Bibliography for FM21020 Contemporary Hollywood Cinema

Alford, M., Parenti, M., and ebrary, Inc (2010) Reel power: Hollywood cinema and American supremacy [electronic resource]. London: Pluto Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10479775.

Allen, W. et al. (2001) ‘The purple rose of Cairo’. Santa Monica, CA.: MGM Home Entertainment.

Altman, R., Balaban, B., et al. (2002) Gosford Park [videorecording]. Collector’s ed.; widescreen ver. United Kingdom: Entertainment in Video.

Altman, R., Preminger, I., et al. (2002) ‘MASH’. [S.l.]: Twentieth-Century Fox Home Entertainment.

Altman, R. et al. (2008) ‘Short cuts: a Robert Altman film’. [U.K.]: Paramount Home Entertainment.

Altman, R. and British Film Institute (1999) Film/Genre. London: BFI Publishing.

Altman, R. and Tolkin, M. (2001) ‘The player’. [London]: Pathe.

Amenábar, A. et al. (2000) ‘Abre los ojos’. Madrid: [SOGECINE].

Amiel, J. et al. (2009) ‘Copycat’. [Burbank, CA]: Warner Home Video.

Ashby, H. et al. (2001) Being there [videorecording]. Burbank, CA: Warner Home Video.

Ashby, H. et al. (2002) ‘Harold and Maude’. U.K.: Paramount Home Entertainment (U.K.) Ltd.

Ashby, H. et al. (2006) Shampoo [videorecording]. Widescreen and standard. Culver City, Calif: Columbia TriStar Home Entertainment.

Austin, T. (2002) Hollywood, hype and audiences: selling and watching popular film in the 1990s. Manchester: Manchester University Press.

Baron, C. (1998) ‘“The Player’s parody of Hollywood: A Different Kind of Suture”’, in C. Degli-Esposti (ed.) Postmodernism in the cinema. New York, New York: Berghahn Books, pp. 21–44.

‘Batman: The Motion Picture Anthology 1989-1997 [DVD] [2005]’ (no date). Available at: http://www.amazon.co.uk/Batman-Motion-Picture-Anthology-1989-1997/dp/B002L7O7YK/ref=sr_1_2?s=dvd&ie=UTF8&qid=1446469034&sr=1-2&keywords=batman.

Bernard, J. (1996) Chick flicks: a movie lover’s guide to the movies women love. Secaucus, NJ: Carol Pub. Group.

Berra, J. and ebrary, Inc (2008) Declarations of independence: American cinema and the partiality of independent production [electronic resource]. Bristol, UK: Intellect. Available at: http://site.ebrary.com/lib/aber/Doc?id=10211686.

Bingham, D. (2010) Whose lives are they anyway?: the biopic as contemporary film genre. New Brunswick, N.J.: Rutgers University Press.

Biskind, P. (1998a) Easy riders, raging bulls: how the sex-drugs-and-rock ‘n’ roll generation saved Hollywood. New York: Simon & Schuster.

Biskind, P. (1998b) Easy riders, raging bulls: how the sex-drugs-and-rock ‘n’ roll generation saved Hollywood. New York: Simon & Schuster.

Biskind, P. (2004) Down and dirty pictures: Miramax, Sundance and the rise of independent film. London: Bloomsbury.

Block, B.A. et al. (2004) ‘Something’s gotta give’. [Culver City, California]: Columbia Pictures.

Booker, M.K. (2007) Postmodern Hollywood: what’s new in film and why it makes us feel so strange. Westport, Conn: Praeger. Available at: http://www.loc.gov/catdir/toc/ecip0719/2007023400.html.

Bordwell, D. (1985) Narration in the fiction film. Madison: University of Wisconsin Press.

Bordwell, D. (2006) The way Hollywood tells it: story and style in modern movies. Berkeley: University of California Press.

Bordwell, D., Staiger, J. and Thompson, K. (1985) ‘Since 1960: The Persistence of a Mode of Film Production’, in The Classical Hollywood cinema: film style & mode of production to 1960. London: Routledge, pp. 367–77.

Braudy, Leo (1986) ‘The Sacraments of Genre: Coppola, DePalma, Scorsese’, Film QuarterlyFilm Quarterly, 39(3), pp. 17–28. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive1212373&indx=1&recIds=TN_jstor_archive1212373&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=3768204334165220625&scp.scps=primo_central_multiple_fe&fctV=3768204334165220625&tab=central&dstmp=1446463047548&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=The%20sacraments%20of%20genre&vid=44WHELF_ABW_VU1.

Breskin, D. (1992) Inner views: filmmakers in conversation. Boston: Faber and Faber.

Browne, N. (2000) Francis Ford Coppola’s Godfather trilogy. Cambridge, UK: Cambridge University Press.

Bullock, S. et al. (2001) ‘Miss Congeniality’. Edited by B. Weber. [Burbank, California]: Warner Home Video.

