AB. The Phantom Coach. In: Cox M, Gilbert RA, eds. The Oxford Book of English Ghost Stories. Oxford University Press; 1864:13-24.
15.
Edwards AB. The New Pass. In: Classic Ghost Stories. Vol Dover thrift editions. Dover Publications; 1873:74-85.
16.
Bulwer-Lytton E. The Haunted and the Haunters: or, The House and the Brain. In: The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Vol Penguin classics. Penguin Books; 1859:39-66.
17.
Srdjan Smajic. The Trouble with Ghost-Seeing: Vision, Ideology, and Genre in the Victorian Ghost Story. ELH. 2003;70(4):1107-1135. http://www.jstor.org/stable/30029915?seq=1#page_scan_tab_contents
18.
Hearn L. The Nightmare Touch. In: The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Penguin Books; 2010:224-230.
19.
Blackwood A. The Empty House. In: Cox M, Gilbert RA, eds. The Oxford Book of English Ghost Stories. Oxford University Press; 1906:222-235.
20.
Jacobs WW. The Monkey’s Paw. In: The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Vol Penguin classics. Penguin Books; 1902:231-242.
21.
Freud S, McLintock D, Haughton H. The Uncanny. In: The Uncanny. Penguin Books; 2003:121-162.
22.
James MR. Oh Whistle, and I’ll Come to You, My Lad. In: The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Vol Penguin classics. Penguin Books; 1904:261-280.
23.
James MR. The Mezzotint. In: Collected Ghost Stories. Vol Tales of mystery&the supernatural. Wordsworth Editions; 1904:24-34.
24.
Ralph Harrington. ‘So jarred were all my nerves’: supernatural shock and traumatic terror in the ghost stories of M. R. James. Published online 2006. https://blackboard.aber.ac.uk/bbcswebdav/pid-907538-dt-content-rid-1251439_1/courses/EN30820_AB0_2016-17/So_jarred_were_all_my_nerves_supernatura.pdf
25.
Thurston L. Broken Lineage: M. R. James. In: Literary Ghosts from the Victorians to Modernism: The Haunting Interval. Vol Routledge studies in twentieth-century literature. Routledge; 2012:57-72.
26.
James H. The Jolly Corner. In: The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Vol Penguin classics. Penguin Books; 1908:291-325.
27.
The Queer subject of The Jolly Corner. The Henry James Review. 1999;20(1):1-21. http://literature.proquest.com/searchFulltext.do?id=R01243926&divLevel=0&queryId=2968481230446&trailId=158F923AE33&area=abell&forward=critref_ft
28.
Sinclair M. the Intercessor. In: Uncanny Stories. Vol Tales of mystery&the supernatural. Wordsworth Editions; 1911:177-216.
29.
Everett HD. The Next Heir. In: The Crimson Blind: And Other Stories. Vol Tales of mystery&the supernatural. Wordsworth Editions; 1920:81-112.
30.
Broster DK. The Pestering. In: Couching at the Door. Vol Tales of mystery&the supernatural. Wordsworth Editions; 1932:129-162.
31.
Bleiler R. May Sinclair’s Supernatural Fiction. In: May Sinclair: Moving towards the Modern. Ashgate; 2006:123-138.
32.
Hartley LP. A Visitor from Down Under. In: Cox M, Gilbert RA, eds. The Oxford Book of English Ghost Stories. Oxford University Press; 1926:307-321.
33.
Wharton E. Afterward. In: Ghosts. D. Appleton-Century Company; :69-112.
34.
Byatt AS. The July Ghost. In: Oxford Book of Twentieth-Century Ghost Stories. Oxford Paperbacks; 1987:376-389.
35.
Thurston L. Literary Ghosts from the Victorians to Modernism: The Haunting Interval. Vol Routledge studies in twentieth-century literature. Routledge; 2012. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203112496
36.
Thurston L. Literary Ghosts from the Victorians to Modernism: The Haunting Interval. Vol Routledge studies in twentieth-century literature. Routledge; 2012. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780203112496
37.
Brian McCuskey. Not at Home: Servants, Scholars, and the UncannyNot at Home: Servants, Scholars, and the Uncanny. PMLA. 2006;121(2):421-436. http://www.jstor.org/stable/25486323
38.
Davies O. The Haunted: A Social History of Ghosts. Palgrave Macmillan; 2009.
39.
