Bibliography for FM21020 Contemporary Hollywood Cinema BETA

Alford, Matthew, Michael Parenti, and ebrary, Inc. Reel Power: Hollywood Cinema and American Supremacy. London: Pluto Press, 2010. Web. <http://site.ebrary.com/lib/aber/Doc?id=10479775>.

Allen, Woody et al. ‘The Purple Rose of Cairo’. 2001 : n. pag. Print.

Altman, Rick and British Film Institute. Film/Genre. London: BFI Publishing, 1999. Print.

Altman, Robert, Bob Balaban, et al. Gosford Park. Collector’s ed.; widescreen ver. United Kingdom: Entertainment in Video, 2002. Print.

Altman, Robert, Ingo Preminger, et al. ‘MASH’. 2002 : n. pag. Print.

Altman, Robert, Raymond Carver, et al. ‘Short Cuts: A Robert Altman Film’. 2008 : n. pag. Print.

Altman, Robert, and Michael Tolkin. ‘The Player’. 2001 : n. pag. Print.

Amenábar, Alejandro et al. ‘Abre Los Ojos’. 2000 : n. pag. Print.

Amiel, Jon et al. ‘Copycat’. 2009 : n. pag. Print.

Ashby, Hal, Andrew Braunsberg, et al. Being There. Burbank, CA: Warner Home Video, 2001. Print.

Ashby, Hal, Colin Higgins, et al. ‘Harold and Maude’. 2002 : n. pag. Print.

Ashby, Hal, Warren Beatty, et al. Shampoo. Widescreen and standard. Culver City, Calif: Columbia TriStar Home Entertainment, 2006. Print.

Austin, Thomas. Hollywood, Hype and Audiences: Selling and Watching Popular Film in the 1990s. Inside popular film. Manchester: Manchester University Press, 2002. Print.

Baron, Cynthia. ‘“The Player’s Parody of Hollywood: A Different Kind of Suture”’. Postmodernism in the Cinema. Ed. Cristina Degli-Esposti. New York, New York: Berghahn Books, 1998. 21–44. Print.

‘Batman: The Motion Picture Anthology 1989-1997 [DVD] [2005]’. Web. <http://www.amazon.co.uk/Batman-Motion-Picture-Anthology-1989-1997/dp/B002L7O7YK/ref=sr_1_2?s=dvd&ie=UTF8&qid=1446469034&sr=1-2&keywords=batman>.

Bernard, Jami. Chick Flicks: A Movie Lover’s Guide to the Movies Women Love. Secaucus, NJ: Carol Pub. Group, 1996. Print.

Berra, John and ebrary, Inc. Declarations of Independence: American Cinema and the Partiality of Independent Production. Bristol, UK: Intellect, 2008. Web. <http://site.ebrary.com/lib/aber/Doc?id=10211686>.

Bingham, Dennis. Whose Lives Are They Anyway?: The Biopic as Contemporary Film Genre. New Brunswick, N.J.: Rutgers University Press, 2010. Print.

Biskind, Peter. Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film. London: Bloomsbury, 2004. Print.

---. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ‘n’ Roll Generation Saved Hollywood. New York: Simon & Schuster, 1998. Print.

---. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ‘n’ Roll Generation Saved Hollywood. New York: Simon & Schuster, 1998. Print.

Block, Bruce A. et al. ‘Something’s Gotta Give’. 2004 : n. pag. Print.

Booker, M. Keith. Postmodern Hollywood: What’s New in Film and Why It Makes Us Feel so Strange. Westport, Conn: Praeger, 2007. Web. <http://www.loc.gov/catdir/toc/ecip0719/2007023400.html>.

Bordwell, David. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985. Print.

---. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: University of California Press, 2006. Print.

Bordwell, David, Janet Staiger, and Kristin Thompson. ‘Since 1960: The Persistence of a Mode of Film Production’. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge, 1985. 367–77. Print.

Braudy, Leo. ‘The Sacraments of Genre: Coppola, DePalma, Scorsese’. Film QuarterlyFilm Quarterly 39.3 (1986): 17–28. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive1212373&indx=1&recIds=TN_jstor_archive1212373&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=3768204334165220625&scp.scps=primo_central_multiple_fe&fctV=3768204334165220625&tab=central&dstmp=1446463047548&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=The%20sacraments%20of%20genre&vid=44WHELF_ABW_VU1>.

Breskin, David. Inner Views: Filmmakers in Conversation. Boston: Faber and Faber, 1992. Print.

Browne, Nick. Francis Ford Coppola’s Godfather Trilogy. Cambridge film handbooks series. Cambridge, UK: Cambridge University Press, 2000. Print.

