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Altick RD. The shows of London. Cambridge, Mass: : Belknap Press 1978.
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Bailey P. Leisure and class in Victorian England: rational recreation and the contest for control, 1830-1885. London: : Methuen 1987.
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Briggs A. Victorian cities. New ed. Harmondsworth: : Penguin 1968.
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Briggs A. Victorian things. Thrupp: : Sutton Publishing 1988.
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Crary J. Suspensions of Perception: Attention, Spectacle and Modern Culture. Cambridge: : MIT Press 2001. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039317450002418&institutionId=2418&customerId=2415
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Fyfe A, Lightman BV. Science in the marketplace: nineteenth-century sites and experiences. Chicago: : University of Chicago Press 2007.
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Lightman B. Victorian Popularizers of Science: Designing Nature for New Audiences. Chicago, IL: : University of Chicago Press 2009. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039390170002418&institutionId=2418&customerId=2415
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Mannoni L, Crangle R. The great art of light and shadow: archaeology of the cinema. Exeter: : University of Exeter Press 2000.
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Richards T. The commodity culture of Victorian England: advertising and spectacle, 1851-1914. London: : Verso 1991.
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Terry Castle. Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie. Critical Inquiry 1988;15:26–61.http://www.jstor.org/stable/1343603?seq=1#page_scan_tab_contents
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Griffiths A. The Largest Picture Ever Executed by Man: Panoramas and the Emergence of Large-Screen and 360 Degree Internet Technologies. In: Screen culture: history & textuality. Eastleigh, England: : John Libbey 2004. 199–220.
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Hyde R. Mr. Wyld’s Monster Globe. History today 1970;20:118–23.
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Hyde R, Barbican Art Gallery. Panoramania!: the art and entertainment of the ‘all-embracing’ view. London: : Trefoil in association with Barbican Art Gallery 1988. http://swbplus.bsz-bw.de/bsz013880403inh.htm
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Morus IR. Seeing and Believing Science. Isis 2006;97:101–10. doi:10.1086/501103
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Oettermann S. The panorama: history of a mass medium. New York: : Zone Books 1997.
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Hankins TL, Silverman RJ. Instruments and the imagination. Princeton, N.J.: : Princeton University Press 1999.
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Robinson D, Herbert S, Crangle R, et al. Encyclopaedia of the magic lantern. London: : Magic Lantern Society 2001.
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Ryan WF. Limelight on Eastern Europe: The Great Dissolving Views at the Royal Polytechnic. New Magic Lantern Journal 1986;4:48–55.http://www.magiclantern.org.uk/new-magic-lantern-journal/pdfs/4008622a.pdf
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Alberti SJMM. Conversaziones and the Experience of Science in Victorian England. Journal of Victorian Culture 2003;8:208–30. doi:10.3366/jvc.2003.8.2.208
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Carroll V. Natural History on Display. In: Science in the marketplace: nineteenth-century sites and experiences. Chicago: : University of Chicago Press 2007.
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Lightman BV. Victorian popularizers of science: designing nature for new audiences. Chicago: : University of Chicago Press 2007. https://ebookcentral.proquest.com/lib/aber/detail.action?docID=471887
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Iwan Rhys Morus. Manufacturing Nature: Science, Technology and Victorian Consumer Culture. The British Journal for the History of Science 1996;29:403–34.http://www.jstor.org/stable/4027698?seq=1#page_scan_tab_contents
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Morus IR. Frankenstein’s children: electricity, exhibition, and experiment in early-nineteenth-century London. Princeton, N.J.: : Princeton University Press 1998.
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Kember J, Plunkett J, Sullivan JA, editors. Popular Exhibitions, Science and Showmanship, 1840-1910. http://www.myilibrary.com?id=527476
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Morus IR. More the Aspect of Magic than Anything Natural. In: Science in the marketplace: nineteenth-century sites and experiences. Chicago: : University of Chicago Press 2007.
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Morus I, Schaffer S, Secord J. Scientific London. In: London - world city,1800-1840. London: : Yale University Press in association with the Museum of London 1992.
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Schaffer S. Babbage’s Dancer and the Impresarios of Mechanism. In: Cultural Babbage: technology, time and invention. London: : Faber and Faber 1997. 53–80.
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Sheets-Pyenson S. Cathedrals of science: the development of colonial natural history museums during the late nineteenth century. Kingston, Ont: : McGill-Queen’s University Press 1988.
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Weeden B. The education of the eye: history of the Royal Polytechnic Institution 1838-1881. Cambridge, United Kingdom: : Granta Editions 2008.
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Yanni C. Nature’s Museums: Victorian Science and the Architecture of Display. New York: : Princeton Architectural Press 2005. https://ebookcentral.proquest.com/lib/aber/detail.action?docID=3387360
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Auerbach JA. The Great Exhibition of 1851: a nation on display. New Haven [Conn.]: : Yale University Press 1999.
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Auerbach JA, Hoffenberg PH. Britain, the Empire, and the world at the Great Exhibition of 1851. Aldershot: : Ashgate 2008.
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Bellon R. Science at the Crystal Focus of the World. In: Science in the marketplace: nineteenth-century sites and experiences. Chicago: : University of Chicago Press 2007.
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Briggs J. Ballads and Balloon Ascents: Reconnecting the Popular and the Didactic in 1851. Victorian Studies 2013;55. doi:10.2979/victorianstudies.55.2.253
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Buzard J, Childers JW, Gillooly E. Victorian prism: refractions of the Crystal Palace. Charlottesville: : University of Virginia Press 2007.