McGarry M, ebrary, Inc. Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteenth-Century America. University of California Press; 2008. http://site.ebrary.com/lib/aber/Doc?id=10676250
40.
Dickerson VD. Victorian Ghosts in the Noontide: Women Writers and the Supernatural. University of Missouri Press; 1996.
41.
Radcliffe JN. Fiends, Ghosts, and Sprites: Including an Account of the Origin and Nature of Belief in the Supernatural. R.Bentley; 1854.
42.
Scott W, ebrary, Inc. The Tapestried Chamber. Electric Book Co; 2001. http://site.ebrary.com/lib/aber/Doc?id=2001613
43.
Wolfreys J. Victorian Hauntings: Spectrality, Gothic, the Uncanny, and Literature. Palgrave; 2002.
44.
Messent PB. Literature of the Occult: A Collection of Critical Essays. Vol Twentieth century views. Prentice-Hall; 1981.
45.
Brown M. The Gothic Text. Stanford University Press; 2005.
46.
Sullivan J. The Penguin Encyclopedia of Horror and the Supernatural. Viking; 1986.
47.
Bown N, Burdett C, Thurschwell P. The Victorian Supernatural. Vol Cambridge studies in nineteenth-century literature and culture. Cambridge University Press; 2004.
48.
Wilson N, British Library. Shadows in the Attic: A Guide to British Supernatural Fiction, 1820-1950. 1st ed. British Library; 2000.
49.
Blackwood A. Tales of the Supernatural. Boydell; 1983.
50.
Gray M, Oliphant. Selected Short Stories of the Supernatural. Vol Association for Scottish literary studies. Scottish Academic; 1985.
51.
Kerr H, Crowley JW, Crow CL. The Haunted Dusk: American Supernatural Fiction, 1820-1920. University of Georgia Press; 1983.
52.
Royle N. The Uncanny. Manchester University Press; 2003.
53.
Robbins R, Wolfreys J. Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century. Macmillan; 2000.
54.
Baldick C. The Oxford Book of Gothic Tales. Oxford University Press; 1992.
55.
Harris JM. Folklore and the Fantastic in Nineteenth-Century British Fiction. Ashgate; 2008.
56.
Kunka A, Troy MK. May Sinclair: Moving towards the Modern. Ashgate; 2006.
57.
Cox M, Gilbert RA, eds. The Oxford Book of English Ghost Stories. Oxford University Press; 2008.
58.
Newton M, ed. The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce. Vol Penguin classics. Penguin Books; 2010.
59.
James MR, Cox M. ‘Casting the Runes’ and Other Ghost Stories. Oxford University Press; 2009.
60.
Collins W, Grafton J. Classic Ghost Stories. Vol Dover thrift editions. Dover Publications; 1998.
61.
Blakemont AJ. The Gothic: 250 Years of Success: Your Guide to Gothic Literature and Culture. Dark Romantic Worlds; 2014.
62.
Luckhurst R. Late Victorian Gothic Tales. Vol Oxford world’s classics. Oxford University Press; 2009.
63.
Smith A. Victorian Demons: Medicine, Masculinity, and the Gothic at the Fin-de-Siècle. Manchester University Press; 2004.
64.
Clery EJ, Miles R. Gothic Documents: A Sourcebook, 1700-1820. Manchester University Press; 2000.
65.
Punter D, Byron G. The Gothic. Blackwell; 2004.
66.
Williams A. Art of Darkness: A Poetics of Gothic. University of Chicago Press; 1995. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231740002418&institutionId=2418&customerId=2415
67.
Mishra V. The Gothic Sublime. Vol SUNY series on the sublime. State University of New York Press; 1994.
68.
Smith A, Hughes W. The Victorian Gothic: An Edinburgh Companion. Edinburgh University Press; 2012.
69.
Matus JL. Shock, Memory and the Unconscious in Victorian Fiction. Vol Cambridge studies in nineteenth-century literature and culture. Cambridge University Press; 2011.
70.
Kontou T. Women and the Victorian Occult. Routledge; 2011. http://www.gbv.de/dms/goettingen/669387444.pdf
71.
Smajic S. Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Vol Cambridge studies in nineteenth-century literature and culture. Cambridge University Press; 2013.
72.
Owen A. The Darkened Room: Women, Power, and Spiritualism in Late Victorian England. University of Chicago Press; 2004.
