Bibliography for TP30820 British and Irish Drama 1980-2012 BETA

Aragay, Mireia. British Theatre of the 1990s: Interviews with Directors, Playwrights, Critics, and Academics. Basingstoke: Palgrave Macmillan, 2007. Print.

Barker, Howard. Death, the One and the Art of Theatre. London: Routledge, 2005. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037239250002418&institutionId=2418&customerId=2415>.

Barker, Howard, and Mark Brown. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Bristol: Intellect, 2011. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781841505237>.

Butterworth, Jez. Jerusalem. London: Nick Hern Books, 2009. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037261060002418&institutionId=2418&customerId=2415>.

Carney, Sean. The Politics and Poetics of Contemporary English Tragedy. Toronto: University of Toronto Press, 2013. Print.

Catholic Library Association. ‘“Philip Ridley and Memory”’. n. pag. Print.

Davies, Hazel Walford. State of Play: Four Playwrights of Wales. Llandysul: Gomer Press, 1998. Print.

De Vos, Laurens, and Graham Saunders. Sarah Kane in Context. Manchester, UK: Manchester University Press, 2010. Print.

D’Monté, Rebecca, and Graham Saunders. Cool Britannia?: British Political Drama in the 1990s. Basingstoke: Palgrave Macmillan, 2008. Print.

Farfan, Penny, and Lesley Ferris, eds. Contemporary Women Playwrights: Into the Twenty-First Century. Basingstoke, Hampshire: Palgrave Macmillan, 2013. Print.

Freeland, Thomas. ‘The End of Rhetoric and the Residuum of Pain: Bodying Language in the Theatre of Howard Barker’. Modern Drama 54.1 (2011): 78–98. Web.

green, debbie tucker. Random. London: Nick Hern Books, 2008. Print.

Gritzner, Karoline. Adorno and Modern Theatre: The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane. Basingstoke, Hampshire: Palgrave Macmillan, 2015. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781137534477>.

---. Eroticism and Death in Theatre and Performance. Hatfield: University of Hertfordshire Press, 2010. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037238770002418&institutionId=2418&customerId=2415>.

Gritzner, Karoline, and David Ian Rabey. Theatre of Catastrophe: New Essays on Howard Barker. London: Oberon, 2006. Print.

Harpin, Anna. ‘Intolerable Acts’. Performance Research 16.1 (2011): 102–111. Web.

---. ‘Land of Hope and Glory: Jez Butterworth’s Tragic Landscapes’. Studies in Theatre & Performance 31.1 (2011): 61–73. Web.

Holdsworth, Nadine, and Mary Luckhurst. A Concise Companion to Contemporary British and Irish Drama. Oxford: Blackwell, 2008. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780470766125>.

Jordan, Eamonn, and Lilian Chambers. The Theatre of Martin McDonagh: A World of Savage Stories. Dublin: Carysfort Press Ltd. Print.

Kane, Sarah. Complete Plays. Methuen contemporary dramatists. London: Methuen, 2001. Print.

Kelleher, Joe. Theatre & Politics. Theatre&. Basingstoke: Palgrave Macmillan, 2009. Print.

Kritzer, Amelia Howe. Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005. Peformance interventions. New York: Palgrave Macmillan, 2008. Print.

Luckhurst, Mary. A Companion to Modern British and Irish Drama, 1880--2005. Blackwell companions to literature and culture. Malden, MA: Blackwell Pub, 2006. Print.

May, Adrian. Myth and Creative Writing: The Self-Renewing Song. Harlow, England: New York, 2010. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037260200002418&institutionId=2418&customerId=2415>.

McDonagh, Martin, and Patrick Lonergan. The Lieutenant of Inishmore. Methuen drama student editions. London: Methuen Drama, 2009. Print.

McDowall, Alistair. Pomona. Methuen modern plays. London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing, 2015. Print.

Megson, Christopher. Modern British Playwriting- the 1970’s: Voices, Documents, New Interpretations. Decades. London: Methuen Drama, 2012. Print.