Burstyn, E. et al. (1999) The Exorcist [videorecording]. 25th anniversary. Burbank, CA: Warner Home Video.

Carpenter, J. (1999) ‘The thing’. Universal.

Carroll, Noël (1982) ‘The Future of Allusion: Hollywood in the Seventies (And beyond)’, OctoberOctober, 20, pp. 51–81. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive10.2307%2f778606&indx=2&recIds=TN_jstor_archive10.2307%2f778606&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=4&dscnt=0&frbg=&scp.scps=primo_central_multiple_fe&tab=central&dstmp=1446463285674&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=the%20future%20of%20allusion&vid=44WHELF_ABW_VU1.

Cartmell, D., Hunter, I.Q. and Whelehan, I. (2001) Retrovisions: reinventing the past in film and fiction [electronic resource]. London: Pluto Press. Available at: http://www.theacademiclibrary.com/login_cat.asp?filename=0745315836&libcode=PLC.

Castle, W. et al. (2004) Rosemary’s baby [videorecording]. United Kingdom: Paramount Pictures.

‘Charlie Wilson’s War [DVD]’ (no date). Available at: http://www.amazon.co.uk/Charlie-Wilsons-War-DVD-Hanks/dp/B0014JGFD2/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446397671&sr=1-1&keywords=charlie+wilsons+war.

Coen, J. et al. (2005) ‘Barton Fink’. [London]: Universal Pictures.

Cook, D.A. (2002) Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979. New York: Charles Scribner’s.

Coppola, F.F. et al. (2001a) ‘The Godfather: Part III [DVD] [1990]’. [S.l.]: Paramount Pictures.

Coppola, F.F. et al. (2001b) ‘The Godfather trilogy’. [S.l.]: Paramount Pictures.

Coppola, F.F. et al. (2001c) ‘The Godfather trilogy’. [S.l.]: Paramount Pictures.

Coppola, F.F., Directors Company, and Buena Vista Home Entertainment (Firm) (1974) ‘The conversation’. [U.K.]: Buena Vista Home Entertainment.

Cowie, P. (1997) The Godfather book. London: Faber and Faber.

Crowe, C. et al. (2006) ‘Almost famous’. [U.K.]: Sony Pictures.

Cruise, T. et al. (2002) ‘Vanilla sky’. Hollywood, Calif: Paramount.

Custen, G.F. (1992) Bio/pics: how Hollywood constructed public history. New Brunswick, N.J.: Rutgers University Press.

De Niro, R. et al. (2003) ‘Once upon a time in America’. [S.l.]: Warner Home Video.

Deciphering the Indecipherable: Procedure as Art in Fincher’s Zodiac - Bright Lights Film Journal (no date). Available at: http://brightlightsfilm.com/deciphering-the-indecipherable-procedure-as-art-in-finchers-zodiac/#.VjnIVNLNyUk.

Demme, J. (2006) ‘The Silence of the Lambs’. [U.K.]: MGM Home Video.

Deutch, H. et al. (2005) ‘Pretty in pink’. [U.K.]: Paramount Home Entertainment.

Diawara, M. (1993) Black American cinema: aesthetics and spectatorship. New York: Routledge.

Dixon, W.W. (2000) Film genre 2000: new critical essays. Albany: State University of New York Press.

Doherty, T.P. and ebrary, Inc (2002) Teenagers and teenpics: the juvenilization of American movies in the 1950s [electronic resource]. Rev. and expanded ed. Philadelphia: Temple University Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10397268.

Doug Liman; Robert Ludlum 1927-2001.; Tony Gilroy; Matt Damon; Franka Potente 1974- (2003) ‘The Bourne identity’. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2151368230002418&indx=1&recIds=44WHELF_ABW_ALMA_DS2151368230002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446480010326&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=the%20bourne&vid=44WHELF_ABW_VU1.

Driscoll, C. and ebrary, Inc (2011) Teen film: a critical introduction [electronic resource]. English ed. Oxford: Berg. Available at: http://site.ebrary.com/lib/aber/Doc?id=10493972.

Elsaesser, T., Buckland, W., and NetLibrary, Inc (2002a) ‘Classical/Post-Classical Narrative’, in Studying contemporary American film: a guide to movie analysis. London: Arnold, pp. 26–79. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039357500002418&institutionId=2418&customerId=2415.

Elsaesser, T., Buckland, W., and NetLibrary, Inc (2002b) ‘Classical/Post-Classical Narritive’, in Studying contemporary American film: a guide to movie analysis. London: Arnold, pp. 26–79. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039366850002418&institutionId=2418&customerId=2415.

Estevez, E. et al. (2005) ‘The breakfast club’. U.K.: Universal Pictures UK.

Evans, R. (2004) The kid stays in the picture. London: Faber.

Ferriss, S. and Young, M. (2008a) Chick flicks: contemporary women at the movies. New York: Routledge. Available at: http://www.loc.gov/catdir/toc/ecip0722/2007028439.html.