73.
Oppenheim J. The Other World: Spiritualism and Psychical Research in England, 1850-1914. Cambridge University Press; 1988.
74.
Melechi A. Servants of the Supernatural: The Night Side of the Victorian Mind. Arrow; 2009.
75.
Smith A. The Ghost Story, 1840-1920: A Cultural History. Manchester University Press; 2012. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037250070002418&institutionId=2418&customerId=2415
76.
Sullivan J. Elegant Nightmares: The English Ghost Story from Le Fanu to Blackwood. Ohio University Press; 1978.
77.
Briggs J. Night Visitors: The Rise and Fall of the English Ghost Story. Faber; 1977.
78.
Joshi AST. The Weird Tale. Wildside Press; 2003.
79.
Joshi ST, Pardoe R, eds. Warnings to the Curious: A Sheaf of Criticism on M.R. James. Vol Hippocampus Press library of criticism. Hippocampus Press; 2007.
80.
Hay SJ. A History of the Modern British Ghost Story. Palgrave Macmillan; 2011.
81.
Davies O. The Haunted: A Social History of Ghosts. Palgrave Macmillan; 2009.
82.
Fernie E. The Demonic: Literature and Experience. Routledge; 2013.
83.
Hogle JE. Cambridge Companion to Gothic Fiction. Vol Cambridge companions to literature. Cambridge University Press; 2002.
84.
Spooner CL, McEvoy E. The Routledge Companion to Gothic. Routledge; 2007.
85.
Lustig TJ. Henry James and the Ghostly. Cambridge University Press; 2010.
86.
Punter D. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Volume 1: The Gothic Tradition. Longman; 1996.
87.
Punter D. Gothic Pathologies: The Text, the Body and the Law. Macmillan Press; 1998.
88.
Raitt S. May Sinclair: A Modern Victorian. Clarendon Press; 2000.
89.
Sinclair M, March-Russell P. Uncanny Stories. Vol Tales of mystery&the supernatural. Wordsworth Editions; 2006.
90.
Rowe K. Dead Hands: Fictions of Agency, Renaissance to Modern. Stanford University Press; 1999.
91.
Collings R, ed. Classic Victorian & Edwardian Ghost Stories. Vol Tales of mystery&the supernatural. Wordsworth Editions; 1996.
92.
James MR. Collected Ghost Stories. Vol Tales of mystery&the supernatural. Wordsworth Editions; 2007.
93.
Kellermeyer MG, ed. The Best Victorian Ghost Stories: Annotated and Illustrated Tales of Murder, Mystery, Hauntings & Horror. Second edition. Oldstyle Tales press; 2014.
94.
James H, Schofield M, Davies DS. Ghost Stories of Henry James. Vol Tales of Mystery&the Supernatural. Wordsworth Editions Ltd; 2008.
95.
Conrad-O’Briain H, Stevens JA. The Ghost Story from the Middle Ages to the 20th Century: A Ghostly Genre. Four Courts Press; 2010.
96.
Broster DK. Couching at the Door. Vol Tales of mystery&the supernatural. Wordsworth Editions; 2007.
97.
Trauma, Memory, and Railway Disaster: The Dickensian Connection. Victorian Studies. 43(3):413-436. http://muse.jhu.edu/journals/vic/summary/v043/43.3matus.html
98.
Freeman N. E. NESBIT’S NEW WOMAN GOTHIC. Women’s Writing. 2008;15(3):454-469. doi:10.1080/09699080802444918
99.
Savoy E. The Queer Subject of ‘The Jolly Corner’. The Henry James Review. 1999;20(1):1-21. doi:10.1353/hjr.1999.0007
100.
Ghosts & Scholars, Montague Rhodes James, M.R. James Newsletter. http://www.users.globalnet.co.uk/~pardos/GS.html
101.
M.R. James on Le Fanu. http://www.users.globalnet.co.uk/~pardos/ArchiveLeFanu.html
102.
May Sinclair: Moving towards the Modern. http://www.gbv.de/dms/goettingen/512869944.pdf
103.
Ghosts of the Mind: The Supernatural and Madness in Victorian Gothic Literature - viewcontent.cgi. http://aquila.usm.edu/cgi/viewcontent.cgi?article=1098&context=honors_theses
104.
Sound of Terror: Hearing Ghosts in Victorian Fiction - viewcontent.cgi. http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1024&context=english_diss
105.
