1.
Baron, C.: ‘The Player’s parody of Hollywood: A Different Kind of Suture’. In: Degli-Esposti, C. (ed.) Postmodernism in the cinema. pp. 21–44. Berghahn Books, New York, New York (1998).
2.
Altman, R., Tolkin, M.: The player, (2001).
3.
Wilder, B.: Sunset Boulevard, (2003).
4.
Welles, O.: Touch of evil, (2006).
5.
Poe, J., Aldrich, R., Palance, J., Lupino, I., Corey, W., Hagen, J., Steiger, R., Chase, I., Sloane, E., Winters, S., DeVol, F., Odets, C., Associates & Aldrich Company, Optimum Releasing (Firm): The big knife, (2009).
6.
Allen, W., Farrow, M., Daniels, J., Greenhut, R., Hyman, D., Orion Pictures, MGM Home Entertainment Inc: The purple rose of Cairo, (2001).
7.
Coen, J., Coen, E., Turturro, J., Goodman, J., Universal Pictures (UK) Ltd, Circle Films: Barton Fink, (2005).
8.
Jonze, S.: Adaptation, (2008).
9.
Altman, R., Preminger, I., Lardner, R., Mandel, J., Sutherland, D., Gould, E., Skerritt, T., Hooker, R., Twentieth Century-Fox Film Corporation, Twentieth Century Fox Home Entertainment, Inc: MASH, (2002).
10.
Gibson, H., Altman, R., Tewkesbury, J., Tomlin, L., Blakley, R., Carradine, K., Chaplin, G., Harris, B., Black, K., ABC Entertainment, Paramount Pictures Corporation: Nashville. Paramount, Hollywood, CA (2000).
11.
Altman, R., Carver, R., Brokaw, C., MacDowell, A., Davison, B., Robbins, T.: Short cuts: a Robert Altman film, (2008).
12.
Altman, R., Balaban, B., Levy, D., Fellowes, J., Atkins, E., Gambon, M., Grant, R.E., MacDonald, K., Mirren, H., Northam, J., Phillippe, R., Smith, M., Scott-Thomas, K., Watson, E., Dunn, A., Squyres, T., Doyle, P., Beavan, J., Altman, S., Universal Pictures (Firm): Gosford Park. Entertainment in Video, United Kingdom (2002).
13.
Bordwell, D., Staiger, J., Thompson, K.: Since 1960: The Persistence of a Mode of Film Production. In: The Classical Hollywood cinema: film style & mode of production to 1960. pp. 367–77. Routledge, London (1985).
14.
Booker, M.K.: Postmodern Hollywood: what’s new in film and why it makes us feel so strange. Praeger, Westport, Conn (2007).
15.
Elsaesser, T., Buckland, W., NetLibrary, Inc: Classical/Post-Classical Narritive. In: Studying contemporary American film: a guide to movie analysis. pp. 26–79. Arnold, London (2002).
16.
Kolker, R.P.: A cinema of loneliness: Penn, Kubrick, Scorsese, Spielberg, Altman. Oxford University Press, New York (1988).
17.
Lewis, J.: The new American cinema. Duke University Press, Durham, NC (1998).
18.
Maltby, R.: Hollywood cinema. Blackwell Pub, Malden, MA (2003).
19.
Smith, M., Neale, S.: Contemporary Hollywood cinema. Routledge, London (1998).
20.
Hall, S.: Blockbusters in the 1970’s. In: Contemporary American cinema. pp. 164–181. Open University, London (2006).
21.
Coppola, F.F., Puzo, M., Willis, G., Tavoularis, D., Ruddy, A.S., Rota, N., Coppola, C., Brando, M., Pacino, A., Duvall, R., Caan, J., Keaton, D., De Niro, R., Shire, T., Cazale, J., Garcia, A., Coppola, S., Castellano, R., Hayden, S., Wallach, E., Marley, J., Conte, R., Mantegna, J., Strasberg, L., King, M., Fonda, B., Coppola, F.F., Paramount Pictures Corporation: The Godfather trilogy, (2001).
22.
Schatz, T.: The New Hollywood. In: Film theory goes to the movies. pp. 8–36. Routledge, London (1993).
23.
Penn, A.: Bonnie and Clyde [videorecording], (1998).
24.
Stone, O., Pacino, A., Pfeiffer, M., De Palma, B., Bregman, M., Bauer, S.: Scarface, (2004).
25.
De Niro, R., Woods, J., McGovern, E., Pesci, J., Young, B., Weld, T., Williams, T., Leone, S., Grey, H.: Once upon a time in America, (2003).
26.
Burstyn, E., Sydow, M. von, Blair, L., Friedkin, W., Cobb, L.J., Blatty, W.P., Warner Bros, Warner Home Video (Firm): The Exorcist. Warner Home Video, Burbank, CA (1999).
27.
Spielberg, S., Benchley, P.: Jaws, (2000).
28.
Lucas, G.: Star Wars [1977], (2000).
29.
Coppola, F.F., Directors Company, Buena Vista Home Entertainment (Firm): The conversation, (1974).
30.
Coppola, F.F., Puzo, M., Willis, G., Tavoularis, D., Ruddy, A.S., Rota, N., Coppola, C., Brando, M., Pacino, A., Duvall, R., Caan, J., Keaton, D., De Niro, R., Shire, T., Cazale, J., Garcia, A., Coppola, S., Castellano, R., Hayden, S., Wallach, E., Marley, J., Conte, R., Mantegna, J., Strasberg, L., King, M., Fonda, B., Coppola, F.F., Paramount Pictures Corporation: The Godfather trilogy, (2001).
31.
Storaro, V., Brando, M., Duvall, R., Coppola, F.F., Sheen, M., Milius, J.: Apocalypse now.
