Aragay, M. (2007) British theatre of the 1990s: interviews with directors, playwrights, critics, and academics. Basingstoke: Palgrave Macmillan.
Barker, H. (2005) Death, the one and the art of theatre. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037239250002418&institutionId=2418&customerId=2415.
Barker, H. and Brown, M. (2011) Howard Barker interviews 1980-2010: conversations in catastrophe. Bristol: Intellect. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781841505237.
Butterworth, J. (2009) Jerusalem. London: Nick Hern Books. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037261060002418&institutionId=2418&customerId=2415.
Carney, S. (2013) The politics and poetics of contemporary English tragedy. Toronto: University of Toronto Press.
Catholic Library Association (no date) ‘“Philip Ridley and Memory”’.
Davies, H.W. (1998) State of play: four playwrights of Wales. Llandysul: Gomer Press.
De Vos, L. and Saunders, G. (2010) Sarah Kane in context. Manchester, UK: Manchester University Press.
D’Monté, R. and Saunders, G. (2008) Cool Britannia?: British political drama in the 1990s. Basingstoke: Palgrave Macmillan.
Farfan, P. and Ferris, L. (eds) (2013) Contemporary women playwrights: into the twenty-first century. Basingstoke, Hampshire: Palgrave Macmillan.
Freeland, T. (2011) ‘The End of Rhetoric and the Residuum of Pain: Bodying Language in the Theatre of Howard Barker’, Modern Drama, 54(1), pp. 78–98. Available at: https://doi.org/10.1353/mdr.2011.0006.
green, debbie tucker (2008) random. London: Nick Hern Books.
Gritzner, K. (2010) Eroticism and death in theatre and performance. Hatfield: University of Hertfordshire Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037238770002418&institutionId=2418&customerId=2415.
Gritzner, K. (2015) Adorno and modern theatre: the drama of the damaged self in Bond, Rudkin, Barker and Kane [electronic resource]. Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781137534477.
Gritzner, K. and Rabey, D.I. (2006) Theatre of catastrophe: new essays on Howard Barker. London: Oberon.
Harpin, A. (2011a) ‘Intolerable Acts’, Performance Research, 16(1), pp. 102–111. Available at: https://doi.org/10.1080/13528165.2011.561681.
Harpin, A. (2011b) ‘Land of hope and glory: Jez Butterworth’s tragic landscapes’, Studies in Theatre & Performance, 31(1), pp. 61–73. Available at: https://doi.org/10.1386/stap.31.1.61_1.
Holdsworth, N. and Luckhurst, M. (2008) A concise companion to contemporary British and Irish drama [electronic resource]. Oxford: Blackwell. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780470766125.
Jordan, E. and Chambers, L. (no date) The theatre of Martin McDonagh: a world of savage stories. Dublin: Carysfort Press Ltd.
Kane, S. (2001) Complete plays. London: Methuen.
Kelleher, J. (2009) Theatre & politics. Basingstoke: Palgrave Macmillan.
Kritzer, A.H. (2008) Political theatre in post-Thatcher Britain: new writing, 1995-2005. New York: Palgrave Macmillan.
Luckhurst, M. (2006) A companion to modern British and Irish drama, 1880--2005. Malden, MA: Blackwell Pub.
May, A. (2010) Myth and creative writing: the self-renewing song. Harlow, England: New York. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037260200002418&institutionId=2418&customerId=2415.
McDonagh, M. and Lonergan, P. (2009) The lieutenant of Inishmore. London: Methuen Drama.
McDowall, A. (2015) Pomona. London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing.
Megson, C. (2012) Modern British playwriting- the 1970’s: voices, documents, new interpretations. London: Methuen Drama.
Middeke, M. and Schnierer, P.P. (2010) The Methuen drama guide to contemporary Irish playwrights. London: Methuen Drama.
Middeke, M., Schnierer, P.P. and Sierz, A. (2011) The Methuen Drama guide to contemporary British playwrights. London: Methuen Drama.
Milling, J. et al. (2004) The Cambridge history of British theatre. Cambridge: Cambridge University Press.
Nevitt, L. (2013) Theatre & violence. Basingstoke: Palgrave Macmillan.
O’Reilly, K. (2014) Woman of Flowers. Twickenham: Aurora Metro Publications.
O’Rowe, M. and Bush Theatre (1999) Howie the rookie. London: Nick Hern. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037304890002418&institutionId=2418&customerId=2415.
Pilkington, L. (2010) Theatre & Ireland. Basingstoke: Palgrave Macmillan.
Price, T. and Wasserberg, K. (eds) (2015) Contemporary Welsh plays (eds. Price, Tim, and Wasserberg, Kate). London: Bloomsbury Publishing.
Rabey, D.I. (1997) David Rudkin: sacred disobedience ; an expository study of his drama, 1959-96. Amsterdam: Harwood Academic.
Rabey, D.I. (2003) English drama since 1940. Harlow: Longman. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037303610002418&institutionId=2418&customerId=2415.
Rabey, D.I. (2009a) Howard Barker: ecstasy and death : an expository study of his drama, theory and production work, 1988-2008. Basingstoke: Palgrave Macmillan. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037250250002418&institutionId=2418&customerId=2415.
Rabey, D.I. (2009b) Howard Barker, politics and desire: an expository study of his drama and poetry, 1969-87. New, rev.updated ed. Basingstoke: Palgrave Macmillan.
Rabey, D.I. (2015) The theatre and films of Jez Butterworth. London: Bloomsbury Methuen Drama. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037258630002418&institutionId=2418&customerId=2415.
Rabey, D.I. and Goldingay, S. (2013) Howard Barker’s art of theatre: essays on his plays, poetry and production work. Manchester: Manchester University Press.
Rebellato, D. (ed.) (2013) Modern British playwriting: voices, documents, new interpretations, 2000-2009. London: Bloomsbury. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037230490002418&institutionId=2418&customerId=2415.
Reynolds, J. and Smith, A.W. (eds) (2015) Howard Barker’s theatre: wrestling with catastrophe (eds. Reynolds, James, and Smith, Andy W.). London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing.
Ridley, P. (2005) Mercury fur. London: Methuen Drama.
Rudkin, D., Rabey, D.I. and Wilcher, R. (2011) Red sun and Merlin unchained. Bristol: Intellect. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037251210002418&institutionId=2418&customerId=2415.
Russell, R.R. (2007) Martin McDonagh: a casebook. London : New York: Routledge.
Saunders, G. (2002) ‘Love me or kill me’: Sarah Kane and the theatre of extremes. Manchester: Manchester University Press.
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Sierz, A. (2001) In-yer-face theatre: British drama today. London: Faber.
Sierz, A. (2011) Rewriting the nation: British theatre today. London: Methuen Drama.
Sierz, A. (2012) Modern British playwriting - the 1990’s: voices, documents, new interpretations. London: Methuen Drama.
Thomas, E. (2002) ’95-’98 selected work. Cardigan: Parthian.
Wyllie, A. (2009) Sex on stage: gender and sexuality in post-war British theatre. Bristol, UK: Intellect. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037303100002418&institutionId=2418&customerId=2415.