Ferriss, S. and Young, M. (2008b) ‘Introduction: Chick Flicks and Chick Culture’, in Chick flicks: contemporary women at the movies. New York: Routledge, pp. 1–17. Available at: http://www.loc.gov/catdir/toc/ecip0722/2007028439.html.

Ferriss, S. and Young, M. (2008c) ‘The Return of the Pink: Legally Blonde, third wave feminism and having it all’, in Chick flicks: contemporary women at the movies. New York: Routledge, pp. 58–78. Available at: http://www.loc.gov/catdir/toc/ecip0722/2007028439.html.

Fincher, D. et al. (2009) ‘Fight club’. Edited by J. Haygood. [Beverly Hills, CA]: Twentieth Century Fox Home Entertainment.

Finerman, W. et al. (2006) ‘The devil wears Prada’. Beverly Hills, Calif: 20th Century Fox Home Entertainment.

Fire, R. et al. (2004) ‘Henry: portrait of a serial killer’. [London]: Optimum Releasing.

Fonda, J. et al. (2004) ‘Coming home’. [UK]: MGM Home Entertainment.

Fonda, P. et al. (1999) ‘Easy rider’. London: Columbia Tristar Home Video.

Forrest, J. and Koos, L.R. (2002) ‘Twice Told Tales: Disavowal and the Rhetoric of the Remake’, in Dead ringers: the remake in theory and practice. Albany: State University of New York Press, pp. 37–62. Available at: https://ebookcentral.proquest.com/lib/ABER/detail.action?docID=3407946.

Forrest, J., Koos, L.R., and ebrary, Inc (2002) Dead ringers: the remake in theory and practice [electronic resource]. Albany: State University of New York Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10587144.

Francaviglia, R.V. et al. (2007a) ‘In Defense of Filmmakers’, in Lights, camera, history: portraying the past in film. 1st ed. College Station: Published for the University of Texas at Arlington by Texas A&M University Press, pp. 113–135. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039445250002418&institutionId=2418&customerId=2415.

Francaviglia, R.V. et al. (2007b) Lights, camera, history: portraying the past in film [electronic resource]. 1st ed. College Station: Published for the University of Texas at Arlington by Texas A&M University Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10447184.

Gabriel F. Giralt (2010) ‘Realism and Realistic Representation in the Digital Age’, Journal Of Film And VideoJournal of Film and Video, 62(3), pp. 3–16. Available at: https://www.jstor.org/stable/pdf/10.5406/jfilmvideo.62.3.0003.pdf.

Garrett, R. (2007) Postmodern chick flicks: the return of the woman’s film. Basingstoke: Palgrave Macmillan.

Gateward, F.K. and Pomerance, M. (2002) Sugar, spice, and everything nice: cinemas of girlhood. Detroit: Wayne State University Press.

‘Ghostbusters/Ghostbusters 2 [DVD] [2005]’ (no date). Available at: http://www.amazon.co.uk/Ghostbusters-2-DVD-Bill-Murray/dp/B000A0XTPS/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446468951&sr=1-1&keywords=ghostbusters+1+and+2.

Gibson, H. et al. (2000) Nashville [videorecording]. Hollywood, CA: Paramount.

Gilbert, B. et al. (2006) ‘9 to 5’. Beverly Hills, California: 20th Century Fox Home Entertainment.

Gilbet, L. (2005) ‘Alfie’. [U.K.]: Paramount.

Gluck, W. et al. (2011) ‘Easy A’. Edited by S. Littenberg. London: Sony Pictures Home Entertainment.

Gooding, C. et al. (2005) Boyz n the hood [videorecording]. Widescreen. [United States]: Sony Pictures Home Entertainment.

Gray, J. (2010) Show sold separately: promos, spoilers, and other media paratexts. New York: New York University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247750002418&institutionId=2418&customerId=2415.

Guerrero, E. and British Film Institute (2001) Do the right thing. London: British Film Institute.

Gwynne, J. and Müller, N. (2013) ‘Introduction: Postfeminism and contemporary Hollywood cinema’, in Postfeminism and contemporary Hollywood cinema. Basingstoke: Palgrave Macmillan, pp. 1–10.

Halfon, L. et al. (2008) ‘Juno’. Edited by D. Glauberman. Beverly Hills, Calif: 20th Century Fox Home Entertainment.

Hall, S. (2006a) ‘Blockbusters in the 1970’s’, in Contemporary American cinema. London: Open University, pp. 164–181. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039311220002418&institutionId=2418&customerId=2415.

Hall, S. (2006b) ‘Blockbusters in the 1970’s’, in Contemporary American cinema. London: Open University, pp. 164–181. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039311220002418&institutionId=2418&customerId=2415.

Haneke, M. et al. (2009) Funny games [videorecording]. U.K.: Artificial Eye.