32.
Coppola, F.F., Puzo, M., Willis, G., Tavoularis, D., Ruddy, A.S., Rota, N., Coppola, C., Brando, M., Pacino, A., Duvall, R., Caan, J., Keaton, D., De Niro, R., Shire, T., Cazale, J., Garcia, A., Coppola, S., Castellano, R., Hayden, S., Wallach, E., Marley, J., Conte, R., Mantegna, J., Strasberg, L., King, M., Fonda, B., Coppola, F.F., Paramount Pictures Corporation: The Godfather: Part III [DVD] [1990], (2001).
33.
Altman, R., British Film Institute: Film/Genre. BFI Publishing, London (1999).
34.
Stringer, J.: Movie blockbusters. Routledge, London (2003).
35.
Biskind, P.: Easy riders, raging bulls: how the sex-drugs-and-rock ‘n’ roll generation saved Hollywood. Simon & Schuster, New York (1998).
36.
Braudy, Leo: The Sacraments of Genre: Coppola, DePalma, Scorsese. Film QuarterlyFilm Quarterly. 39, 17–28 (1986).
37.
Browne, N.: Francis Ford Coppola’s Godfather trilogy. Cambridge University Press, Cambridge, UK (2000).
38.
Carroll, Noël: The Future of Allusion: Hollywood in the Seventies (And beyond). OctoberOctober. 20, 51–81 (1982).
39.
Cowie, P.: The Godfather book. Faber and Faber, London (1997).
40.
Evans, R.: The kid stays in the picture. Faber, London (2004).
41.
Hall, S.: Blockbusters in the 1970’s. In: Contemporary American cinema. pp. 164–181. Open University, London (2006).
42.
Krämer, P.: The new Hollywood: from Bonnie and Clyde to Star Wars. Wallflower, London (2005).
43.
Monaco, J., Lindroth, D.: American film now: the people, the power, the money, the movies. New American Library, New York (1979).
44.
Stringer, J.: Movie blockbusters. Routledge, London (2003).
45.
King, G.: Chapter 1: New Hollywood, Version 1: The Hollywood Renaissance. In: New Hollywood cinema: an introduction. pp. 11–48. I. B. Tauris, London (2002).
46.
Fonda, P., Hopper, D., Southern, T., Nicholson, J., Columbia Pictures: Easy rider, (1999).
47.
Ashby, H., Higgins, C., Mulvehill, C., Gordon, R., Cort, B., Islam, Y., Paramount Pictures Corporation, Paramount Home Video (Firm): Harold and Maude, (2002).
48.
Castle, W., Polanski, R., Farrow, M., Cassavetes, J., Gordon, R., Blackmer, S., Evans, M., Bellamy, R., Levin, I., Paramount Pictures Corporation: Rosemary’s baby. Paramount Pictures, United Kingdom (2004).
49.
Rafelson, B., Joyce, A., Nicholson, J., Black, K., Anspach, S., Columbia Pictures, Columbia TriStar Home Video (Firm): Five easy pieces, (1998).
50.
Malick, T.: Badlands, (2003).
51.
Polanski, R., Towne, R., Alonzo, J.A., Goldsmith, J., Dunaway, F., Nicholson, J., Hillerman, J., Lopez, P., Young, B., Huston, J., Zwerling, D., Ladd, D.: Chinatown, (2000).
52.
Lumet, S.: Dog day afternoon, (1998).
53.
Phillips, M., Phillips, J., Schrader, P., Scorsese, M., De Niro, R., Foster, J., Brooks, A., Keitel, H., Boyle, P., Shepherd, C., Chapman, M., Herrmann, B., Kolker, R.P., Stone, O., Corman, R., Columbia Pictures, Bill/Phillips (Firm), Sony Pictures Home Entertainment (Firm): Taxi driver, (2007).
54.
Nicholson, J., Young, O., Quaid, R., James, C., Kane, C., Towne, R., Ayres, G., Ashby, H., Ponicsan, D., Columbia Pictures, Columbia TriStar Home Entertainment (Firm): The last detail, (2001).
55.
Ashby, H., Beatty, W., Christie, J., Hawn, G.: Shampoo. Columbia TriStar Home Entertainment, Culver City, Calif (2006).
56.
Fonda, J., Hellman, J., Salt, W., Dern, B., Voight, J., Ashby, H., Jones, R.C., Dowd, N., MGM Home Entertainment Inc: Coming home, (2004).
57.
Ashby, H., Braunsberg, A., Kosinski, J., Sellers, P., MacLaine, S., Warden, J., Douglas, M., Dysart, R., Basehart, R., Mandel, J., Zimmerman, D., Deschanel, C., Kosinski, J., Warner Bros. Pictures (1969- ), Lorimar Film Entertainment, Northstar Entertainment, Inc, Warner Home Video (Firm): Being there. Warner Home Video, Burbank, CA (2001).
58.
Biskind, P.: Easy riders, raging bulls: how the sex-drugs-and-rock ‘n’ roll generation saved Hollywood. Simon & Schuster, New York (1998).
59.
Cook, D.A.: Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979. Charles Scribner’s, New York (2002).
60.
Horwath, A., King, N., Elsaesser, T.: The last great American picture show: traditions, transitions and triumphs in 1970s cinema. Amsterdam University Press, Amsterdam (2004).
61.
Hill, L.: Easy rider. British Film Institute Pub, London (1996).
62.
Lev, P., ebrary, Inc: American films of the 70s: conflicting visions. University of Texas Press, Austin, TX (2000).
63.
Neale, S.: The Last Good Time We Ever Had? Revising the Hollywood Renaissance. In: Contemporary American cinema. pp. 90–108. Open University Press, London (2006).
64.
Wood, R.: Hollywood from Vietnam to Reagan. Columbia University Press, New York (1986).