Bullock, Sandra et al. ‘Miss Congeniality’. Ed. Billy Weber. 2001 : n. pag. Print.

Burstyn, Ellen et al. The Exorcist. 25th anniversary. Burbank, CA: Warner Home Video, 1999. Print.

Carpenter, John. ‘The Thing’. 1999 : n. pag. Print.

Carroll, Noël. ‘The Future of Allusion: Hollywood in the Seventies (And Beyond)’. OctoberOctober 20 (1982): 51–81. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive10.2307%2f778606&indx=2&recIds=TN_jstor_archive10.2307%2f778606&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=4&dscnt=0&frbg=&scp.scps=primo_central_multiple_fe&tab=central&dstmp=1446463285674&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=the%20future%20of%20allusion&vid=44WHELF_ABW_VU1>.

Cartmell, Deborah, I. Q. Hunter, and Imelda Whelehan. Retrovisions: Reinventing the Past in Film and Fiction. Film/fiction. London: Pluto Press, 2001. Web. <http://www.theacademiclibrary.com/login_cat.asp?filename=0745315836&libcode=PLC>.

Castle, William et al. Rosemary’s Baby. United Kingdom: Paramount Pictures, 2004. Print.

‘Charlie Wilson’s War [DVD]’. Web. <http://www.amazon.co.uk/Charlie-Wilsons-War-DVD-Hanks/dp/B0014JGFD2/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446397671&sr=1-1&keywords=charlie+wilsons+war>.

Coen, Joel et al. ‘Barton Fink’. 2005 : n. pag. Print.

Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. History of the American cinema. New York: Charles Scribner’s, 2002. Print.

Coppola, Francis Ford et al. ‘The Godfather: Part III [DVD] [1990]’. 2001 : n. pag. Print.

---. ‘The Godfather Trilogy’. 2001 : n. pag. Print.

---. ‘The Godfather Trilogy’. 2001 : n. pag. Print.

Coppola, Francis Ford, Directors Company, and Buena Vista Home Entertainment (Firm). ‘The Conversation’. 1974 : n. pag. Print.

Cowie, Peter. The Godfather Book. London: Faber and Faber, 1997. Print.

Crowe, Cameron et al. ‘Almost Famous’. 2006 : n. pag. Print.

Cruise, Tom et al. ‘Vanilla Sky’. 2002 : n. pag. Print.

Custen, George Frederick. Bio/Pics: How Hollywood Constructed Public History. New Brunswick, N.J.: Rutgers University Press, 1992. Print.

De Niro, Robert et al. ‘Once upon a Time in America’. 2003 : n. pag. Print.

‘Deciphering the Indecipherable: Procedure as Art in Fincher’s Zodiac - Bright Lights Film Journal’. N.p., n.d. Web. <http://brightlightsfilm.com/deciphering-the-indecipherable-procedure-as-art-in-finchers-zodiac/#.VjnIVNLNyUk>.

Demme, Jonathan. ‘The Silence of the Lambs’. 2006 : n. pag. Print.

Deutch, Howard et al. ‘Pretty in Pink’. 2005 : n. pag. Print.

Diawara, Manthia. Black American Cinema: Aesthetics and Spectatorship. AFI film readers. New York: Routledge, 1993. Print.

Dixon, Wheeler W. Film Genre 2000: New Critical Essays. Albany: State University of New York Press, 2000. Print.

Doherty, Thomas Patrick and ebrary, Inc. Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s. Rev. and expanded ed. Philadelphia: Temple University Press, 2002. Web. <http://site.ebrary.com/lib/aber/Doc?id=10397268>.

Doug Liman; Robert Ludlum 1927-2001.; Tony Gilroy; Matt Damon; Franka Potente 1974-. ‘The Bourne Identity’. 2003. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2151368230002418&indx=1&recIds=44WHELF_ABW_ALMA_DS2151368230002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446480010326&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=the%20bourne&vid=44WHELF_ABW_VU1>.

Driscoll, Catherine and ebrary, Inc. Teen Film: A Critical Introduction. English ed. Berg film genres series. Oxford: Berg, 2011. Web. <http://site.ebrary.com/lib/aber/Doc?id=10493972>.

Elsaesser, Thomas, Warren Buckland, and NetLibrary, Inc. ‘Classical/Post-Classical Narrative’. Studying Contemporary American Film: A Guide to Movie Analysis. London: Arnold, 2002. 26–79. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039357500002418&institutionId=2418&customerId=2415>.

