[1]
Aragay, M. 2007. British theatre of the 1990s: interviews with directors, playwrights, critics, and academics. Palgrave Macmillan.
[2]
Barker, H. 2005. Death, the one and the art of theatre. Routledge.
[3]
Barker, H. and Brown, M. 2011. Howard Barker interviews 1980-2010: conversations in catastrophe. Intellect.
[4]
Butterworth, J. 2009. Jerusalem. Nick Hern Books.
[5]
Carney, S. 2013. The politics and poetics of contemporary English tragedy. University of Toronto Press.
[6]
Catholic Library Association ‘Philip Ridley and Memory’.
[7]
Davies, H.W. 1998. State of play: four playwrights of Wales. Gomer Press.
[8]
De Vos, L. and Saunders, G. 2010. Sarah Kane in context. Manchester University Press.
[9]
D’Monté, R. and Saunders, G. 2008. Cool Britannia?: British political drama in the 1990s. Palgrave Macmillan.
[10]
Farfan, P. and Ferris, L. eds. 2013. Contemporary women playwrights: into the twenty-first century. Palgrave Macmillan.
[11]
Freeland, T. 2011. The End of Rhetoric and the Residuum of Pain: Bodying Language in the Theatre of Howard Barker. Modern Drama. 54, 1 (2011), 78–98. DOI:https://doi.org/10.1353/mdr.2011.0006.
[12]
green, debbie tucker 2008. random. Nick Hern Books.
[13]
Gritzner, K. 2015. Adorno and modern theatre: the drama of the damaged self in Bond, Rudkin, Barker and Kane. Palgrave Macmillan.
[14]
Gritzner, K. 2010. Eroticism and death in theatre and performance. University of Hertfordshire Press.
[15]
Gritzner, K. and Rabey, D.I. 2006. Theatre of catastrophe: new essays on Howard Barker. Oberon.
[16]
Harpin, A. 2011. Intolerable Acts. Performance Research. 16, 1 (Mar. 2011), 102–111. DOI:https://doi.org/10.1080/13528165.2011.561681.
[17]
Harpin, A. 2011. Land of hope and glory: Jez Butterworth’s tragic landscapes. Studies in Theatre & Performance. 31, 1 (Feb. 2011), 61–73. DOI:https://doi.org/10.1386/stap.31.1.61_1.
[18]
Holdsworth, N. and Luckhurst, M. 2008. A concise companion to contemporary British and Irish drama. Blackwell.
[19]
Jordan, E. and Chambers, L. The theatre of Martin McDonagh: a world of savage stories. Carysfort Press Ltd.
[20]
Kane, S. 2001. Complete plays. Methuen.
[21]
Kelleher, J. 2009. Theatre & politics. Palgrave Macmillan.
[22]
Kritzer, A.H. 2008. Political theatre in post-Thatcher Britain: new writing, 1995-2005. Palgrave Macmillan.
[23]
Luckhurst, M. 2006. A companion to modern British and Irish drama, 1880--2005. Blackwell Pub.
[24]
May, A. 2010. Myth and creative writing: the self-renewing song. New York.
[25]
McDonagh, M. and Lonergan, P. 2009. The lieutenant of Inishmore. Methuen Drama.
[26]
McDowall, A. 2015. Pomona. Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing.
[27]
Megson, C. 2012. Modern British playwriting- the 1970’s: voices, documents, new interpretations. Methuen Drama.
[28]
Middeke, M. et al. 2011. The Methuen Drama guide to contemporary British playwrights. Methuen Drama.
[29]
Middeke, M. and Schnierer, P.P. 2010. The Methuen drama guide to contemporary Irish playwrights. Methuen Drama.
[30]
Milling, J. et al. 2004. The Cambridge history of British theatre. Cambridge University Press.
[31]
Nevitt, L. 2013. Theatre & violence. Palgrave Macmillan.
[32]
O’Reilly, K. 2014. Woman of Flowers. Aurora Metro Publications.
[33]
O’Rowe, M. and Bush Theatre 1999. Howie the rookie. Nick Hern.
[34]
Pilkington, L. 2010. Theatre & Ireland. Palgrave Macmillan.
[35]
Price, T. and Wasserberg, K. eds. 2015. Contemporary Welsh plays (eds. Price, Tim, and Wasserberg, Kate). Bloomsbury Publishing.
[36]
Rabey, D.I. 1997. David Rudkin: sacred disobedience ; an expository study of his drama, 1959-96. Harwood Academic.
[37]
Rabey, D.I. 2003. English drama since 1940. Longman.
[38]
Rabey, D.I. 2009. Howard Barker: ecstasy and death : an expository study of his drama, theory and production work, 1988-2008. Palgrave Macmillan.
[39]
Rabey, D.I. 2009. Howard Barker, politics and desire: an expository study of his drama and poetry, 1969-87. Palgrave Macmillan.
[40]
Rabey, D.I. 2015. The theatre and films of Jez Butterworth. Bloomsbury Methuen Drama.
[41]
Rabey, D.I. and Goldingay, S. 2013. Howard Barker’s art of theatre: essays on his plays, poetry and production work. Manchester University Press.
[42]
Rebellato, D. ed. 2013. Modern British playwriting: voices, documents, new interpretations, 2000-2009. Bloomsbury.
[43]
Reynolds, J. and Smith, A.W. eds. 2015. Howard Barker’s theatre: wrestling with catastrophe (eds. Reynolds, James, and Smith, Andy W.). Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing.
[44]
Ridley, P. 2005. Mercury fur. Methuen Drama.
[45]
Rudkin, D. et al. 2011. Red sun and Merlin unchained. Intellect.
[46]
Russell, R.R. 2007. Martin McDonagh: a casebook. Routledge.
[47]
Saunders, G. 2009. About Kane: the playwright and the work. Faber and Faber.
[48]
Saunders, G. 2002. ‘Love me or kill me’: Sarah Kane and the theatre of extremes. Manchester University Press.
[49]
Sierz, A. 2001. In-yer-face theatre: British drama today. Faber.
[50]
Sierz, A. 2012. Modern British playwriting - the 1990’s: voices, documents, new interpretations. Methuen Drama.
[51]
Sierz, A. 2011. Rewriting the nation: British theatre today. Methuen Drama.
[52]
Thomas, E. 2002. ’95-’98 selected work. Parthian.
[53]
Wyllie, A. 2009. Sex on stage: gender and sexuality in post-war British theatre. Intellect.