65.
Star Wars - The Complete Saga [Blu-ray] [1977], http://www.amazon.co.uk/Star-Wars-Complete-Saga-Blu-ray/dp/B013GTX6JI/ref=sr_1_2?s=dvd&ie=UTF8&qid=1446397320&sr=1-2&keywords=star+wars+blu+ray.
66.
Schatz, T.: New Hollywood, New Millenium. In: Film theory and contemporary Hollywood movies. pp. 19–46. Routledge, New York (2009).
67.
The Lord Of The Rings Trilogy [DVD], http://www.amazon.co.uk/Lord-Rings-Trilogy-DVD/dp/B008305P72/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446468848&sr=1-1&keywords=lord+of+the+rings+trilogy.
68.
The Hobbit Trilogy [DVD] [2015], http://www.amazon.co.uk/Hobbit-Trilogy-DVD-Martin-Freeman/dp/B00S80X00G/ref=sr_1_9?s=dvd&ie=UTF8&qid=1446468894&sr=1-9&keywords=the+hobbit.
69.
Ghostbusters/Ghostbusters 2 [DVD] [2005], http://www.amazon.co.uk/Ghostbusters-2-DVD-Bill-Murray/dp/B000A0XTPS/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446468951&sr=1-1&keywords=ghostbusters+1+and+2.
70.
Robert Zemeckis 1952-; Bob Gale 1951-; Neil Canton; Michael J. Fox 1961-; Christopher Lloyd 1938-; Lea Thompson 1961-; Crispin Glover; Elisabeth Shue; Thomas F. Wilson 1959-; Mary Steenburgen; Universal Studios Home Video (Firm): Back to the future the complete trilogy, http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2139902220002418&indx=3&recIds=44WHELF_ABW_ALMA_DS2139902220002418&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=5&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446468988246&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=back%20to%20the%20future&vid=44WHELF_ABW_VU1, (2005).
71.
Batman: The Motion Picture Anthology 1989-1997 [DVD] [2005], http://www.amazon.co.uk/Batman-Motion-Picture-Anthology-1989-1997/dp/B002L7O7YK/ref=sr_1_2?s=dvd&ie=UTF8&qid=1446469034&sr=1-2&keywords=batman.
72.
Shrek/Shrek 2/Shrek The Third/Shrek: Forever After - The Final... [DVD], http://www.amazon.co.uk/Shrek-Third-Forever-After-Final/dp/B00EIDTDNK/ref=sr_1_3?s=dvd&ie=UTF8&qid=1446469094&sr=1-3&keywords=shrek.
73.
Harry Potter - Complete 8-Film Collection [DVD] [2001], http://www.amazon.co.uk/Harry-Potter-Complete-8-Film-Collection/dp/B00543R3WG/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469148&sr=1-1&keywords=harry+potter.
74.
Spider-Man Trilogy [DVD], http://www.amazon.co.uk/Spider-Man-Trilogy-DVD-Tobey-Maguire/dp/B007I1QUHG/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469189&sr=1-1&keywords=spider+man.
75.
Pirates of the Caribbean 1-4 Box Set [DVD], http://www.amazon.co.uk/Pirates-Caribbean-1-4-Box-Set/dp/B0058HCQMU/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469243&sr=1-1&keywords=Pirates+of+the+Caribbean.
76.
The Twilight Saga: The Complete Collection [DVD], http://www.amazon.co.uk/Twilight-Saga-Complete-Collection-DVD/dp/B00A6HL704/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469289&sr=1-1&keywords=the+twilight+saga.
77.
Austin, T.: Hollywood, hype and audiences: selling and watching popular film in the 1990s. Manchester University Press, Manchester (2002).
78.
Gray, J.: Show sold separately: promos, spoilers, and other media paratexts. New York University Press, New York (2010).
79.
Kernan, L.: Coming attractions: reading American movie trailers. University of Texas Press, Austin (2004).
80.
Mathijs, E., Pomerance, M.: From hobbits to Hollywood: essays on Peter Jackson’s Lord of the Rings. Rodopi, Amsterdam (2006).
81.
McDonald, P., Wasko, J.: The contemporary Hollywood film industry. Blackwell Pub, Malden, MA (2008).
82.
Smith, M., Neale, S.: Contemporary Hollywood cinema. Routledge, London (1998).
83.
Shone, T.: Blockbuster: How the Jaws and Jedi Generation Turned Hollywood into a Boom-town (New edition). Scribner; New edition edition (19)AD.
84.
Stringer, J.: Movie blockbusters. Routledge, London (2003).
85.
Thompson, K.: The Frodo franchise: the Lord of the rings and modern Hollywood. University of California Press, Berkeley (2007).
86.
Wasko, J.: How Hollywood works. Sage Publications, Thousand Oaks, CA.
87.
Justin Wyatt: Marketing, The Film Reader (In Focus: Routledge Film Readers). Routledge.
88.
Lee, S., Jones, L.: Do the right thing: a Spike Lee joint, (1989).
89.
Kellner, D.: Aesthetics, Ethics and Politics in the Films of Spike Lee. In: Do the right thing: a Spike Lee joint. pp. 73–108. Fireside, New York, N.Y. (1989).
90.
Soderbergh, S.: Sex, lies and videotape, (2004).
91.
Tarantino, Q., Rachtman, K., Keitel, H., Roth, T., Madsen, M., Artisan Home Entertainment (Firm), Miramax Films, Lions Gate Entertainment (Firm): Reservoir dogs, (1991).
92.
Heckerling, A., Silverstone, A., Rudd, P., Dash, S., Murphy, B., Hedaya, D., Sisto, J., Shawn, W., Paramount Pictures Corporation: Clueless, (1999).
93.