Hantke, S. and ebrary, Inc (2010) American horror film: the genre at the turn of the millennium [electronic resource]. Jackson: University Press of Mississippi. Available at: http://site.ebrary.com/lib/aber/Doc?id=10395132.

Harrod, Mary (2010) ‘The aesthetics of pastiche in the work of Richard Linklater’, ScreenScreen, 51(1), pp. 21–37. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_oxford10.1093%2fscreen%2fhjp046&indx=1&recIds=TN_oxford10.1093%2fscreen%2fhjp046&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=1&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=5402771873161260220&scp.scps=primo_central_multiple_fe&fctV=5402771873161260220&tab=central&dstmp=1446477399222&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=the%20aesthetics%20of%20pastiche&vid=44WHELF_ABW_VU1.

‘Harry Potter - Complete 8-Film Collection [DVD] [2001]’ (no date). Available at: http://www.amazon.co.uk/Harry-Potter-Complete-8-Film-Collection/dp/B00543R3WG/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469148&sr=1-1&keywords=harry+potter.

Haskell, M. (1987) From reverence to rape: the treatment of women in the movies. 2nd ed. Chicago: University of Chicago Press.

Hawks, H. and Nyby, C. (2007) ‘The thing from another world’. U.K.: Universal.

Hawn, G. et al. (1997) Private Benjamin [videorecording]. Standard version. Burbank, Calif: Warner Home Video.

Heckerling, A. et al. (1999a) ‘Clueless’. Hollywood, CA: Paramount Pictures.

Heckerling, A. et al. (1999b) ‘Clueless’. Hollywood, CA: Paramount Pictures.

Hideo Nakata (2002) ‘Ring.’ Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=dedupmrg45855459&indx=2&recIds=dedupmrg45855459&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446565505101&srt=rank&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=the%20ring&vid=44WHELF_ABW_VU1.

Hill, L. (1996) Easy rider. London: British Film Institute Pub.

Hillier, J. and British Film Institute (2001) American independent cinema. London: British Film Institute.

Hitchcock, A. (1999a) ‘Psycho’. Columbia Tristar Home Video.

Hitchcock, A. (1999b) ‘Psycho’. Columbia Tristar Home Video.

Horton, A. and McDougal, S.Y. (1998) Play it again, Sam: retakes on remakes. Berkeley: University of California Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037229430002418&institutionId=2418&customerId=2415.

Horwath, A., King, N. and Elsaesser, T. (2004) The last great American picture show: traditions, transitions and triumphs in 1970s cinema. Amsterdam: Amsterdam University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247760002418&institutionId=2418&customerId=2415.

Hughes, Allen and Hughes, Albert (2004) ‘Menace II society’. Entertainment in Video.

Hughes-Warrington, M. (2007) History Goes to the Movies: Studying history on film. London: Routledge.

Hughes-Warrington, M. (2009) History on film reader. Abingdon: Routledge.

Jankowiak, Steve (2009) ‘Cult film and politically correct remakes’, Film InternationalFilm International, 7(3), pp. 28–35. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_crossref10.1386%2ffiin.7.3.28&indx=1&recIds=TN_crossref10.1386%2ffiin.7.3.28&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=9098707061546580013&scp.scps=primo_central_multiple_fe&fctV=9098707061546580013&tab=central&dstmp=1446628021780&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=cult%20film%20and%20politically%20correct%20remakes&vid=44WHELF_ABW_VU1.

‘JFK [DVD] [1991]’ (no date). Available at: http://www.amazon.co.uk/JFK-DVD-Kevin-Costner/dp/B009TR7EW2/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480104&sr=1-1&keywords=jfk.

Jonze, S. (2008) ‘Adaptation’. [London]: Sony Pictures Home Entertainment.

Junger, G. (2000) ‘10 things I hate about you’. Touchstone Home Video.

Justin Wyatt (no date) Marketing, The Film Reader (In Focus: Routledge Film Readers) [Paperback]. Routledge.

Kaveney, R. (2006) Teen dreams: reading teen film from Heathers to Veronica Mars. London: I. B. Tauris.

Kellner, D. (1989) ‘Aesthetics, Ethics and Politics in the Films of Spike Lee’, in Do the right thing: a Spike Lee joint. New York, N.Y.: Fireside, pp. 73–108.

Kennedy, K. et al. (2009) ‘The Curious Case of Benjamin Button’. [Burbank, CA]: Distributed by Warner Home Video.

Kerins, Mark (2006) ‘Narration in the cinema of digital sound.’, Velvet Light TrapVelvet Light Trap [Preprint], (58). Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_gale_ofa151394854&indx=1&recIds=TN_gale_ofa151394854&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=primo_central_multiple_fe&tab=central&dstmp=1446627146704&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Narration%20in%20the%20Cinema%20of%20Digital%20Sound&vid=44WHELF_ABW_VU1.

Kernan, L. (2004) Coming attractions: reading American movie trailers. 1st ed. Austin: University of Texas Press.

