Bibliography for FM35820 Moving Image Technologies: How Pictures Became Animated BETA

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Apgar, G. (ed.) (2014) A Mickey Mouse reader. Jackson: University Press of Mississippi. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037239910002418&institutionId=2418&customerId=2415.

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Betancourt, M. (2013) The history of motion graphics: from avant-garde to industry in the United States. [Rockville, Maryland]: Wildside Press.

Bigelow, S.J. (2009) ‘Technologies of Perception: Miyazaki in Theory and Practice’, Animation, 4(1), pp. 55–75. Available at: https://doi.org/10.1177/1746847708099740.

Brown, S., Street, S. and Watkins, L.I. (eds) (2013) Color and the moving image: history, theory, aesthetics, archive. New York: Routledge.

Buchan, S. (2006) Animated ‘worlds’. Eastleigh: John Libbey Publishing.

Buchan, S. (ed.) (2013) Pervasive animation. New York: Routledge.

Cavallaro, D. (2006) The anime art of Hayao Miyazaki. Jefferson, N.C.: McFarland. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037228150002418&institutionId=2418&customerId=2415.

Coates, P. and British Film Institute (2010) Cinema and colour: the saturated image. Basingstoke: Palgrave Macmillan.

Crafton, D. (1993) Before Mickey: the animated film 1898-1928. Chicago: University of Chicago Press.

Crafton, D. (1999) The talkies: American cinema’s transition to sound, 1926-1931. Berkeley, Calif: University of California Press.

Crafton, D. (2013) Shadow of a mouse: performance, belief, and world-making in animation. Berkeley, California: University of California Press.

Cubitt, S. (2009) ‘Line and Colour in The Band Concert’, Animation, 4(1), pp. 11–30. Available at: https://doi.org/10.1177/1746847708099739.

Dalle Vacche, A. and Price, B. (2006) Color : the film reader. London: Routledge.

Dobson, T. (2006) The film work of Norman McLaren. Eastleigh: John Libbey.

Enticknap, L.D.G. (2005) Moving image technology: from zoetrope to digital. London: Wallflower.

Fleischer, R. (2005) Out of the inkwell: Max Fleischerand the animation revolution. Lexington: University Press of Kentucky.

Fresko, D. (2013) ‘Muybridge’s Magic Lantern’, Animation, 8(1), pp. 47–64. Available at: https://doi.org/10.1177/1746847712473804.

Furniss, M. (2007) Art in motion: animation aesthetics. Rev. ed. Eastleigh, UK: John Libbey.

Furniss, M. (2009) Animation: art and industry. New Barnet: John Libbey. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037236600002418&institutionId=2418&customerId=2415.

Gaudreault, A. et al. (2012) A companion to early cinema [electronic resource]. Malden, Mass: Wiley-Blackwell. Available at: http://site.ebrary.com/lib/aber/Doc?id=10558115.

Gauthier, P. (2011) ‘A Trick Question: Are Early Animated Drawings a Film Genre or a Special Effect?’, Animation, 6(2), pp. 163–175. Available at: https://doi.org/10.1177/1746847711407624.

Grieveson, L. and Krämer, P. (2004) The silent cinema reader. London: Routledge.

Guido, L. and Lugon, O. (eds) (2012) ‘Extract’, in Between Still and Moving Images: Photography and Cinema in the 20th Century. New Barnet: John Libbey Publishing, pp. 81–96.

Lamarre, T. (2011) ‘Magic Lantern, Dark Precursor’, Animation, 6(2), pp. 127–148. Available at: https://doi.org/10.1177/1746847711406374.

LaMarre, T. and ebrary, Inc (2009) The anime machine: a media theory of animation [electronic resource]. Minneapolis: University of Minnesota Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10353988.

Lim, T.W. (2013) ‘Spirited Away: Conceptualizing a Film-Based Case Study through Comparative Narratives of Japanese Ecological and Environmental Discourses’, Animation, 8(2), pp. 149–162. Available at: https://doi.org/10.1177/1746847713486972.