Norman T. A History of the Modern British Ghost Story. Simon Hay. New York: Palgrave Macmillan, 2011. 264pp. $85.00 cloth. The Journal of Popular Culture. 2013;46(1):237-239. doi:10.1111/jpcu.12022_9
106.
Thurston L. Double-crossing: Elizabeth Bowen’s ghostly short fiction. Textual Practice. 2013;27(1):7-28. doi:10.1080/0950236X.2013.752215
107.
Henson L, Burdett C, Thurschwell P. Dickens and Ghosts. In: Vol Cambridge studies in nineteenth-century literature and culture. Cambridge University Press; 2004.
108.
Leighton, Angela. GHOSTS, AESTHETICISM, AND %u201CVERNON LEE%u201D. Victorian Literature and Culture. 2000;28(01):1-14. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=56253&fileId=S1060150300281011
109.
Fluhr N. Empathy and Identity in Vernon Lee’s Hauntings. Victorian Studies. 2006;48(2):287-294. doi:10.1353/vic.2006.0079
110.
A History of the Modern British Ghost Story by Simon Hay, and: Literary Ghosts from the Victorians to Modernism: The Haunting Interval by Luke Thurston (review). Victorian Studies. 56(2):325-327. http://muse.jhu.edu/journals/victorian_studies/v056/56.2.galvan.html
111.
‘Every word of it is true’: the cultural significance of the Victorian ghost story. http://mspace.lib.umanitoba.ca/handle/1993/116
112.
Spirit writing: the influence of spiritualism on the Victorian ghost story. http://dspace.stir.ac.uk/handle/1893/373#.VHb-gaPG4Sk
113.
Spectres of the Self: Thinking about Ghosts and Ghost-Seeing in England, 1750-1920 (review). Victorian Studies. 54(2):336-337. http://muse.jhu.edu/journals/victorian_studies/v054/54.2.smajic.html
114.
Louise Henson. ‘Phantoms Arising from the Scenes of Our Too-Long Neglect’: Charles Dickens, Victorian Chemistry, and the Folklore of the Ghost. Victorian Review. 2000;26(1):6-23. http://www.jstor.org/stable/27793426?seq=1#page_scan_tab_contents
115.
Gendering the Spectral Encounter at the Fin de Siècle: Unspeakability in Vernon Lee’s Supernatural Stories - Gothic Studies - Volume 15, Number 2 / November 2013 - Manchester University Press. http://manchester.metapress.com/content/b1801587p8g052q0/
116.
Fighting Spirit: Victorian women’s ghost stories. http://theses.gla.ac.uk/1610/1/2000stewartphd.pdf
117.
Oppenheim J. The Other World: Spiritualism and Psychical Research in England, 1850-1914. Cambridge University Press; 1988.
118.
Crowe C. The Night Side of Nature: Or, Ghosts and Ghost Seers. General Books LLC; 2012.
119.
H.P. Lovecraft’s ‘Supernatural Horror in Literature’. http://www.hplovecraft.com/writings/litcrit/shil.aspx
120.
Gurney E, Myers FWH, Podmore F, Society for Psychical Research (Great Britain). Phantasms of the Living. General Books; 2012.
121.
Review: Luke Thurston’s Literary Ghosts from the Victorians to Modernism: The Haunting Interval | The Gothic Imagination. http://www.gothic.stir.ac.uk/blog/review-luke-thurstons-literary-ghosts-from-the-victorians-to-modernism-the-haunting-interval/
122.
review of Luke Thurston: Literary Ghosts from the Victorians to Modernism: The Haunting. http://www.archivdigital.info/ce/luke-thurston-literary-ghosts-from-the-victorians-to-modernism-the-haunting-interval/detail.html
123.
Edmundson Makala M. Women’s Ghost Literature in Nineteenth-Century Britain. Vol Gothic literary studies. University of Wales Press; 2013. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037233260002418&institutionId=2418&customerId=2415
124.
Conrad-O’Briain H, Stevens JA. The Ghost Story from the Middle Ages to the 20th Century: A Ghostly Genre. Four Courts Press; 2010.
125.
