1.
Altick, R.D.: The shows of London. Belknap Press, Cambridge, Mass (1978).
2.
Bailey, P.: Leisure and class in Victorian England: rational recreation and the contest for control, 1830-1885. Methuen, London (1987).
3.
Briggs, A.: Victorian cities. Penguin, Harmondsworth (1968).
4.
Briggs, A.: Victorian things. Sutton Publishing, Thrupp (1988).
5.
Crary, J.: Suspensions of Perception: Attention, Spectacle and Modern Culture. MIT Press, Cambridge (2001).
6.
Fyfe, A., Lightman, B.V.: Science in the marketplace: nineteenth-century sites and experiences. University of Chicago Press, Chicago (2007).
7.
Lightman, B.: Victorian Popularizers of Science: Designing Nature for New Audiences. University of Chicago Press, Chicago, IL (2009).
8.
Mannoni, L., Crangle, R.: The great art of light and shadow: archaeology of the cinema. University of Exeter Press, Exeter (2000).
9.
Richards, T.: The commodity culture of Victorian England: advertising and spectacle, 1851-1914. Verso, London (1991).
10.
Terry Castle: Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie. Critical Inquiry. 15, 26–61 (1988).
11.
Griffiths, A.: The Largest Picture Ever Executed by Man: Panoramas and the Emergence of Large-Screen and 360 Degree Internet Technologies. In: Screen culture: history & textuality. pp. 199–220. John Libbey, Eastleigh, England (2004).
12.
Hyde, R.: Mr. Wyld’s Monster Globe. History today. 20, 118–123 (1970).
13.
Hyde, R., Barbican Art Gallery: Panoramania!: the art and entertainment of the ‘all-embracing’ view. Trefoil in association with Barbican Art Gallery, London (1988).
14.
Morus, I.R.: Seeing and Believing Science. Isis. 97, 101–110 (2006). https://doi.org/10.1086/501103.
15.
Oettermann, S.: The panorama: history of a mass medium. Zone Books, New York (1997).
16.
Hankins, T.L., Silverman, R.J.: Instruments and the imagination. Princeton University Press, Princeton, N.J. (1999).
17.
Robinson, D., Herbert, S., Crangle, R., Magic Lantern Society of Great Britain: Encyclopaedia of the magic lantern. Magic Lantern Society, London (2001).
18.
Ryan, W.F.: Limelight on Eastern Europe: The Great Dissolving Views at the Royal Polytechnic. New Magic Lantern Journal. 4, 48–55 (1986).
19.
Alberti, S.J.M.M.: Conversaziones and the Experience of Science in Victorian England. Journal of Victorian Culture. 8, 208–230 (2003). https://doi.org/10.3366/jvc.2003.8.2.208.
20.
Carroll, V.: Natural History on Display. In: Science in the marketplace: nineteenth-century sites and experiences. University of Chicago Press, Chicago (2007).
21.
Lightman, B.V.: Victorian popularizers of science: designing nature for new audiences. University of Chicago Press, Chicago (2007).
22.
Iwan Rhys Morus: Manufacturing Nature: Science, Technology and Victorian Consumer Culture. The British Journal for the History of Science. 29, 403–434 (1996).
23.
Morus, I.R.: Frankenstein’s children: electricity, exhibition, and experiment in early-nineteenth-century London. Princeton University Press, Princeton, N.J. (1998).
24.
Kember, J., Plunkett, J., Sullivan, J.A. eds: Popular Exhibitions, Science and Showmanship, 1840-1910.
25.
Morus, I.R.: More the Aspect of Magic than Anything Natural. In: Science in the marketplace: nineteenth-century sites and experiences. University of Chicago Press, Chicago (2007).
26.
Morus, I., Schaffer, S., Secord, J.: Scientific London. In: London - world city,1800-1840. Yale University Press in association with the Museum of London, London (1992).
27.
Schaffer, S.: Babbage’s Dancer and the Impresarios of Mechanism. In: Cultural Babbage: technology, time and invention. pp. 53–80. Faber and Faber, London (1997).
28.
Sheets-Pyenson, S.: Cathedrals of science: the development of colonial natural history museums during the late nineteenth century. McGill-Queen’s University Press, Kingston, Ont (1988).
29.
Weeden, B.: The education of the eye: history of the Royal Polytechnic Institution 1838-1881. Granta Editions, Cambridge, United Kingdom (2008).
30.
Yanni, C.: Nature’s Museums: Victorian Science and the Architecture of Display. Princeton Architectural Press, New York (2005).
31.
Auerbach, J.A.: The Great Exhibition of 1851: a nation on display. Yale University Press, New Haven [Conn.] (1999).
32.
Auerbach, J.A., Hoffenberg, P.H.: Britain, the Empire, and the world at the Great Exhibition of 1851. Ashgate, Aldershot (2008).
33.
Bellon, R.: Science at the Crystal Focus of the World. In: Science in the marketplace: nineteenth-century sites and experiences. University of Chicago Press, Chicago (2007).
34.
Briggs, J.: Ballads and Balloon Ascents: Reconnecting the Popular and the Didactic in 1851. Victorian Studies. 55, (2013). https://doi.org/10.2979/victorianstudies.55.2.253.
35.
Buzard, J., Childers, J.W., Gillooly, E.: Victorian prism: refractions of the Crystal Palace. University of Virginia Press, Charlottesville (2007).