King, G. (2002) ‘Chapter 1: New Hollywood, Version 1: The Hollywood Renaissance’, in New Hollywood cinema: an introduction. London: I. B. Tauris, pp. 11–48. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039310710002418&institutionId=2418&customerId=2415.

King, G. (2009) Indiewood, USA: where Hollywood meets independent cinema. London: I. B. Tauris.

Kolker, R.P. (1988) A cinema of loneliness: Penn, Kubrick, Scorsese, Spielberg, Altman. 2nd ed. New York: Oxford University Press.

Krämer, P. (2005) The new Hollywood: from Bonnie and Clyde to Star Wars. London: Wallflower. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037303680002418&institutionId=2418&customerId=2415.

Landy, M. (2001) ‘The Historical Film: Looking at the Past in a Post-literate Age’, in The historical film: history and memory in media. London: Athlone Press, pp. 50–66.

Landy, M. (no date) Cinematic uses of the past. Minneapolis, Minn: University of Minnesota Press. Available at: http://www.h-net.org/review/hrev-a0a9l8-aa.

Langford, B. (2005) Film genre: Hollywood and beyond. Edinburgh: Edinburgh University Press.

Lau, A. and Mak, A. (2004) ‘Infernal affairs’. London: Tartan Video.

Lee, C. (2010) Screening Generation X: the politics and popular memory of youth in contemporary cinema. Burlington, VT: Ashgate.

Lee, S. et al. (2000) ‘Summer of Sam’. [California?]: Downtown Pictures Ltd.

Lee, S. (2004) ‘Malcolm X’. [London: Pathé Distribution.

Lee, S. et al. (2005) Jungle fever [videorecording]. Widescreen. Edited by S. Pollard. U.K.: Universal Pictures (UK) Ltd.

Lee, S. et al. (2006) ‘Crooklyn’. Edited by B.A. Brown. Universal City, CA: Universal Home Video.

Lee, S. (2006) ‘She’s gotta have it’. London: Sony Pictures Home Entertainment.

Lee, S. and Jones, L. (1989) ‘Do the right thing: a Spike Lee joint’. New York, N.Y.: Fireside.

Lev, P. and ebrary, Inc (2000) American films of the 70s: conflicting visions [electronic resource]. 1st ed. Austin, TX: University of Texas Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10194811.

Lewis, J. (1992) The road to romance & ruin: teen films and youth culture. New York: Routledge.

Lewis, J. (1998) The new American cinema. Durham, NC: Duke University Press.

Linklater, R. (2006) ‘Dazed and confused’. [s.l]: Criterion.

Lowenstein, Adam (2010) ‘Alone on Elm Street’, Film QuarterlyFilm Quarterly, 64(1), pp. 18–22. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archiveFQ.2010.64.1.18&indx=1&recIds=TN_jstor_archiveFQ.2010.64.1.18&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=2064585626892700089&scp.scps=primo_central_multiple_fe&fctV=2064585626892700089&tab=central&dstmp=1446633982068&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=alone%20on%20elm%20street&vid=44WHELF_ABW_VU1.

Lucas, G. (2000) ‘Star Wars [1977]’. Twentieth Century Fox Home Entertainment.

Lucas, G. et al. (2003) ‘American graffiti’. [U.K.]: Universal Studios.

Lukas, S.A. and Marmysz, J. (2009) Fear, cultural anxiety, and transformation: horror, science fiction, and fantasy films remade. Lanham: Lexington Books. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037302170002418&institutionId=2418&customerId=2415.

Lumet, S. (1998) ‘Dog day afternoon’. Warner Home Video.

Macor, A. and ebrary, Inc (2010) Chainsaws, slackers, and spy kids: thirty years of filmmaking in Austin, Texas [electronic resource]. Austin: University of Texas Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10372221.

Malick, T. (2003) ‘Badlands’. [U.K.]: Warner Home Video.

Mallan, K. and Pearce, S. (2003) Youth cultures: texts, images, and identities. Westport, Conn: Praeger.

Maltby, R. (2003) Hollywood cinema. 2nd ed. Malden, MA: Blackwell Pub.

Massood, P.J. (2003) Black city cinema: African American urban experiences in film. Philadelphia: Temple University Press.

Mathijs, E. and Pomerance, M. (2006) From hobbits to Hollywood: essays on Peter Jackson’s Lord of the Rings. Amsterdam: Rodopi.

Mazdon, L. and British Film Institute (2000) Encore Hollywood: remaking French cinema. London: British Film Institute.

McClean, S.T. and ebrary, Inc (2007) Digital storytelling: the narrative power of visual effects in film [electronic resource]. Cambridge, Mass: MIT Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10553705.

McDonald, P. and Wasko, J. (2008) The contemporary Hollywood film industry. Malden, MA: Blackwell Pub.

Medavoy, M. et al. (2007) Zodiac [videorecording]. Widescreen format. Hollywood, Calif: Warner Bros.