Tarantino, Q.: Pulp Fiction, (200)AD.
94.
Van Peebles, M., McHenry, D., Jackson, G., Wright, T.L., Cooper, B.M., Snipes, W., Nelson, J., Payne, A., Rock, C., Ice-T, Warner Bros. Entertainment, Warner Home Video (Firm): New Jack City, (1999).
95.
Gooding, C., Chestnut, M., Fishburne, L., Clarke, S., Nicolaides, S., Singleton, J., Ice Cube, Columbia Pictures, Sony Pictures Home Entertainment (Firm): Boyz n the hood. Sony Pictures Home Entertainment, [United States] (2005).
96.
Hughes, A., Hughes, A.: Menace II society, (2004).
97.
Lee, S.: She’s gotta have it, (2006).
98.
Lee, S., Ross, M., Dickerson, E.R., Blanchard, T., Wonder, S., Snipes, W., Sciorra, A., Davis, O., Dee, R., Jackson, S.L., McKee, L., Turturro, J., Vincent, F., Quinn, A., Forty Acres & a Mule Filmworks, Universal Pictures (Firm), Universal Studios Home Entertainment (Firm): Jungle fever. Universal Pictures (UK) Ltd, U.K. (2005).
99.
Lee, S.: Malcolm X, (2004).
100.
Lee, S., Lee, J.S., Lee, C., Woodard, A., Lindo, D., Kelly, D.P., Zúñiga, J., Washington, I., Reyes, I., Duru, N.J., Foster, F., Matlock, N., Nelson, P., Curtis-Hall, V., Washington, T.-M., Williams, C., Knowings, C., Rashed, S., Harris, Z., Jafa, A., Blanchard, T., Forty Acres & a Mule Filmworks, Child Hoods Productions, Universal Pictures (Firm), Universal Studios Home Video (Firm): Crooklyn, (2006).
101.
Berra, J., ebrary, Inc: Declarations of independence: American cinema and the partiality of independent production. Intellect, Bristol, UK (2008).
102.
Biskind, P.: Down and dirty pictures: Miramax, Sundance and the rise of independent film. Bloomsbury, London (2004).
103.
Breskin, D.: Inner views: filmmakers in conversation. Faber and Faber, Boston (1992).
104.
Diawara, M.: Black American cinema: aesthetics and spectatorship. Routledge, New York (1993).
105.
Guerrero, E., British Film Institute: Do the right thing. British Film Institute, London (2001).
106.
Hillier, J., British Film Institute: American independent cinema. British Film Institute, London (2001).
107.
King, G.: Indiewood, USA: where Hollywood meets independent cinema. I. B. Tauris, London (2009).
108.
Massood, P.J.: Black city cinema: African American urban experiences in film. Temple University Press, Philadelphia (2003).
109.
Perren, A: Sex, lies and marketing - Miramax and the development of the quality Indie blockbuster. Film QuarterlyFilm Quarterly. 55, 30–39 (2001).
110.
Pierson, J., Smith, K.: Spike, Mike, slackers and dykes: a guided tour through a decade of American independent cinema. Faber, London (1996).
111.
Reid, M.A.: New Wave Black Cinema in the 1990’s. In: Dixon, W.W. (ed.) Film genre 2000: new critical essays. pp. 123–28. State University of New York Press, Albany (2000).
112.
Tzioumakis, Y.: American independent cinema: an introduction. Edinburgh University Press, Edinburgh (2006).
113.
Linklater, R.: Dazed and confused, (2006).
114.
Stone, R.: Chapter 2: Crafting Contradictions. In: The cinema of Richard Linklater: walk, don’t run. pp. 39–73. Wallflower Press, London (2013).
115.
Ray, N.: Rebel without a cause, (2000).
116.
Lucas, G., Coppola, F.F., Dreyfuss, R., Howard, R., Katz, G., Huyck, W., Le Mat, P., Smith, C.M., Phillips, M., Williams, C., Ford, H., Somers, S., Wolfman Jack, Universal Pictures (Firm), Lucasfilm, Ltd, Coppola Company: American graffiti, (2003).
117.
Estevez, E., Gleason, P., Hall, A.M., Kapelos, J., Ringwald, M., Sheedy, A., Hughes, J., Tanen, N.: The breakfast club, (2005).
118.
Deutch, H., Hughes, J., Shuler-Donner, L., Ringwald, M., Stanton, H.D., Cryer, J., McCarthy, A., Spader, J., Potts, A., Fujimoto, T., Gore, M., Paramount Pictures, inc, Paramount Home Entertainment (Firm): Pretty in pink, (2005).
119.
Slater, C., Ryder, W., Di Novi, D., Waters, D., Doherty, S., Lehmann, M., New World Pictures (Firm), Cinemarque Entertainment (USA), Anchor Bay Entertainment UK Ltd: Heathers, (2006).
120.
Heckerling, A., Silverstone, A., Rudd, P., Dash, S., Murphy, B., Hedaya, D., Sisto, J., Shawn, W., Paramount Pictures Corporation: Clueless, (1999).
121.
Weitz, P., Rogers, J.B., Biggs, J., Elizabeth, S., Hannigan, A., Klein, C., Lyonne, N., Nicholas, T.I., Owen, C., Reid, T., Suvari, M., Thomas, E.K., Levy, E., Universal Pictures (Firm): American pie: all 8 pieces of pie, (2012).
122.
Junger, G.: 10 things I hate about you, (2000).
123.
Waters, M., Michaels, L., Fey, T., Lohan, L., McAdams, R., Meadows, T., Poehler, A., Gasteyer, A., Chabert, L., Caplan, L., Franzese, D., Flynn, N., Bennett, J., Seyfried, A., Okada, D., Bricmont, W.G., Kent, R., Fort, M.J., White, C., Wiseman, R., Paramount Pictures Corporation: Mean Girls. Paramount, Hollywood, Calif (2004).