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Cantor G. Science, Providence, and Progress at the Great Exhibition. Isis 2012;103:439–59. doi:10.1086/667968
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Leapman M. The world for a shilling: how the Great Exhibition of 1851 shaped a nation. London: : Faber and Faber 2011.
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Purbrick L. The Great Exhibition of 1851: new interdisciplinary essays. Manchester: : Manchester University Press 2001.
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Yglesias JRC. London life and the Great Exhibition, 1851. London: : Longmans, Green 1964.
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Young P. Globalization and the Great Exhibition: the Victorian new world order. Basingstoke: : Palgrave Macmillan 2009. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780230594319
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Hobhouse C, Lancaster O. 1851 and the Crystal Palace: being an account of the Great Exhibition and its contents; of Sir Joseph Paxton; and the erection, the subsequent history and the destruction of his masterpiece. [Revised edition]. London: : Murray 1950.
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Appelbaum S, Avery Library, Chicago Historical Society. The Chicago World’s Fair of 1893: a photographic record. New York: : Dover Publications 1980.
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Beauchamp KG. Exhibiting electricity. London: : Institution of Electrical Engineers 1997.
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Benedict B, Dobkin M, Brechin GA, et al. The anthropology of world’s fairs: San Francisco’s Panama Pacific International Exposition of 1915. Berkeley, Calif: : Lowie Museum of Anthropology 1983.
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Marvin C. When old technologies were new: thinking about electric communication in the late nineteenth century. New York: : Oxford University Press 1990. https://ebookcentral.proquest.com/lib/aber/detail.action?docID=273386
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Nye DE. Electrifying America: social meanings of a new technology, 1880-1940. 1st MIT Press paperback ed. Cambridge, Mass: : MIT Press 1992.
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Otter C. The Victorian eye: a political history of light and vision in Britain, 1800-1910. Chicago: : University of Chicago Press 2008. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5444641280002418&institutionId=2418&customerId=2415
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Rydell RW. All the world’s a fair: visions of empire at American international expositions, 1876-1916. Chicago: : University of Chicago Press 1987.
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Schivelbusch W. Disenchanted night: the industrialization of light in the nineteenth century. Berkeley: : University of California Press 1995.
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Brain R. Going to the fair: readings in the culture of nineteenth-century exhibitions. Cambridge [England]: : Whipple Museum of the History of Science
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Durbach N. Spectacle of Deformity: Freak Shows and Modern British Culture. Berkeley: : University of California Press 2009. https://ebookcentral.proquest.com/lib/aber/detail.action?docID=470936
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Franklin A. Animals and Modern Cultures: A Sociology of Human-Animal Relations in Modernity. London: : SAGE Publications 1999. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039317220002418&institutionId=2418&customerId=2415
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Hahn D. The Tower menagerie: the amazing true story of the royal collection of wild beasts. London: : Pocket 2004.
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Hancocks D. A different nature: the paradoxical world of zoos and their uncertain future. Berkeley, Calif: : University of California Press 2001.
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Poignant R. Professional savages: captive lives and western spectacle. New Haven: : Yale University Press
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Pyenson L, Sheets-Pyenson S. Servants of nature: a history of scientific institutions, enterprises, and sensibilities. 1st American ed. New York: : W.W. Norton 1999.
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Qureshi S. Peoples on parade: exhibitions, empire, and anthropology in nineteenth-century Britain. Chicago, Ill: : University of Chicago Press 2011. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780226700984
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Ritvo H. The animal estate: the English and other creatures in the Victorian Age. Cambridge, Mass: : Harvard University Press 1987.
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Ritvo H. The platypus and the mermaid and other figments of the classifying imagination. Cambridge, Massachusetts: : Harvard University Press 1998.
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Booth MR. Victorian spectacular theatre, 1850-1910. Boston, Mass: : Routledge & Kegan Paul 1981.
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Braun M. Picturing time: the work of Etienne-Jules Marey (1830-1904). Chicago: : University of Chicago Press 1994.
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Brooker J. The Temple of Minerva: Magic and the Magic Lantern at the Royal Polytechnic Institution, London 1887 - 1801. Ripon: : The Magic Lantern Society 2013.
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Cook O. Movement in two dimensions: a study of the animated and projected pictures which preceded the invention of cinematography. London: : Hutchison 1963.
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Schwartz V. Cinematic Spectatorship before the Apparatus: The Public Taste for Reality in Fin-de-Siècle Paris. In: Cinema and the invention of modern life. Berkeley: : University of California Press 1995. 297–319.
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Schwartz VR. Spectacular realities: early mass culture in fin-de-si©·cle Paris. Berkeley, Calif: : University of California Press 1999.
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Popple S, Toulmin V, University of Sheffield. Visual delights: essays on the popular and projected image in the 19th century. Trowbridge, Wiltshire, England: : Flicks Books 2000.
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Dictionary of Victorian London. http://www.victorianlondon.org/
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Map of John Snow’s London in 1859. http://www.ph.ucla.edu/epi/snow/1859map/map1859.html
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The Magic Lantern Society. http://www.magiclantern.org.uk/index.php
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The Victorian Web. http://www.victorianweb.org/
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The Bill Douglas Cinema Museum. http://www.bdcmuseum.org.uk/