‘Michael Clayton [DVD]’ (no date). Available at: http://www.amazon.co.uk/Michael-Clayton-DVD-George-Clooney/dp/B000ZN63S0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480156&sr=1-1&keywords=michael+clayton.

Monaco, J. and Lindroth, D. (1979) American film now: the people, the power, the money, the movies. New York: New American Library.

Moretz, C. et al. (2011) ‘Let me in’. Los Angeles, CA: Icon Home Entertainment.

Neale, S. (2006) ‘The Last Good Time We Ever Had? Revising the Hollywood Renaissance’, in Contemporary American cinema. London: Open University Press, pp. 90–108. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039383040002418&institutionId=2418&customerId=2415.

‘New Mode of Cinema: How Digital Technologies are Changing Aesthetics and Style’ (no date). Available at: http://www.kinephanos.ca/Revue_files/New%20Mode%20of%20Cinema_v1n1.pdf.

Nichols, M. et al. (2006) ‘Working Girl’. United Kingdom: Twentieth Century Fox Home Entertainment.

Nichols, M. and Poiret, J. (2000) ‘Birdcage’. MGM.

Nicholson, J. et al. (2001) ‘The last detail’. London: Columbia TriStar Home Entertainment.

Nordling, J. et al. (2009) ‘Let the right one in’. U.K.: Momentum.

Nyqvist, M. et al. (2010) ‘The girl with the dragon tattoo’. [U.K]: Alliance Films t/a Momentum Pictures.

Pakula, A.J. et al. (2006) ‘All the president’s men’. Burbank, CA: Warner Home Video.

Penn, A. (1998) ‘Bonnie and Clyde [videorecording]’. Warner Home Video.

Perren, A (2001) ‘Sex, lies and marketing - Miramax and the development of the quality Indie blockbuster’, Film QuarterlyFilm Quarterly, 55(2), pp. 30–39. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000173846300004&indx=1&recIds=TN_wos000173846300004&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=6821698944659487246&scp.scps=primo_central_multiple_fe&fctV=6821698944659487246&tab=central&dstmp=1446475863627&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=sex%2C%20lies%20and%20marketing&vid=44WHELF_ABW_VU1.

Phillips, M. et al. (2007) ‘Taxi driver’. [U.K.: Sony Pictures Home Entertainment.

Phoca, S., Wright, R. and Appignanesi, R. (1999) Introducing postfeminism. Cambridge, England: Icon Books.

Pierson, J. and Smith, K. (1996) Spike, Mike, slackers and dykes: a guided tour through a decade of American independent cinema. London: Faber.

‘Pirates of the Caribbean 1-4 Box Set [DVD]’ (no date). Available at: http://www.amazon.co.uk/Pirates-Caribbean-1-4-Box-Set/dp/B0058HCQMU/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469243&sr=1-1&keywords=Pirates+of+the+Caribbean.

Platt, M. et al. (2001) ‘Legally blonde’. Edited by A. Brandt Burgoyne and G. Craven. Santa Monica, CA: MGM Home Entertainment.

Platt, M. et al. (2003) ‘Legally blonde 2’. [Santa Monica, Calif.]: MGM Home Entertainment.

Poe, J. et al. (2009) ‘The big knife’. [London]: Distributed by Optimum Releasing.

Polanski, R. et al. (2000) ‘Chinatown’. [S.l.]: Paramount Home Entertainment (UK).

‘Primary Colors [DVD]’ (no date). Available at: http://www.amazon.co.uk/Primary-Colors-DVD-John-Travolta/dp/B00079FGXK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480283&sr=1-1&keywords=primary+colours.

Radner, H. (2011) Neo-feminist cinema: girly films, chick flicks, and consumer culture. New York: Routledge.

Radner, H. and Stringer, R. (2011) Feminism at the movies: understanding gender in contemporary popular cinema. London: Routledge.

Rafelson, B. et al. (1998) ‘Five easy pieces’. U.K.: Columbia Tristar Home Video.

Ray, N. (2000) ‘Rebel without a cause’. Warner Home Video.

Reid, M.A. (2000) ‘New Wave Black Cinema in the 1990’s’, in W.W. Dixon (ed.) Film genre 2000: new critical essays. Albany: State University of New York Press, pp. 123–28.

Richard V Francaviglia; Jerome L. Rodnitzky 1936-; Robert A Rosenstone; ebrary, Inc. (2007) ‘In Praise of the Biopic’, in Lights, camera, history portraying the past in film, pp. 11–30. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS5159336220002418&indx=3&recIds=44WHELF_ABW_ALMA_DS5159336220002418&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&tab=local&dstmp=1446480832094&srt=date&mode=Basic&&dum=true&tb=t&vl(freeText0)=lights%20camera%20history&vid=44WHELF_ABW_VU1.

Robb, D.L. (2004) Operation Hollywood: how the Pentagon shapes and censors the movies. Amherst, N.Y.: Prometheus Books.