124.
Halfon, L., Malkovich, J., Novick, M., Smith, R., Reitman, J., Cody, D., Messina, M., Steelberg, E., Page, E., Cera, M., Garner, J., Bateman, J., Janney, A., Simmons, J.K., Fox Searchlight Pictures, Mandate Pictures (Firm), Mr. Mudd (Firm), Twentieth Century Fox Home Entertainment, Inc: Juno, (2008).
125.
Gluck, W., Royal, B.V., Grady, M., Badgley, P., Bynes, A., Church, T.H.: Easy A, (2011).
126.
Doherty, T.P., ebrary, Inc: Teenagers and teenpics: the juvenilization of American movies in the 1950s. Temple University Press, Philadelphia (2002).
127.
Driscoll, C., ebrary, Inc: Teen film: a critical introduction. Berg, Oxford (2011).
128.
Gateward, F.K., Pomerance, M.: Sugar, spice, and everything nice: cinemas of girlhood. Wayne State University Press, Detroit (2002).
129.
Harrod, Mary: The aesthetics of pastiche in the work of Richard Linklater. ScreenScreen. 51, 21–37 (2010).
130.
Kaveney, R.: Teen dreams: reading teen film from Heathers to Veronica Mars. I. B. Tauris, London (2006).
131.
Lee, C.: Screening Generation X: the politics and popular memory of youth in contemporary cinema. Ashgate, Burlington, VT (2010).
132.
Lewis, J.: The road to romance & ruin: teen films and youth culture. Routledge, New York (1992).
133.
Langford, B.: Film genre: Hollywood and beyond. Edinburgh University Press, Edinburgh (2005).
134.
Macor, A., ebrary, Inc: Chainsaws, slackers, and spy kids: thirty years of filmmaking in Austin, Texas. University of Texas Press, Austin (2010).
135.
Mallan, K., Pearce, S.: Youth cultures: texts, images, and identities. Praeger, Westport, Conn (2003).
136.
Shary, T.: Teen movies: American youth on screen. Wallflower, London (2005).
137.
Dixon, W.W.: Film genre 2000: new critical essays. State University of New York Press, Albany (2000).
138.
Platt, M., Kidney, R., Lutz, K.M., Smith, K., Luketic, R., Witherspoon, R., Wilson, L., Blair, S., Davis, M., Garber, V., Coolidge, J., Taylor, H., Larter, A., Richmond, A.B., Kent, R., Carbonell, S. de R., Stewart, M., Metro-Goldwyn-Mayer, MGM Home Entertainment Inc: Legally blonde, (2001).
139.
Ferriss, S., Young, M.: Introduction: Chick Flicks and Chick Culture. In: Chick flicks: contemporary women at the movies. pp. 1–17. Routledge, New York (2008).
140.
Ferriss, S., Young, M.: The Return of the Pink: Legally Blonde, third wave feminism and having it all. In: Chick flicks: contemporary women at the movies. pp. 58–78. Routledge, New York (2008).
141.
Gilbert, B., Higgins, C., Resnick, P., Fonda, J., Tomlin, L., Parton, D., Coleman, D., Fox, C., Twentieth Century-Fox Film Corporation, IPC Films (Firm), Twentieth Century Fox Home Entertainment, Inc: 9 to 5, (2006).
142.
Finerman, W., McKenna, A.B., Frankel, D., Streep, M., Hathaway, A., Tucci, S., Baker, S., Blunt, E., Grenier, A., Shapiro, T., Weisberger, L., Fox 2000 Pictures, Twentieth Century Fox Home Entertainment, Inc: The devil wears Prada, (2006).
143.
Platt, M., Nicksay, D.A., Herman-Wurmfeld, C., Kondell, K., Ahlert, E., Drake, D., Witherspoon, R., Field, S., King, R., Coolidge, J., McGill, B., Ivey, D., Newhart, B., Wilson, L., Brown, A., Metro-Goldwyn-Mayer, Type A Films (Firm), MGM Home Entertainment Inc: Legally blonde 2, (2003).
144.
Bullock, S., Shatner, W., Hudson, E., Caine, M., Bratt, B., Petrie, D., Kovacs, L., Lawrence, M., Ford, K., Lucas, C., Shearmur, E.: Miss Congeniality, (2001).
145.
Hawn, G., Zieff, H., Meyers, N., Shyer, C., Miller, H., Brennan, E., Assante, A., Webber, R., Place, M.K., Stanton, H.D., Brooks, A., Conti, B., Warner Bros. Pictures (1969- ), Warner Home Video (Firm): Private Benjamin. Warner Home Video, Burbank, Calif (1997).
146.
Block, B.A., Meyers, N., Nicholson, J., Keaton, D., Reeves, K., McDormand, F., Peet, A., Favreau, J., Glaser, P.M., Ballhaus, M., Hutshing, J., Zimmer, H., Hutman, J., Warnke, J., McCabe, S., Rubino, B., Columbia Pictures, Warner Bros. Pictures (1969- ), Waverly Films, Columbia TriStar Home Entertainment (Firm): Something’s gotta give, (2004).
147.
Nichols, M., Wade, K., Griffith, M., Weaver, S., Ford, H., Cusack, J., Bosco, P., Dunn, N., Baldwin, A., Platt, O., Dukakis, O., Simon, C., Twentieth Century-Fox Film Corporation, Twentieth Century Fox Home Entertainment, Inc: Working Girl, (2006).
148.
Bernard, J.: Chick flicks: a movie lover’s guide to the movies women love. Carol Pub. Group, Secaucus, NJ (1996).
149.
