Aragay, Mireia. 2007. British Theatre of the 1990s: Interviews with Directors, Playwrights, Critics, and Academics. Basingstoke: Palgrave Macmillan.
Barker, Howard. 2005. Death, the One and the Art of Theatre. London: Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037239250002418&institutionId=2418&customerId=2415.
Barker, Howard, and Mark Brown. 2011. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Bristol: Intellect. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781841505237.
Butterworth, Jez. 2009. Jerusalem. London: Nick Hern Books. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037261060002418&institutionId=2418&customerId=2415.
Carney, Sean. 2013. The Politics and Poetics of Contemporary English Tragedy. Toronto: University of Toronto Press.
Catholic Library Association. n.d. ‘“Philip Ridley and Memory”’.
Davies, Hazel Walford. 1998. State of Play: Four Playwrights of Wales. Llandysul: Gomer Press.
De Vos, Laurens, and Graham Saunders. 2010. Sarah Kane in Context. Manchester, UK: Manchester University Press.
D’Monté, Rebecca, and Graham Saunders. 2008. Cool Britannia?: British Political Drama in the 1990s. Basingstoke: Palgrave Macmillan.
Farfan, Penny, and Lesley Ferris, eds. 2013. Contemporary Women Playwrights: Into the Twenty-First Century. Basingstoke, Hampshire: Palgrave Macmillan.
Freeland, Thomas. 2011. ‘The End of Rhetoric and the Residuum of Pain: Bodying Language in the Theatre of Howard Barker’. Modern Drama 54 (1): 78–98. https://doi.org/10.1353/mdr.2011.0006.
green, debbie tucker. 2008. Random. London: Nick Hern Books.
Gritzner, Karoline. 2010. Eroticism and Death in Theatre and Performance. Hatfield: University of Hertfordshire Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037238770002418&institutionId=2418&customerId=2415.
———. 2015. Adorno and Modern Theatre: The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane. Electronic resource. Basingstoke, Hampshire: Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9781137534477.
Gritzner, Karoline, and David Ian Rabey. 2006. Theatre of Catastrophe: New Essays on Howard Barker. London: Oberon.
Harpin, Anna. 2011a. ‘Land of Hope and Glory: Jez Butterworth’s Tragic Landscapes’. Studies in Theatre & Performance 31 (1): 61–73. https://doi.org/10.1386/stap.31.1.61_1.
———. 2011b. ‘Intolerable Acts’. Performance Research 16 (1): 102–11. https://doi.org/10.1080/13528165.2011.561681.
Holdsworth, Nadine, and Mary Luckhurst. 2008. A Concise Companion to Contemporary British and Irish Drama. Electronic resource. Oxford: Blackwell. http://www.vlebooks.com/vleweb/product/openreader?id=AberystUni&isbn=9780470766125.
Jordan, Eamonn, and Lilian Chambers. n.d. The Theatre of Martin McDonagh: A World of Savage Stories. Dublin: Carysfort Press Ltd.
Kane, Sarah. 2001. Complete Plays. Vol. Methuen contemporary dramatists. London: Methuen.
Kelleher, Joe. 2009. Theatre & Politics. Vol. Theatre&. Basingstoke: Palgrave Macmillan.
Kritzer, Amelia Howe. 2008. Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005. Vol. Peformance interventions. New York: Palgrave Macmillan.
Luckhurst, Mary. 2006. A Companion to Modern British and Irish Drama, 1880--2005. Vol. Blackwell companions to literature and culture. Malden, MA: Blackwell Pub.
May, Adrian. 2010. Myth and Creative Writing: The Self-Renewing Song. Harlow, England: New York. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037260200002418&institutionId=2418&customerId=2415.
McDonagh, Martin, and Patrick Lonergan. 2009. The Lieutenant of Inishmore. Vol. Methuen drama student editions. London: Methuen Drama.
McDowall, Alistair. 2015. Pomona. Vol. Methuen modern plays. London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing.
Megson, Christopher. 2012. Modern British Playwriting- the 1970’s: Voices, Documents, New Interpretations. Vol. Decades. London: Methuen Drama.