Smajic, Srdjan. The Trouble with Ghost-Seeing: Vision, Ideology, and Genre in the Victorian Ghost Story. http://primo.aber.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_museS1080654704411079&indx=1&recIds=TN_museS1080654704411079&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=7&dscnt=0&frbg=&scp.scps=primo_central_multiple_fe&tab=central&dstmp=1417100598673&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Smajic%20%27the%20Trouble%20with%20ghost-seeing%27&vid=ABERU_VU1&gathStatIcon=true
126.
Wallace D, Smith A. The Female Gothic: New Directions. Palgrave Macmillan; 2009.
127.
Amateur Error, Templar Terror, and M. R. James’s Haunted Whistle.
128.
University of Iowa. Philological quarterly.
129.
Haggerty GE. Queer Gothic. University of Illinois Press; 2006.
130.
Haefele-Thomas A. Queer Others in Victorian Gothic: Transgressing Monstrosity. Vol Gothic literary studies. University of Wales Press; 2012. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037306680002418&institutionId=2418&customerId=2415
131.
Smith A, Hughes W, eds. The Victorian Gothic: An Edinburgh Companion. Edinburgh University Press; 2014.
132.
Scott Brewster. Casting an Eye: M. R. James at the Edge of the Frame - Gothic Studies - Volume 14, Number 2 / November 2012 - Manchester University Press. http://manchester.metapress.com/content/j41286028812rx63/
133.
Grimes H. The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing. Ashgate; 2011.
134.
Smith A, Wallace J. Gothic Modernisms. Palgrave; 2001.
135.
Conrad-O’Briain H, Stevens JA. The Ghost Story from the Middle Ages to the 20th Century: A Ghostly Genre. Four Courts Press; 2010.
136.
Edmundson Makala M. Women’s Ghost Literature in Nineteenth-Century Britain. Vol Gothic literary studies. University of Wales Press; 2013. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037234130002418&institutionId=2418&customerId=2415
137.
Smith A, Hughes W, eds. The Victorian Gothic: An Edinburgh Companion. Vol Edinburgh Companions to the Gothic. Edinburgh University Press; 2014.
138.
Freeman N. SENSATIONAL GHOSTS, GHOSTLY SENSATIONS. Women’s Writing. 2013;20(2):186-201. doi:10.1080/09699082.2013.773772
139.
The Sympathetic Medium, Feminine Channeling, the Occult, and Communication Technologies, 1859�1919. http://www.cornellpress.cornell.edu/book/?GCOI=80140100071720
140.
Grimes H. The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing. Ashgate; 2011.
141.
Blanco M del P, Peeren E, eds. The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory. Bloomsbury; 2013.
142.
Gordon AF. Ghostly Matters: Haunting and the Sociological Imagination. 2nd University of Minnesota Press ed. University of Minnesota Press; 2008. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037228590002418&institutionId=2418&customerId=2415
143.
Cook M. Detective Fiction and the Ghost Story: The Haunted Text. Vol Crime files. Palgrave Macmillan; 2014.
144.
Peterson LH, ed. The Cambridge Companion to Victorian Women’s Writing. Vol Cambridge companions to literature. Cambridge University Press; 2015. http://assets.cambridge.org/97811076/59612/cover/9781107659612.jpg
145.
Oosterom-Pooley J van, Oosterom-Pooley J van. The Whirligig of Time: Margaret Oliphant in Her Later Years. Vol European university studies. Series XIV, Anglo-Saxon language and literature. P. Lang http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018886810&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
146.
Hall TH. The Medium and the Scientist: The Story of Florence Cook and William Crookes. Prometheus Books http://catdir.loc.gov/catdir/enhancements/fy1309/84043102-d.html
147.
Morton L. Ghosts: A Haunted History. Reaktion Books; 2017. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781780235370
148.
The Gothic. http://www.bl.uk/romantics-and-victorians/videos/the-gothic
149.
Grimes H. The Late Victorian Gothic: Mental Science, the Uncanny, and Scenes of Writing. Ashgate; 2011.
150.
‘Prismatic and Profitable’: Commerce and the Corporate Person in James’s ‘The Jolly Corner’. ‘Prismatic and Profitable’: 2005;76(4):807-831. https://muse.jhu.edu/article/176817
151.
Narcissism and the Conditions of Self-knowledge in James’s ‘The Jolly Corner’ - pdf. https://muse.jhu.edu/article/182758/pdf
152.
Einhaus AM, ed. The Cambridge Companion to the English Short Story. Vol Cambridge companions to. Cambridge University Press; 2016.