---. ‘Classical/Post-Classical Narritive’. Studying Contemporary American Film: A Guide to Movie Analysis. London: Arnold, 2002. 26–79. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039366850002418&institutionId=2418&customerId=2415>.

Estevez, Emilio et al. ‘The Breakfast Club’. 2005 : n. pag. Print.

Evans, Robert. The Kid Stays in the Picture. London: Faber, 2004. Print.

Ferriss, Suzanne, and Mallory Young. Chick Flicks: Contemporary Women at the Movies. New York: Routledge, 2008. Web. <http://www.loc.gov/catdir/toc/ecip0722/2007028439.html>.

---. ‘Introduction: Chick Flicks and Chick Culture’. Chick Flicks: Contemporary Women at the Movies. New York: Routledge, 2008. 1–17. Web. <http://www.loc.gov/catdir/toc/ecip0722/2007028439.html>.

---. ‘The Return of the Pink: Legally Blonde, Third Wave Feminism and Having It All’. Chick Flicks: Contemporary Women at the Movies. New York: Routledge, 2008. 58–78. Web. <http://www.loc.gov/catdir/toc/ecip0722/2007028439.html>.

Fincher, David et al. ‘Fight Club’. Ed. James Haygood. 2009 : n. pag. Print.

Finerman, Wendy et al. ‘The Devil Wears Prada’. 2006 : n. pag. Print.

Fire, Richard et al. ‘Henry: Portrait of a Serial Killer’. 2004 : n. pag. Print.

Fonda, Jane et al. ‘Coming Home’. 2004 : n. pag. Print.

Fonda, Peter et al. ‘Easy Rider’. 1999 : n. pag. Print.

Forrest, Jennifer, and Leonard R. Koos. ‘Twice Told Tales: Disavowal and the Rhetoric of the Remake’. Dead Ringers: The Remake in Theory and Practice. SUNY series, cultural studies in cinema/video. Albany: State University of New York Press, 2002. 37–62. Web. <https://ebookcentral.proquest.com/lib/ABER/detail.action?docID=3407946>.

Forrest, Jennifer, Leonard R. Koos, and ebrary, Inc. Dead Ringers: The Remake in Theory and Practice. The SUNY series, cultural studies in cinema/video. Albany: State University of New York Press, 2002. Web. <http://site.ebrary.com/lib/aber/Doc?id=10587144>.

Francaviglia, Richard V. et al. ‘In Defense of Filmmakers’. Lights, Camera, History: Portraying the Past in Film. 1st ed. The Walter Prescott Webb memorial lectures. College Station: Published for the University of Texas at Arlington by Texas A&M University Press, 2007. 113–135. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039445250002418&institutionId=2418&customerId=2415>.

---. Lights, Camera, History: Portraying the Past in Film. 1st ed. The Walter Prescott Webb memorial lectures. College Station: Published for the University of Texas at Arlington by Texas A&M University Press, 2007. Web. <http://site.ebrary.com/lib/aber/Doc?id=10447184>.

Gabriel F. Giralt. ‘Realism and Realistic Representation in the Digital Age’. Journal Of Film And VideoJournal of Film and Video 62.3 (2010): 3–16. Web. <https://www.jstor.org/stable/pdf/10.5406/jfilmvideo.62.3.0003.pdf>.

Garrett, Roberta. Postmodern Chick Flicks: The Return of the Woman’s Film. Basingstoke: Palgrave Macmillan, 2007. Print.

Gateward, Frances K., and Murray Pomerance. Sugar, Spice, and Everything Nice: Cinemas of Girlhood. Contemporary film and television series. Detroit: Wayne State University Press, 2002. Print.

‘Ghostbusters/Ghostbusters 2 [DVD] [2005]’. Web. <http://www.amazon.co.uk/Ghostbusters-2-DVD-Bill-Murray/dp/B000A0XTPS/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446468951&sr=1-1&keywords=ghostbusters+1+and+2>.

Gibson, Henry et al. Nashville. Widescreen DVD collection. Hollywood, CA: Paramount, 2000. Print.

Gilbert, Bruce et al. ‘9 to 5’. 2006 : n. pag. Print.

Gilbet, Lewis. ‘Alfie’. 2005 : n. pag. Print.

Gluck, Will et al. ‘Easy A’. Ed. Susan Littenberg. 2011 : n. pag. Print.

Gooding, Cuba et al. Boyz n the Hood. Widescreen. [United States]: Sony Pictures Home Entertainment, 2005. Print.

Gray, Jonathan. Show Sold Separately: Promos, Spoilers, and Other Media Paratexts. New York: New York University Press, 2010. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247750002418&institutionId=2418&customerId=2415>.

