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Briggs, J. (2013). Ballads and Balloon Ascents: Reconnecting the Popular and the Didactic in 1851. Victorian Studies, 55(2). https://doi.org/10.2979/victorianstudies.55.2.253
Brooker, J. (2013). The Temple of Minerva: Magic and the Magic Lantern at the Royal Polytechnic Institution, London 1887 - 1801. The Magic Lantern Society.
Buzard, J., Childers, J. W., & Gillooly, E. (2007). Victorian prism: refractions of the Crystal Palace: Vol. Victorian literature and culture series. University of Virginia Press.
Cantor, G. (2012). Science, Providence, and Progress at the Great Exhibition. Isis, 103(3), 439–459. https://doi.org/10.1086/667968
Carroll, V. (2007). Natural History on Display. In Science in the marketplace: nineteenth-century sites and experiences. University of Chicago Press.
Cook, O. (1963). Movement in two dimensions: a study of the animated and projected pictures which preceded the invention of cinematography. Hutchison.
Crary, J. (2001). Suspensions of Perception: Attention, Spectacle and Modern Culture. MIT Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039317450002418&institutionId=2418&customerId=2415
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Franklin, A. (1999). Animals and Modern Cultures: A Sociology of Human-Animal Relations in Modernity. SAGE Publications. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039317220002418&institutionId=2418&customerId=2415
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Lightman, B. (2009). Victorian Popularizers of Science: Designing Nature for New Audiences. University of Chicago Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039390170002418&institutionId=2418&customerId=2415
Lightman, B. V. (2007). Victorian popularizers of science: designing nature for new audiences. University of Chicago Press. https://ebookcentral.proquest.com/lib/aber/detail.action?docID=471887
Mannoni, L., & Crangle, R. (2000). The great art of light and shadow: archaeology of the cinema: Vol. Exeter studies in film history. University of Exeter Press.
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Morus, I. R. (1998). Frankenstein’s children: electricity, exhibition, and experiment in early-nineteenth-century London. Princeton University Press.
Morus, I. R. (2006). Seeing and Believing Science. Isis, 97(1), 101–110. https://doi.org/10.1086/501103
Morus, I. R. (2007). More the Aspect of Magic than Anything Natural. In Science in the marketplace: nineteenth-century sites and experiences. University of Chicago Press.
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Otter, C. (2008). The Victorian eye: a political history of light and vision in Britain, 1800-1910. University of Chicago Press. https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5444641280002418&institutionId=2418&customerId=2415
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Qureshi, S. (2011). Peoples on parade: exhibitions, empire, and anthropology in nineteenth-century Britain. University of Chicago Press. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780226700984
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Ryan, W. F. (1986). Limelight on Eastern Europe: The Great Dissolving Views at the Royal Polytechnic. New Magic Lantern Journal, 4, 48–55. http://www.magiclantern.org.uk/new-magic-lantern-journal/pdfs/4008622a.pdf
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Terry Castle. (1988). Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie. Critical Inquiry, 15(1), 26–61. http://www.jstor.org/stable/1343603?seq=1#page_scan_tab_contents
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Yanni, C. (2005). Nature’s Museums: Victorian Science and the Architecture of Display. Princeton Architectural Press. https://ebookcentral.proquest.com/lib/aber/detail.action?docID=3387360
Yglesias, J. R. C. (1964). London life and the Great Exhibition, 1851: Vol. Then and there series. Longmans, Green.
Young, P. (2009). Globalization and the Great Exhibition: the Victorian new world order: Vol. Palgrave studies in nineteenth-century writing and culture. Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780230594319