Robert Zemeckis 1952-; Bob Gale 1951-; Neil Canton; Michael J. Fox 1961-; Christopher Lloyd 1938-; Lea Thompson 1961-; Crispin Glover; Elisabeth Shue; Thomas F. Wilson 1959-; Mary Steenburgen; Universal Studios Home Video (Firm) (2005) ‘Back to the future the complete trilogy’. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2139902220002418&indx=3&recIds=44WHELF_ABW_ALMA_DS2139902220002418&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=5&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446468988246&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=back%20to%20the%20future&vid=44WHELF_ABW_VU1.

Rosenstone, R.A. (2006) History on film/film on history. 1st ed. Harlow: Pearson Longman.

Sarandon, S. et al. (2004) ‘Alfie’. Paramount Home Entertainment.

Schatz, T. (1993) ‘The New Hollywood’, in Film theory goes to the movies. London: Routledge, pp. 8–36.

Schatz, T. (2009) ‘New Hollywood, New Millenium’, in Film theory and contemporary Hollywood movies. New York: Routledge, pp. 19–46.

Schneider, S.J. (no date) ‘Murder as Art/The Art of Murder: Aestheticising Violence in Modern Cinematic Horror*’. Available at: https://intensitiescultmedia.files.wordpress.com/2012/12/schneider-murder-as-art.pdf.

Scorsese, M. et al. (2007) ‘The departed’. [London?]: Entertainment in Video.

Shary, T. (2005) Teen movies: American youth on screen. London: Wallflower.

Shone, T. (19AD) Blockbuster: How the Jaws and Jedi Generation Turned Hollywood into a Boom-town (New edition). Scribner; New edition edition. Available at: http://www.amazon.co.uk/Tom-Shone-Blockbuster-Generation-Hollywood/dp/B00I61CT8Q.

‘Shrek/Shrek 2/Shrek The Third/Shrek: Forever After - The Final... [DVD]’ (no date). Available at: http://www.amazon.co.uk/Shrek-Third-Forever-After-Final/dp/B00EIDTDNK/ref=sr_1_3?s=dvd&ie=UTF8&qid=1446469094&sr=1-3&keywords=shrek.

Siegel, D. et al. (2001) ‘Dirty Harry’. [Burbank, CA]: Warner Home Video.

Slater, C. et al. (2006) ‘Heathers’. [United Kingdom]: Anchor Bay Entertainment (UK).

Smith, M. and Neale, S. (1998a) Contemporary Hollywood cinema. London: Routledge.

Smith, M. and Neale, S. (1998b) Contemporary Hollywood cinema. London: Routledge.

Soderbergh, S. (2004) ‘Sex, lies and videotape’. MGM.

Sorkin, A. et al. (2011a) ‘The social network’. Culver City, Calif: Sony Pictures Home Entertainment.

Sorkin, A. et al. (2011b) ‘The social network’. Culver City, Calif: Sony Pictures Home Entertainment.

‘Spider-Man Trilogy [DVD]’ (no date). Available at: http://www.amazon.co.uk/Spider-Man-Trilogy-DVD-Tobey-Maguire/dp/B007I1QUHG/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469189&sr=1-1&keywords=spider+man.

Spielberg, S. and Benchley, P. (2000) ‘Jaws’. Universal.

‘Star Wars - The Complete Saga [Blu-ray] [1977]’ (no date). Available at: http://www.amazon.co.uk/Star-Wars-Complete-Saga-Blu-ray/dp/B013GTX6JI/ref=sr_1_2?s=dvd&ie=UTF8&qid=1446397320&sr=1-2&keywords=star+wars+blu+ray.

Steven Spielberg 1946- (2007) ‘Munich’. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2147413820002418&indx=2&recIds=44WHELF_ABW_ALMA_DS2147413820002418&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446480170940&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=Munich&vid=44WHELF_ABW_VU1.

Stone, O. et al. (2004) ‘Scarface’. Universal City, CA: Universal Pictures [distributor].

Stone, R. (2013) ‘Chapter 2: Crafting Contradictions’, in The cinema of Richard Linklater: walk, don’t run. London: Wallflower Press, pp. 39–73.

Storaro, V. et al. (no date) ‘Apocalypse now’. [London]: Studiocanal.

Stringer, J. (2003a) Movie blockbusters. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231430002418&institutionId=2418&customerId=2415.

Stringer, J. (2003b) Movie blockbusters. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231430002418&institutionId=2418&customerId=2415.

Stringer, J. (2003c) Movie blockbusters. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037257850002418&institutionId=2418&customerId=2415.

Swallow, J. (2003) Dark eye: the films of David Fincher. London: Reynolds & Hearn.

Tarantino, Q. (200AD) ‘Pulp Fiction’. [s.l.]: Buena Vista Home Entrtainment.

Tarantino, Q. et al. (1991) ‘Reservoir dogs’. [California]: LIVE Entertainment & Dog Eat Dog Inc.