Ferriss, S., Young, M.: Chick flicks: contemporary women at the movies. Routledge, New York (2008).
150.
Garrett, R.: Postmodern chick flicks: the return of the woman’s film. Palgrave Macmillan, Basingstoke (2007).
151.
Gwynne, J., Müller, N.: Introduction: Postfeminism and contemporary Hollywood cinema. In: Postfeminism and contemporary Hollywood cinema. pp. 1–10. Palgrave Macmillan, Basingstoke (2013).
152.
Haskell, M.: From reverence to rape: the treatment of women in the movies. University of Chicago Press, Chicago (1987).
153.
Radner, H.: Neo-feminist cinema: girly films, chick flicks, and consumer culture. Routledge, New York (2011).
154.
Radner, H., Stringer, R.: Feminism at the movies: understanding gender in contemporary popular cinema. Routledge, London (2011).
155.
Phoca, S., Wright, R., Appignanesi, R.: Introducing postfeminism. Icon Books, Cambridge, England (1999).
156.
Tasker, Y.: New Hollywood. In: Working girls: gender and sexuality in popular cinema. pp. 1–19. Routledge, London (1998).
157.
Tasker, Y.: Cross-dressing, aspiration and transformation. In: Working girls: gender and sexuality in popular cinema. pp. 19–49. Routledge, London (1998).
158.
Tasker, Y.: Acting Funny: comedy and authority. In: Working girls: gender and sexuality in popular cinema. pp. 161–177. Routledge, London (1998).
159.
Charlie Wilson’s War [DVD], http://www.amazon.co.uk/Charlie-Wilsons-War-DVD-Hanks/dp/B0014JGFD2/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446397671&sr=1-1&keywords=charlie+wilsons+war.
160.
Landy, M.: The Historical Film: Looking at the Past in a Post-literate Age. In: The historical film: history and memory in media. pp. 50–66. Athlone Press, London (2001).
161.
Doug Liman; Robert Ludlum 1927-2001.; Tony Gilroy; Matt Damon; Franka Potente 1974-: The Bourne identity, http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2151368230002418&indx=1&recIds=44WHELF_ABW_ALMA_DS2151368230002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446480010326&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=the%20bourne&vid=44WHELF_ABW_VU1, (2003).
162.
The Good Shepherd [DVD], http://www.amazon.co.uk/Good-Shepherd-DVD-Matt-Damon/dp/B000PMGRM8/ref=sr_1_sc_1?s=dvd&ie=UTF8&qid=1446480057&sr=1-1-spell&keywords=the+good+sheppard.
163.
JFK [DVD] [1991], http://www.amazon.co.uk/JFK-DVD-Kevin-Costner/dp/B009TR7EW2/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480104&sr=1-1&keywords=jfk.
164.
Michael Clayton [DVD], http://www.amazon.co.uk/Michael-Clayton-DVD-George-Clooney/dp/B000ZN63S0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480156&sr=1-1&keywords=michael+clayton.
165.
Steven Spielberg 1946-: Munich, http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2147413820002418&indx=2&recIds=44WHELF_ABW_ALMA_DS2147413820002418&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446480170940&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=Munich&vid=44WHELF_ABW_VU1, (2007).
166.
U-571 [DVD] [2000], http://www.amazon.co.uk/U-571-DVD-Matthew-McConaughey/dp/B0000505IM/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480233&sr=1-1&keywords=u-571.
167.
Primary Colors [DVD], http://www.amazon.co.uk/Primary-Colors-DVD-John-Travolta/dp/B00079FGXK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480283&sr=1-1&keywords=primary+colours.
168.
Sorkin, A., Fincher, D., Rudin, S., Brunetti, D., De Luca, M., Chaffin, C., Spacey, K., Eisenberg, J., Garfield, A., Hammer, A., Minghella, M., Timberlake, J., Pence, J., Song, B., Jones, R., Getz, J., Selby, D., Grayson, D., Urbanski, D., Mara, R., Reznor, T., Ross, A., Cronenweth, J., West, J., Mezrich, B., Columbia Pictures, Relativity Media, Sony Pictures Home Entertainment (Firm), Scott Rudin Productions, Michael De Luca Productions (Firm), Trigger Street Productions: The social network, (2011).
169.
Alford, M., Parenti, M., ebrary, Inc: Reel power: Hollywood cinema and American supremacy. Pluto Press, London (2010).
170.
Bingham, D.: Whose lives are they anyway?: the biopic as contemporary film genre. Rutgers University Press, New Brunswick, N.J. (2010).
171.
Francaviglia, R.V., Rodnitzky, J.L., Rosenstone, R.A., ebrary, Inc: In Defense of Filmmakers. In: Lights, camera, history: portraying the past in film. pp. 113–135. Published for the University of Texas at Arlington by Texas A&M University Press, College Station (2007).
172.
Cartmell, D., Hunter, I.Q., Whelehan, I.: Retrovisions: reinventing the past in film and fiction. Pluto Press, London (2001).
173.
Custen, G.F.: Bio/pics: how Hollywood constructed public history. Rutgers University Press, New Brunswick, N.J. (1992).
174.
Francaviglia, R.V., Rodnitzky, J.L., Rosenstone, R.A., ebrary, Inc: Lights, camera, history: portraying the past in film. Published for the University of Texas at Arlington by Texas A&M University Press, College Station (2007).
175.
Hughes-Warrington, M.: History Goes to the Movies: Studying history on film. Routledge, London (2007).
176.
Hughes-Warrington, M.: History on film reader. Routledge, Abingdon (2009).
177.
Landy, M.: Cinematic uses of the past. University of Minnesota Press, Minneapolis, Minn.
178.
Robb, D.L.: Operation Hollywood: how the Pentagon shapes and censors the movies. Prometheus Books, Amherst, N.Y. (2004).