Guerrero, Ed and British Film Institute. Do the Right Thing. BFI modern classics. London: British Film Institute, 2001. Print.

Gwynne, Joel, and Nadine Müller. ‘Introduction: Postfeminism and Contemporary Hollywood Cinema’. Postfeminism and Contemporary Hollywood Cinema. Basingstoke: Palgrave Macmillan, 2013. 1–10. Print.

Halfon, Lianne et al. ‘Juno’. Ed. Dana Glauberman. 2008 : n. pag. Print.

Hall, Sheldon. ‘Blockbusters in the 1970’s’. Contemporary American Cinema. London: Open University, 2006. 164–181. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039311220002418&institutionId=2418&customerId=2415>.

---. ‘Blockbusters in the 1970’s’. Contemporary American Cinema. London: Open University, 2006. 164–181. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039311220002418&institutionId=2418&customerId=2415>.

Haneke, Michael et al. Funny Games. The Michael Haneke collection. U.K.: Artificial Eye, 2009. Print.

Hantke, Steffen and ebrary, Inc. American Horror Film: The Genre at the Turn of the Millennium. Jackson: University Press of Mississippi, 2010. Web. <http://site.ebrary.com/lib/aber/Doc?id=10395132>.

Harrod, Mary. ‘The Aesthetics of Pastiche in the Work of Richard Linklater’. ScreenScreen 51.1 (2010): 21–37. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_oxford10.1093%2fscreen%2fhjp046&indx=1&recIds=TN_oxford10.1093%2fscreen%2fhjp046&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=1&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=5402771873161260220&scp.scps=primo_central_multiple_fe&fctV=5402771873161260220&tab=central&dstmp=1446477399222&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=the%20aesthetics%20of%20pastiche&vid=44WHELF_ABW_VU1>.

‘Harry Potter - Complete 8-Film Collection [DVD] [2001]’. Web. <http://www.amazon.co.uk/Harry-Potter-Complete-8-Film-Collection/dp/B00543R3WG/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469148&sr=1-1&keywords=harry+potter>.

Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. 2nd ed. Chicago: University of Chicago Press, 1987. Print.

Hawks, Howard, and Christian Nyby. ‘The Thing from Another World’. 2007 : n. pag. Print.

Hawn, Goldie et al. Private Benjamin. Standard version. Burbank, Calif: Warner Home Video, 1997. Print.

Heckerling, Amy et al. ‘Clueless’. 1999 : n. pag. Print.

---. ‘Clueless’. 1999 : n. pag. Print.

Hideo Nakata. ‘Ring.’ 2002. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=dedupmrg45855459&indx=2&recIds=dedupmrg45855459&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446565505101&srt=rank&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=the%20ring&vid=44WHELF_ABW_VU1>.

Hill, Lee. Easy Rider. BFI modern classics. London: British Film Institute Pub, 1996. Print.

Hillier, Jim and British Film Institute. American Independent Cinema. Sight and sound reader. London: British Film Institute, 2001. Print.

Hitchcock, Alfred. ‘Psycho’. 1999 : n. pag. Print.

---. ‘Psycho’. 1999 : n. pag. Print.

Horton, Andrew, and Stuart Y. McDougal. Play It Again, Sam: Retakes on Remakes. Berkeley: University of California Press, 1998. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037229430002418&institutionId=2418&customerId=2415>.

Horwath, Alexander, Noel King, and Thomas Elsaesser. The Last Great American Picture Show: Traditions, Transitions and Triumphs in 1970s Cinema. Film culture in transition. Amsterdam: Amsterdam University Press, 2004. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247760002418&institutionId=2418&customerId=2415>.

Hughes, Allen, and Albert Hughes. ‘Menace II Society’. 2004 : n. pag. Print.

Hughes-Warrington, Marnie. History Goes to the Movies: Studying History on Film. London: Routledge, 2007. Print.

---. History on Film Reader. Routledge readers in history. Abingdon: Routledge, 2009. Print.

Jankowiak, Steve. ‘Cult Film and Politically Correct Remakes’. Film InternationalFilm International 7.3 (2009): 28–35. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_crossref10.1386%2ffiin.7.3.28&indx=1&recIds=TN_crossref10.1386%2ffiin.7.3.28&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=9098707061546580013&scp.scps=primo_central_multiple_fe&fctV=9098707061546580013&tab=central&dstmp=1446628021780&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=cult%20film%20and%20politically%20correct%20remakes&vid=44WHELF_ABW_VU1>.

