Alberti, Samuel J.M.M. ‘Conversaziones and the Experience of Science in Victorian England’. Journal of Victorian Culture 8.2 (2003): 208–230. Web.
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Brain, Robert. Going to the Fair: Readings in the Culture of Nineteenth-Century Exhibitions. Cambridge [England]: Whipple Museum of the History of Science. Print.
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Briggs, Jo. ‘Ballads and Balloon Ascents: Reconnecting the Popular and the Didactic in 1851’. Victorian Studies 55.2 (2013): n. pag. Web.
Brooker, Jeremy. The Temple of Minerva: Magic and the Magic Lantern at the Royal Polytechnic Institution, London 1887 - 1801. Ripon: The Magic Lantern Society, 2013. Print.
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Crary, Jonathan. Suspensions of Perception: Attention, Spectacle and Modern Culture. Cambridge: MIT Press, 2001. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039317450002418&institutionId=2418&customerId=2415>.
‘Dictionary of Victorian London’. N.p., n.d. Web. <http://www.victorianlondon.org/>.
Durbach, Nadja. Spectacle of Deformity: Freak Shows and Modern British Culture. Berkeley: University of California Press, 2009. Web. <https://ebookcentral.proquest.com/lib/aber/detail.action?docID=470936>.
Franklin, Adrian. Animals and Modern Cultures: A Sociology of Human-Animal Relations in Modernity. London: SAGE Publications, 1999. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039317220002418&institutionId=2418&customerId=2415>.
Fyfe, Aileen, and Bernard V. Lightman. Science in the Marketplace: Nineteenth-Century Sites and Experiences. Chicago: University of Chicago Press, 2007. Print.
Griffiths, Alison. ‘The Largest Picture Ever Executed by Man: Panoramas and the Emergence of Large-Screen and 360 Degree Internet Technologies’. Screen Culture: History & Textuality. Stockholm studies in cinema. Eastleigh, England: John Libbey, 2004. 199–220. Print.
Hahn, Daniel. The Tower Menagerie: The Amazing True Story of the Royal Collection of Wild Beasts. London: Pocket, 2004. Print.
Hancocks, David. A Different Nature: The Paradoxical World of Zoos and Their Uncertain Future. Berkeley, Calif: University of California Press, 2001. Print.
Hankins, Thomas L., and Robert J. Silverman. Instruments and the Imagination. Princeton, N.J.: Princeton University Press, 1999. Print.
Hobhouse, Christopher, and Osbert Lancaster. 1851 and the Crystal Palace: Being an Account of the Great Exhibition and Its Contents; of Sir Joseph Paxton; and the Erection, the Subsequent History and the Destruction of His Masterpiece. [Revised edition]. London: Murray, 1950. Print.
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Hyde, Ralph and Barbican Art Gallery. Panoramania!: The Art and Entertainment of the ‘All-Embracing’ View. London: Trefoil in association with Barbican Art Gallery, 1988. Web. <http://swbplus.bsz-bw.de/bsz013880403inh.htm>.
Iwan Rhys Morus. ‘Manufacturing Nature: Science, Technology and Victorian Consumer Culture’. The British Journal for the History of Science 29.4 (1996): 403–434. Web. <http://www.jstor.org/stable/4027698?seq=1#page_scan_tab_contents>.
Kember, Joe, John Plunkett, and Jill A Sullivan, eds. Popular Exhibitions, Science and Showmanship, 1840-1910. Science and Culture in the Nineteenth Century. N.p. Web. <http://www.myilibrary.com?id=527476>.
Leapman, Michael. The World for a Shilling: How the Great Exhibition of 1851 Shaped a Nation. London: Faber and Faber, 2011. Print.
Lightman, Bernard. Victorian Popularizers of Science: Designing Nature for New Audiences. Chicago, IL: University of Chicago Press, 2009. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039390170002418&institutionId=2418&customerId=2415>.
Lightman, Bernard V. Victorian Popularizers of Science: Designing Nature for New Audiences. Chicago: University of Chicago Press, 2007. Web. <https://ebookcentral.proquest.com/lib/aber/detail.action?docID=471887>.
Mannoni, Laurent, and Richard Crangle. The Great Art of Light and Shadow: Archaeology of the Cinema. Exeter studies in film history. Exeter: University of Exeter Press, 2000. Print.
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Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. New York: Oxford University Press, 1990. Web. <https://ebookcentral.proquest.com/lib/aber/detail.action?docID=273386>.
Morus, Iwan Rhys. Frankenstein’s Children: Electricity, Exhibition, and Experiment in Early-Nineteenth-Century London. Princeton, N.J.: Princeton University Press, 1998. Print.
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Morus, Iwan, Simon Schaffer, and James Secord. ‘Scientific London’. London - World City,1800-1840. London: Yale University Press in association with the Museum of London, 1992. Print.
Nye, David E. Electrifying America: Social Meanings of a New Technology, 1880-1940. 1st MIT Press paperback ed. Cambridge, Mass: MIT Press, 1992. Print.
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Otter, Chris. The Victorian Eye: A Political History of Light and Vision in Britain, 1800-1910. Chicago: University of Chicago Press, 2008. Web. <https://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&amp;package_service_id=5444641280002418&amp;institutionId=2418&amp;customerId=2415>.
Poignant, Roslyn. Professional Savages: Captive Lives and Western Spectacle. New Haven: Yale University Press. Print.
Popple, Simon, Vanessa Toulmin, and University of Sheffield. Visual Delights: Essays on the Popular and Projected Image in the 19th Century. Trowbridge, Wiltshire, England: Flicks Books, 2000. Print.
Purbrick, Louise. The Great Exhibition of 1851: New Interdisciplinary Essays. Texts in culture. Manchester: Manchester University Press, 2001. Print.
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Qureshi, Sadiah. Peoples on Parade: Exhibitions, Empire, and Anthropology in Nineteenth-Century Britain. Chicago, Ill: University of Chicago Press, 2011. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780226700984>.
Richards, Thomas. The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914. London: Verso, 1991. Print.
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Robinson, David et al. Encyclopaedia of the Magic Lantern. London: Magic Lantern Society, 2001. Print.
Ryan, W. F. ‘Limelight on Eastern Europe: The Great Dissolving Views at the Royal Polytechnic’. New Magic Lantern Journal 4 (1986): 48–55. Web. <http://www.magiclantern.org.uk/new-magic-lantern-journal/pdfs/4008622a.pdf>.
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Schaffer, Simon. ‘Babbage’s Dancer and the Impresarios of Mechanism’. Cultural Babbage: Technology, Time and Invention. London: Faber and Faber, 1997. 53–80. Print.
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Yglesias, J. R. C. London Life and the Great Exhibition, 1851. Then and there series. London: Longmans, Green, 1964. Print.
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