36.
Cantor, G.: Science, Providence, and Progress at the Great Exhibition. Isis. 103, 439–459 (2012). https://doi.org/10.1086/667968.
37.
Leapman, M.: The world for a shilling: how the Great Exhibition of 1851 shaped a nation. Faber and Faber, London (2011).
38.
Purbrick, L.: The Great Exhibition of 1851: new interdisciplinary essays. Manchester University Press, Manchester (2001).
39.
Yglesias, J.R.C.: London life and the Great Exhibition, 1851. Longmans, Green, London (1964).
40.
Young, P.: Globalization and the Great Exhibition: the Victorian new world order. Palgrave Macmillan, Basingstoke (2009).
41.
Hobhouse, C., Lancaster, O.: 1851 and the Crystal Palace: being an account of the Great Exhibition and its contents; of Sir Joseph Paxton; and the erection, the subsequent history and the destruction of his masterpiece. Murray, London (1950).
42.
Appelbaum, S., Avery Library, Chicago Historical Society: The Chicago World’s Fair of 1893: a photographic record. Dover Publications, New York (1980).
43.
Beauchamp, K.G.: Exhibiting electricity. Institution of Electrical Engineers, London (1997).
44.
Benedict, B., Dobkin, M., Brechin, G.A., Armstrong, E., Starr, G., Robert H. Lowie Museum of Anthropology: The anthropology of world’s fairs: San Francisco’s Panama Pacific International Exposition of 1915. Lowie Museum of Anthropology, Berkeley, Calif (1983).
45.
Marvin, C.: When old technologies were new: thinking about electric communication in the late nineteenth century. Oxford University Press, New York (1990).
46.
Nye, D.E.: Electrifying America: social meanings of a new technology, 1880-1940. MIT Press, Cambridge, Mass (1992).
47.
Otter, C.: The Victorian eye: a political history of light and vision in Britain, 1800-1910. University of Chicago Press, Chicago (2008).
48.
Rydell, R.W.: All the world’s a fair: visions of empire at American international expositions, 1876-1916. University of Chicago Press, Chicago (1987).
49.
Schivelbusch, W.: Disenchanted night: the industrialization of light in the nineteenth century. University of California Press, Berkeley (1995).
50.
Brain, R.: Going to the fair: readings in the culture of nineteenth-century exhibitions. Whipple Museum of the History of Science, Cambridge [England].
51.
Durbach, N.: Spectacle of Deformity: Freak Shows and Modern British Culture. University of California Press, Berkeley (2009).
52.
Franklin, A.: Animals and Modern Cultures: A Sociology of Human-Animal Relations in Modernity. SAGE Publications, London (1999).
53.
Hahn, D.: The Tower menagerie: the amazing true story of the royal collection of wild beasts. Pocket, London (2004).
54.
Hancocks, D.: A different nature: the paradoxical world of zoos and their uncertain future. University of California Press, Berkeley, Calif (2001).
55.
Poignant, R.: Professional savages: captive lives and western spectacle. Yale University Press, New Haven.
56.
Pyenson, L., Sheets-Pyenson, S.: Servants of nature: a history of scientific institutions, enterprises, and sensibilities. W.W. Norton, New York (1999).
57.
Qureshi, S.: Peoples on parade: exhibitions, empire, and anthropology in nineteenth-century Britain. University of Chicago Press, Chicago, Ill (2011).
58.
Ritvo, H.: The animal estate: the English and other creatures in the Victorian Age. Harvard University Press, Cambridge, Mass (1987).
59.
Ritvo, H.: The platypus and the mermaid and other figments of the classifying imagination. Harvard University Press, Cambridge, Massachusetts (1998).
60.
Booth, M.R.: Victorian spectacular theatre, 1850-1910. Routledge & Kegan Paul, Boston, Mass (1981).
61.
Braun, M.: Picturing time: the work of Etienne-Jules Marey (1830-1904). University of Chicago Press, Chicago (1994).
62.
Brooker, J.: The Temple of Minerva: Magic and the Magic Lantern at the Royal Polytechnic Institution, London 1887 - 1801. The Magic Lantern Society, Ripon (2013).
63.
Cook, O.: Movement in two dimensions: a study of the animated and projected pictures which preceded the invention of cinematography. Hutchison, London (1963).
64.
Schwartz, V.: Cinematic Spectatorship before the Apparatus: The Public Taste for Reality in Fin-de-Siècle Paris. In: Cinema and the invention of modern life. pp. 297–319. University of California Press, Berkeley (1995).
65.
Schwartz, V.R.: Spectacular realities: early mass culture in fin-de-si©·cle Paris. University of California Press, Berkeley, Calif (1999).
66.
Popple, S., Toulmin, V., University of Sheffield: Visual delights: essays on the popular and projected image in the 19th century. Flicks Books, Trowbridge, Wiltshire, England (2000).
67.
Dictionary of Victorian London, http://www.victorianlondon.org/.
68.
Map of John Snow’s London in 1859, http://www.ph.ucla.edu/epi/snow/1859map/map1859.html.
69.
The Magic Lantern Society, http://www.magiclantern.org.uk/index.php.
70.
The Victorian Web, http://www.victorianweb.org/.
71.
The Bill Douglas Cinema Museum, http://www.bdcmuseum.org.uk/.