179.
Rosenstone, R.A.: History on film/film on history. Pearson Longman, Harlow (2006).
180.
Richard V Francaviglia; Jerome L. Rodnitzky 1936-; Robert A Rosenstone; ebrary, Inc.: In Praise of the Biopic. In: Lights, camera, history portraying the past in film. pp. 11–30 (2007).
181.
Medavoy, M., Vanderbilt, J., Fincher, D., Gyllenhaal, J., Ruffalo, M., Downey, R., Edwards, A., Cox, B., Fleischer, C., Grenier, Z., Hall, P.B., Koteas, E., LeGros, J., Logue, D., Lynch, J.C., Mulroney, D., Sevigny, C., Graysmith, R., Warner Bros. Pictures (1969- ), Paramount Pictures Corporation, Phoenix Pictures, Paramount Home Entertainment (Firm): Zodiac. Warner Bros, Hollywood, Calif (2007).
182.
Gabriel F. Giralt: Realism and Realistic Representation in the Digital Age. Journal Of Film And VideoJournal of Film and Video. 62, 3–16 (2010).
183.
That 70s Sequence: Remembering the Bad Old Days in Summer of Sam - Cinephile: The University of British Columbia’s Film Journal.
184.
Siegel, D., Fink, H.J., Fink, R.M., Riesner, D., Schifrin, L., Eastwood, C., Guardino, H., Santoni, R., Robinson, A., Larch, J., actor, Warner Bros. Pictures (1969- ), Malpaso (Company), Warner Home Video (Firm): Dirty Harry, (2001).
185.
Pakula, A.J., Goldman, W., Coblenz, W., Redford, R., Hoffman, D., Warden, J., Balsam, M., Holbrook, H., Robards, J., Shire, D., Willis, G., Wolfe, R.L., Shore, D., Bernstein, C., Woodward, B., Warner Home Video (Firm), Warner Bros. Pictures (1969- ), Wildwood Enterprises: All the president’s men, (2006).
186.
Crowe, C., Bryce, I., Crudup, B., McDormand, F., Lee, J., Fugit, P., Hudson, K., Hoffman, P.S., Wilson, N., Columbia Pictures, Dreamworks Pictures, Vinyl Films (Firm), Sony Pictures Home Entertainment (Firm): Almost famous, (2006).
187.
Fire, R., McNaughton, J., Desmond, L., Jones, S.A., Rooker, M., Arnold, T., Towles, T., Maljack Productions, Inc, Optimum Releasing (Firm): Henry: portrait of a serial killer, (2004).
188.
Demme, J.: The Silence of the Lambs, (2006).
189.
Amiel, J., Weaver, S., Hunter, H., Regency Enterprises, Warner Home Video (Firm): Copycat, (2009).
190.
Lee, S., Kilik, J., Colicchio, V., Imperioli, M., Leguizamo, J., Sorvino, M., Brody, A., Esposito, J., LaPaglia, A., Touchstone Pictures, Forty Acres & a Mule Filmworks, Touchstone Home Video (Firm), Downtown Pictures Ltd: Summer of Sam, (2000).
191.
Fincher, D., Milchan, A., Uhls, J., Linson, A., Chaffin, C., Bell, R.G., Pitt, B., Norton, E., Bonham Carter, H., Leto, J., Grenier, Z., McCallany, H., Bailey, E., Kaplan, M., McDowell, A., Cronenweth, J., Palahniuk, C., Meat Loaf, Dust Brothers, Twentieth Century-Fox Film Corporation, Fox 2000 Pictures, Regency Enterprises, Linson Films (Firm), Twentieth Century Fox Home Entertainment, Inc: Fight club, (2009).
192.
Kennedy, K., Fincher, D., Pitt, B., Blanchett, C., Henson, T.P., Ormond, J., Flemyng, J., Koteas, E., Swinton, T.: The Curious Case of Benjamin Button, (2009).
193.
Sorkin, A., Fincher, D., Rudin, S., Brunetti, D., De Luca, M., Chaffin, C., Spacey, K., Eisenberg, J., Garfield, A., Hammer, A., Minghella, M., Timberlake, J., Pence, J., Song, B., Jones, R., Getz, J., Selby, D., Grayson, D., Urbanski, D., Mara, R., Reznor, T., Ross, A., Cronenweth, J., West, J., Mezrich, B., Columbia Pictures, Relativity Media, Sony Pictures Home Entertainment (Firm), Scott Rudin Productions, Michael De Luca Productions (Firm), Trigger Street Productions: The social network, (2011).
194.
Bordwell, D.: Narration in the fiction film. University of Wisconsin Press, Madison (1985).
195.
Bordwell, D.: The way Hollywood tells it: story and style in modern movies. University of California Press, Berkeley (2006).
196.
New Mode of Cinema: How Digital Technologies are Changing Aesthetics and Style, http://www.kinephanos.ca/Revue_files/New%20Mode%20of%20Cinema_v1n1.pdf.
197.
Elsaesser, T., Buckland, W., NetLibrary, Inc: Classical/Post-Classical Narrative. In: Studying contemporary American film: a guide to movie analysis. pp. 26–79. Arnold, London (2002).
198.
Kerins, Mark: Narration in the cinema of digital sound. Velvet Light TrapVelvet Light Trap. (2006).
199.
McClean, S.T., ebrary, Inc: Digital storytelling: the narrative power of visual effects in film. MIT Press, Cambridge, Mass (2007).
200.
Deciphering the Indecipherable: Procedure as Art in Fincher’s Zodiac - Bright Lights Film Journal, http://brightlightsfilm.com/deciphering-the-indecipherable-procedure-as-art-in-finchers-zodiac/#.VjnIVNLNyUk.
201.
