[1]
Adcock, C.E. and Turrell, J. 1990. James Turrell: the art of light and space. University of California Press.
[2]
Aronson, A. 2005. Looking into the abyss: essays on scenography. University of Michigan Press.
[3]
Bachelard, G. and Jolas, M. 1994. The poetics of space. Beacon Press.
[4]
Baugh, C. 2013. Theatre, performance and technology: the development and transformation of scenography. Palgrave Macmillan.
[5]
Beacham, R.C. and Beacham, R.C. 1994. Adolphe Appia: artist and visionary of the modern theatre. Harwood Academic Publishers.
[6]
Bentley, E. 1992. The theory of the modern stage: an introduction to modern theatre and drama. Penguin Books.
[7]
Collins, J. and Nisbet, A. 2010. Theatre and performance design: a reader in scenography. Routledge.
[8]
Goldberg, R. and Goldberg, R. 2001. Performance art: from futurism to the present. Thames & Hudson.
[9]
Holmberg, A. 1996. The theatre of Robert Wilson. Cambridge University Press.
[10]
Howard, P. 2001. What is scenography?. Routledge.
[11]
Huxley, M. and Witts, N. 1996. The twentieth century performance reader. Routledge.
[12]
Kaye, N. 1996. Art into theatre: performance interviews and documents. Harwood Academic Publishers.
[13]
Kaye, N. 2000. Site-specific art: performance, place, and documentation. Routledge.
[14]
Lotker, S. and Gough, R. 2013. On Scenography: Editorial. Performance Research. 18, 3 (Jun. 2013), 3–6. DOI:https://doi.org/10.1080/13528165.2013.818306.
[15]
McKinney, J. and Butterworth, P. 2009. The Cambridge introduction to scenography. Cambridge University Press.
[16]
Roose-Evans, J. 1989. Experimental theatre: from Stanislavsky to Peter Brook. Routledge.
[17]
Schlemmer, O. et al. 1996. The theater of the Bauhaus. Johns Hopkins University Press.
[18]
Svoboda, J. and Burian, J. 1993. The secret of theatrical space: the memoirs of Josef Svoboda. Applause Theatre Books.