Tasker, Y. (1998a) ‘Acting Funny: comedy and authority’, in Working girls: gender and sexuality in popular cinema. London: Routledge, pp. 161–177. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039366810002418&institutionId=2418&customerId=2415.

Tasker, Y. (1998b) ‘Cross-dressing, aspiration and transformation’, in Working girls: gender and sexuality in popular cinema. London: Routledge, pp. 19–49. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039383030002418&institutionId=2418&customerId=2415.

Tasker, Y. (1998c) ‘New Hollywood’, in Working girls: gender and sexuality in popular cinema. London: Routledge, pp. 1–19. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039366830002418&institutionId=2418&customerId=2415.

‘That 70s Sequence: Remembering the Bad Old Days in Summer of Sam - Cinephile: The University of British Columbia’s Film Journal’ (no date). Available at: http://cinephile.ca/archives/volume-5-no-2-the-scene/that-70s-sequence-remembering-the-bad-old-days-in-summer-of-sam/.

‘The Good Shepherd [DVD]’ (no date). Available at: http://www.amazon.co.uk/Good-Shepherd-DVD-Matt-Damon/dp/B000PMGRM8/ref=sr_1_sc_1?s=dvd&ie=UTF8&qid=1446480057&sr=1-1-spell&keywords=the+good+sheppard.

‘The Hobbit Trilogy [DVD] [2015]’ (no date). Available at: http://www.amazon.co.uk/Hobbit-Trilogy-DVD-Martin-Freeman/dp/B00S80X00G/ref=sr_1_9?s=dvd&ie=UTF8&qid=1446468894&sr=1-9&keywords=the+hobbit.

‘“The Icegirl Cometh”’ (no date) in Sight and sound. London: British Film Institute.

‘The Lord Of The Rings Trilogy [DVD]’ (no date). Available at: http://www.amazon.co.uk/Lord-Rings-Trilogy-DVD/dp/B008305P72/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446468848&sr=1-1&keywords=lord+of+the+rings+trilogy.

‘The Thing [DVD]’ (no date). Available at: http://www.amazon.co.uk/Thing-Double-Pack-Including-Original/dp/B006W99PMM/ref=sr_1_sc_2?s=dvd&ie=UTF8&qid=1446565793&sr=1-2-spell&keywords=the+thing+van+heijiningen.

‘The Twilight Saga: The Complete Collection [DVD]’ (no date). Available at: http://www.amazon.co.uk/Twilight-Saga-Complete-Collection-DVD/dp/B00A6HL704/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469289&sr=1-1&keywords=the+twilight+saga.

Thompson, K. (1999) Storytelling in the new Hollywood: understanding classical narrative technique. Cambridge, Mass: Harvard University Press.

Thompson, K. (2007) The Frodo franchise: the Lord of the rings and modern Hollywood. Berkeley: University of California Press.

Tzioumakis, Y. (2006) American independent cinema: an introduction [electronic resource]. Edinburgh: Edinburgh University Press.

‘U-571 [DVD] [2000]’ (no date). Available at: http://www.amazon.co.uk/U-571-DVD-Matthew-McConaughey/dp/B0000505IM/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480233&sr=1-1&keywords=u-571.

Van Peebles, M. et al. (1999) ‘New Jack City’. Burbank, CA: Warner Home Video.

Verevis, C. (2006) ‘“Introduction” in Film remakes’, in Film remakes. Edinburgh: Edinburgh University Press, pp. 1–34. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039310680002418&institutionId=2418&customerId=2415.

Verevis, C. and ebrary, Inc (2006) Film remakes [electronic resource]. Edinburgh: Edinburgh University Press. Available at: http://site.ebrary.com/lib/aber/Doc?id=10130497.

Wasko, J. (no date) How Hollywood works. Thousand Oaks, CA: Sage Publications.

Waters, M. et al. (2004) Mean Girls [dvd - videorecording]. fullscreen collection. Hollywood, Calif: Paramount.

Wee, V (2011) ‘Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring’, Cinema JournalCinema Journal, 50(2), pp. 41–60. Available at: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000288102100003&indx=1&recIds=TN_wos000288102100003&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=1&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=4861417604514523263&scp.scps=primo_central_multiple_fe&fctV=4861417604514523263&tab=central&dstmp=1447071927784&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=Visual%20Aesthetics%20and%20Ways%20of%20Seeing&vid=44WHELF_ABW_VU1.

Weitz, P. et al. (2012) ‘American pie: all 8 pieces of pie’. [London]: Universal Pictures (U.K.) Ltd.

Welles, O. (2006) ‘Touch of evil’. [U.K.]: Universal Pictures (UK) Ltd.

Wilder, B. (2003) ‘Sunset Boulevard’. [U.K.]: Paramount.

Wood, R. (1986) Hollywood from Vietnam to Reagan. New York: Columbia University Press.

Bibliography for FM21020 Contemporary Hollywood Cinema BETA