Middeke, Martin, and Peter Paul Schnierer. 2010. The Methuen Drama Guide to Contemporary Irish Playwrights. Vol. Plays and playwrights. London: Methuen Drama.
Middeke, Martin, Peter Paul Schnierer, and Aleks Sierz. 2011. The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama.
Milling, Jane, Peter Thomson, Joseph W. Donohue, and Baz Kershaw. 2004. The Cambridge History of British Theatre. Cambridge: Cambridge University Press.
Nevitt, Lucy. 2013. Theatre & Violence. Vol. Theatre&. Basingstoke: Palgrave Macmillan.
O’Reilly, Kaite. 2014. Woman of Flowers. Twickenham: Aurora Metro Publications.
O’Rowe, Mark and Bush Theatre. 1999. Howie the Rookie. London: Nick Hern. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037304890002418&institutionId=2418&customerId=2415.
Pilkington, Lionel. 2010. Theatre & Ireland. Vol. Theatre&. Basingstoke: Palgrave Macmillan.
Price, Tim, and Kate Wasserberg, eds. 2015. Contemporary Welsh Plays (Eds. Price, Tim, and Wasserberg, Kate). Vol. Methuen drama. London: Bloomsbury Publishing.
Rabey, David Ian. 1997. David Rudkin: Sacred Disobedience ; an Expository Study of His Drama, 1959-96. Vol. Contemporary theatre studies. Amsterdam: Harwood Academic.
———. 2003. English Drama since 1940. Vol. Longman literature in English series. Harlow: Longman. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037303610002418&institutionId=2418&customerId=2415.
———. 2009a. Howard Barker: Ecstasy and Death : An Expository Study of His Drama, Theory and Production Work, 1988-2008. Basingstoke: Palgrave Macmillan. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037250250002418&institutionId=2418&customerId=2415.
———. 2009b. Howard Barker, Politics and Desire: An Expository Study of His Drama and Poetry, 1969-87. New, rev.Updated ed. Basingstoke: Palgrave Macmillan.
———. 2015. The Theatre and Films of Jez Butterworth. Vol. Critical companions. London: Bloomsbury Methuen Drama. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037258630002418&institutionId=2418&customerId=2415.
Rabey, David Ian, and Sarah Goldingay. 2013. Howard Barker’s Art of Theatre: Essays on His Plays, Poetry and Production Work. Manchester: Manchester University Press.
Rebellato, Dan, ed. 2013. Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. Vol. Decades. London: Bloomsbury. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037230490002418&institutionId=2418&customerId=2415.
Reynolds, James, and Andy W. Smith, eds. 2015. Howard Barker’s Theatre: Wrestling with Catastrophe (Eds. Reynolds, James, and Smith, Andy W.). Vol. Methuen drama engage. London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing.
Ridley, Philip. 2005. Mercury Fur. London: Methuen Drama.
Rudkin, David, David Ian Rabey, and Robert Wilcher. 2011. Red Sun and Merlin Unchained. Bristol: Intellect. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037251210002418&institutionId=2418&customerId=2415.
Russell, Richard Rankin. 2007. Martin McDonagh: A Casebook. Vol. Casebooks on modern dramatists. London : New York: Routledge.
Saunders, Graham. 2002. ‘Love Me or Kill Me’: Sarah Kane and the Theatre of Extremes. Manchester: Manchester University Press.
———. 2009. About Kane: The Playwright and the Work. London: Faber and Faber.
Sierz, Aleks. 2001. In-Yer-Face Theatre: British Drama Today. London: Faber.
———. 2011. Rewriting the Nation: British Theatre Today. London: Methuen Drama.
———. 2012. Modern British Playwriting - the 1990’s: Voices, Documents, New Interpretations. Vol. Decades. London: Methuen Drama.
Thomas, Ed. 2002. ’95-’98 Selected Work. Cardigan: Parthian.
Wyllie, Andrew. 2009. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol, UK: Intellect. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037303100002418&institutionId=2418&customerId=2415.