Schneider, S.J.: Murder as Art/The Art of Murder: Aestheticising Violence in Modern Cinematic Horror*, https://intensitiescultmedia.files.wordpress.com/2012/12/schneider-murder-as-art.pdf.
202.
Hantke, S., ebrary, Inc: American horror film: the genre at the turn of the millennium. University Press of Mississippi, Jackson (2010).
203.
Swallow, J.: Dark eye: the films of David Fincher. Reynolds & Hearn, London (2003).
204.
Thompson, K.: Storytelling in the new Hollywood: understanding classical narrative technique. Harvard University Press, Cambridge, Mass (1999).
205.
Nyqvist, M., Rapace, N., Endre, L., Haber, P., Oplev, N.A., Larsson, S., Music Box Films (Firm), Alliance Films: The girl with the dragon tattoo, (2010).
206.
‘The Icegirl Cometh’. In: Sight and sound. British Film Institute, London.
207.
Verevis, C.: ‘Introduction’ in Film remakes. In: Film remakes. pp. 1–34. Edinburgh University Press, Edinburgh (2006).
208.
Scorsese, M., DiCaprio, L., Monahan, W., Pitt, B., King, G., Damon, M., Nicholson, J., Wahlberg, M., Sheen, M., Winstone, R., Farmiga, V., Baldwin, A., Reidy, J., Shore, H., Powell, S., Schoonmaker, T., Zea, K., Ballhaus, M., Mai, Z., Zhuang Wenqiang, Warner Bros. Pictures (1969- ), Initial Entertainment Group, Plan B Entertainment, Vertigo Entertainment (Firm), Media Asia Films Limited, Entertainment in Video (Firm): The departed, (2007).
209.
Lau, A., Mak, A.: Infernal affairs, (2004).
210.
Hideo Nakata: Ring., http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=dedupmrg45855459&indx=2&recIds=dedupmrg45855459&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446565505101&srt=rank&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=the%20ring&vid=44WHELF_ABW_VU1, (2002).
211.
Hitchcock, A.: Psycho, (1999).
212.
Hitchcock, A.: Psycho, (1999).
213.
Carpenter, J.: The thing, (1999).
214.
Hawks, H., Nyby, C.: The thing from another world, (2007).
215.
The Thing [DVD], http://www.amazon.co.uk/Thing-Double-Pack-Including-Original/dp/B006W99PMM/ref=sr_1_sc_2?s=dvd&ie=UTF8&qid=1446565793&sr=1-2-spell&keywords=the+thing+van+heijiningen.
216.
Nichols, M., Poiret, J.: Birdcage, (2000).
217.
Moretz, C., Smit-McPhee, K., Jenkins, R., Koteas, E., Gigliotti, D., Brunner, A., Oakes, S., Reeves, M., Reynolds, P., Ajvide Lindqvist, J., Andreyko, M., Exclusive Media Group, Hammer Film Productions, EFTI (Firm), Icon Home Entertainment: Let me in, (2011).
218.
Nordling, J., Molinder, C., Alfredson, T., Hedebrant, K., Leandersson, L., Ragnar, P., Carlberg, P., Nord, I., Dahl, H., Bergquist, K., Rahm, M., Lindgren, K.-R., Peedu, A.T., Olofsson, P., Ajvide Lindqvist, J., Magnet Releasing (Firm), Bavaria Film International (Firm), EFTI (Firm), Sandrews (Firm : Stockholm, Sweden), Filmpool Nord (Firm), Sveriges television, WAG (Firm), Rialto Distribution: Let the right one in, (2009).
219.
Cruise, T., Crowe, C., Cruz, P., Russell, K., Lee, J., Taylor, N., Spall, T., Swinton, T., Diaz, C., Paramount Pictures Corporation, Cruise/Wagner Productions (Firm), Vinyl Films (Firm): Vanilla sky, (2002).
220.
Amenábar, A., Cuerda, J.L., Bovaira, F., Gil, M., Burman, H., Marin, M., Noriega, E., Cruz, P., Nimri, N.: Abre los ojos, (2000).
221.
Haneke, M., Panahi, H., Baute, C., Steinborn, A., Coen, C., McAlpine, H., Watts, N., Roth, T., Pitt, M., Corbet, B., Gearhart, D.: Funny games. Artificial Eye, U.K. (2009).
222.
Gilbet, L.: Alfie, (2005).
223.
Sarandon, S., Tomei, M., Law, J., Shyer, C., Naughton, B.: Alfie, (2004).
224.
Forrest, J., Koos, L.R., ebrary, Inc: Dead ringers: the remake in theory and practice. State University of New York Press, Albany (2002).
225.
Horton, A., McDougal, S.Y.: Play it again, Sam: retakes on remakes. University of California Press, Berkeley (1998).
226.
Jankowiak, Steve: Cult film and politically correct remakes. Film InternationalFilm International. 7, 28–35 (2009).
227.
Forrest, J., Koos, L.R.: Twice Told Tales: Disavowal and the Rhetoric of the Remake. In: Dead ringers: the remake in theory and practice. pp. 37–62. State University of New York Press, Albany (2002).
228.
Lowenstein, Adam: Alone on Elm Street. Film QuarterlyFilm Quarterly. 64, 18–22 (2010).
229.
Lukas, S.A., Marmysz, J.: Fear, cultural anxiety, and transformation: horror, science fiction, and fantasy films remade. Lexington Books, Lanham (2009).
230.
Mazdon, L., British Film Institute: Encore Hollywood: remaking French cinema. British Film Institute, London (2000).
231.
Verevis, C., ebrary, Inc: Film remakes. Edinburgh University Press, Edinburgh (2006).
232.
Wee, V: Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring. Cinema JournalCinema Journal. 50, 41–60 (2011).