Middeke, Martin, and Peter Paul Schnierer. The Methuen Drama Guide to Contemporary Irish Playwrights. Plays and playwrights. London: Methuen Drama, 2010. Print.

Middeke, Martin, Peter Paul Schnierer, and Aleks Sierz. The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama, 2011. Print.

Milling, Jane et al. The Cambridge History of British Theatre. Cambridge: Cambridge University Press, 2004. Print.

Nevitt, Lucy. Theatre & Violence. Theatre&. Basingstoke: Palgrave Macmillan, 2013. Print.

O’Reilly, Kaite. Woman of Flowers. Twickenham: Aurora Metro Publications, 2014. Print.

O’Rowe, Mark and Bush Theatre. Howie the Rookie. London: Nick Hern, 1999. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037304890002418&institutionId=2418&customerId=2415>.

Pilkington, Lionel. Theatre & Ireland. Theatre&. Basingstoke: Palgrave Macmillan, 2010. Print.

Price, Tim, and Kate Wasserberg, eds. Contemporary Welsh Plays (Eds. Price, Tim, and Wasserberg, Kate). Methuen drama. London: Bloomsbury Publishing, 2015. Print.

Rabey, David Ian. David Rudkin: Sacred Disobedience ; an Expository Study of His Drama, 1959-96. Contemporary theatre studies. Amsterdam: Harwood Academic, 1997. Print.

---. English Drama since 1940. Longman literature in English series. Harlow: Longman, 2003. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037303610002418&institutionId=2418&customerId=2415>.

---. Howard Barker: Ecstasy and Death : An Expository Study of His Drama, Theory and Production Work, 1988-2008. Basingstoke: Palgrave Macmillan, 2009. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037250250002418&institutionId=2418&customerId=2415>.

---. Howard Barker, Politics and Desire: An Expository Study of His Drama and Poetry, 1969-87. New, rev.updated ed. Basingstoke: Palgrave Macmillan, 2009. Print.

---. The Theatre and Films of Jez Butterworth. Critical companions. London: Bloomsbury Methuen Drama, 2015. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037258630002418&institutionId=2418&customerId=2415>.

Rabey, David Ian, and Sarah Goldingay. Howard Barker’s Art of Theatre: Essays on His Plays, Poetry and Production Work. Manchester: Manchester University Press, 2013. Print.

Rebellato, Dan, ed. Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. Decades. London: Bloomsbury, 2013. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037230490002418&institutionId=2418&customerId=2415>.

Reynolds, James, and Andy W. Smith, eds. Howard Barker’s Theatre: Wrestling with Catastrophe (Eds. Reynolds, James, and Smith, Andy W.). Methuen drama engage. London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing, 2015. Print.

Ridley, Philip. Mercury Fur. London: Methuen Drama, 2005. Print.

Rudkin, David, David Ian Rabey, and Robert Wilcher. Red Sun and Merlin Unchained. Bristol: Intellect, 2011. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037251210002418&institutionId=2418&customerId=2415>.

Russell, Richard Rankin. Martin McDonagh: A Casebook. Casebooks on modern dramatists. London : New York: Routledge, 2007. Print.

Saunders, Graham. About Kane: The Playwright and the Work. London: Faber and Faber, 2009. Print.

---. ‘Love Me or Kill Me’: Sarah Kane and the Theatre of Extremes. Manchester: Manchester University Press, 2002. Print.

Sierz, Aleks. In-Yer-Face Theatre: British Drama Today. London: Faber, 2001. Print.

---. Modern British Playwriting - the 1990’s: Voices, Documents, New Interpretations. Decades. London: Methuen Drama, 2012. Print.

---. Rewriting the Nation: British Theatre Today. London: Methuen Drama, 2011. Print.

Thomas, Ed. ’95-’98 Selected Work. Cardigan: Parthian, 2002. Print.

Wyllie, Andrew. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol, UK: Intellect, 2009. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037303100002418&institutionId=2418&customerId=2415>.