Mark Wheeler Macwilliams 1952-; ebrary, Inc. (2008) ‘"Heart of Japaneseness: History and Nostalgia in Hayao Miyazaki’s Spirited Away,”’, in Japanese visual culture explorations in the world of manga and anime, pp. 237–155. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS5159980420002418&indx=1&recIds=44WHELF_ABW_ALMA_DS5159980420002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&tab=local&dstmp=1447084907960&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Japanese%20visual%20culture%20explorations%20in%20the%20world%20of%20manga%20and%20anime.%20&vid=44WHELF_ABW_VU1.

McCarthy, H. (2002) Hayao Miyazaki: master of Japanese animation : films, themes, artistry. Rev. ed. Berkeley, Calif: Stone Bridge Press.

Miyazaki, H. and Hisaishi, J. (2005) ‘Spirited away’. Optimum Home Entertainment.

Morton, D. (2010) ‘Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film’, Animation, 5(3), pp. 295–312. Available at: https://doi.org/10.1177/1746847710377551.

Napier, S.J. (2001) Anime from Akira to Princess Mononoke: experiencing contemporary Japanese animation. 1st ed. New York: Palgrave.

Nathan, D.L. and Crafton, D. (2013) ‘The Making and Re-making of Winsor McCay’s Gertie (1914)’, Animation, 8(1), pp. 23–46. Available at: https://doi.org/10.1177/1746847712467569.

Neupert, R.J. (2014) French animation history. Chichester: Wiley-Blackwell.

Odell, C. and Le Blanc, M. (2014) Studio Ghibli: the films of Hayao Miyazaki & Isao Takahata. Harpenden: Kamera Books.

Osmond, A. and British Film Institute (2008) Spirited away. Basingstoke: Palgrave Macmillan.

Pilling, J. and Society of Animation Studies (1997) A reader in animation studies. London: J. Libbey. Available at: http://www.loc.gov/catdir/enhancements/fy1401/98166815-b.html.

Prévert, J. et al. (2014) ‘The King and the mockingbird’. [France]: Studio Canal.

Robert. Russett Cecile Starr (1988a) ‘Chapter 2’, in Experimental animation : origins of a new art. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2140804010002418&indx=1&recIds=44WHELF_ABW_ALMA_DS2140804010002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&tab=local&dstmp=1447082239271&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Experimental%20animation%3A%20origins%20of%20a%20new%20art.&vid=44WHELF_ABW_VU1.

Robert. Russett Cecile Starr (1988b) ‘Chapter 3’, in Experimental animation : origins of a new art. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2140804010002418&indx=1&recIds=44WHELF_ABW_ALMA_DS2140804010002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=scope:(44WHELF_ABW_ALMA_DS),scope:(44WHELF_ABW_ML_DS)&tab=local&dstmp=1447082239271&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Experimental+animation:+origins+of+a+new+art.&vid=44WHELF_ABW_VU1.

Robinson, J. (2013) The cinema of Hayao Miyazaki. Second edition. Maidstone, Kent: Crescent Moon.

Russett, R. and Starr, C. (1988) Experimental animation: origins of a new art. Rev. ed. New York, N.Y.: Da Capo Press.

Smith, J. (2012) ‘Phonograph Toys and Early Sound Cartoons: Towards a History of Visualized Phonography’, Animation, 7(2), pp. 151–174. Available at: https://doi.org/10.1177/1746847712439577.

Stratyner, L. and Keller, J.R. (2007) Fantasy fiction into film: essays. Jefferson, N.C.: McFarland & Co.

Susanin, T.S. and ebrary, Inc (2011) Walt before Mickey: Disney’s early years, 1919-1928 [electronic resource]. Jackson [Miss.]: University Press of Mississippi. Available at: http://site.ebrary.com/lib/aber/Doc?id=10463164.

Taylor, D. et al. (2011) ‘Fantasia: the original classic’. Burbank, Calif: Walt Disney Productions.

Telotte, J.P. (2010) Animating space: from Mickey to WALL-E. Lexington, Ky: University Press of Kentucky. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247690002418&institutionId=2418&customerId=2415.

Telotte, J.P. and ebrary, Inc (2008) The mouse machine: Disney and technology [electronic resource]. Urbana: University of Illinois Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10593661.

Toulmin, V. and Popple, S. (2005) Visual delights two: exhibition and reception. Eastleigh: John Libbey.

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Utterson, A. (2005b) Technology and culture, the film reader. London: Routledge.