‘JFK [DVD] [1991]’. Web. <http://www.amazon.co.uk/JFK-DVD-Kevin-Costner/dp/B009TR7EW2/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480104&sr=1-1&keywords=jfk>.

Jonze, Spike. ‘Adaptation’. 2008 : n. pag. Print.

Junger, Gil. ‘10 Things I Hate about You’. 2000 : n. pag. Print.

Justin Wyatt. Marketing, The Film Reader (In Focus: Routledge Film Readers). Routledge. Print.

Kaveney, Roz. Teen Dreams: Reading Teen Film from Heathers to Veronica Mars. London: I. B. Tauris, 2006. Print.

Kellner, Douglas. ‘Aesthetics, Ethics and Politics in the Films of Spike Lee’. Do the Right Thing: A Spike Lee Joint. New York, N.Y.: Fireside, 1989. 73–108. Print.

Kennedy, Kathleen et al. ‘The Curious Case of Benjamin Button’. 2009 : n. pag. Print.

Kerins, Mark. ‘Narration in the Cinema of Digital Sound.’ Velvet Light TrapVelvet Light Trap 58 (2006): n. pag. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_gale_ofa151394854&indx=1&recIds=TN_gale_ofa151394854&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=primo_central_multiple_fe&tab=central&dstmp=1446627146704&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Narration%20in%20the%20Cinema%20of%20Digital%20Sound&vid=44WHELF_ABW_VU1>.

Kernan, Lisa. Coming Attractions: Reading American Movie Trailers. 1st ed. Texas film and media studies series. Austin: University of Texas Press, 2004. Print.

King, Geoff. ‘Chapter 1: New Hollywood, Version 1: The Hollywood Renaissance’. New Hollywood Cinema: An Introduction. London: I. B. Tauris, 2002. 11–48. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039310710002418&institutionId=2418&customerId=2415>.

---. Indiewood, USA: Where Hollywood Meets Independent Cinema. London: I. B. Tauris, 2009. Print.

Kolker, Robert Phillip. A Cinema of Loneliness: Penn, Kubrick, Scorsese, Spielberg, Altman. 2nd ed. Oxford paperbacks. New York: Oxford University Press, 1988. Print.

Krämer, Peter. The New Hollywood: From Bonnie and Clyde to Star Wars. Short cuts. London: Wallflower, 2005. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037303680002418&institutionId=2418&customerId=2415>.

Landy, Marcia. Cinematic Uses of the Past. Minneapolis, Minn: University of Minnesota Press. Web. <http://www.h-net.org/review/hrev-a0a9l8-aa>.

---. ‘The Historical Film: Looking at the Past in a Post-Literate Age’. The Historical Film: History and Memory in Media. London: Athlone Press, 2001. 50–66. Print.

Langford, Barry. Film Genre: Hollywood and Beyond. Edinburgh: Edinburgh University Press, 2005. Print.

Lau, Andrew, and Alan Mak. ‘Infernal Affairs’. 2004 : n. pag. Print.

Lee, Christina. Screening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema. Burlington, VT: Ashgate, 2010. Print.

Lee, Spike, Joie Susannah Lee, et al. ‘Crooklyn’. Ed. Barry Alexander Brown. 2006 : n. pag. Print.

Lee, Spike, Monty Ross, et al. Jungle Fever. Ed. Sam Pollard. Widescreen. U.K.: Universal Pictures (UK) Ltd, 2005. Print.

Lee, Spike. ‘Malcolm X’. 2004 : n. pag. Print.

---. ‘She’s Gotta Have It’. 2006 : n. pag. Print.

Lee, Spike, Jon Kilik, et al. ‘Summer of Sam’. 2000 : n. pag. Print.

Lee, Spike, and Lisa Jones. ‘Do the Right Thing: A Spike Lee Joint’. 1989 : n. pag. Print.

Lev, Peter and ebrary, Inc. American Films of the 70s: Conflicting Visions. 1st ed. Austin, TX: University of Texas Press, 2000. Web. <http://site.ebrary.com/lib/aber/Doc?id=10194811>.

Lewis, Jon. The New American Cinema. Durham, NC: Duke University Press, 1998. Print.

---. The Road to Romance & Ruin: Teen Films and Youth Culture. New York: Routledge, 1992. Print.

Linklater, Richard. ‘Dazed and Confused’. 2006 : n. pag. Print.

Lowenstein, Adam. ‘Alone on Elm Street’. Film QuarterlyFilm Quarterly 64.1 (2010): 18–22. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archiveFQ.2010.64.1.18&indx=1&recIds=TN_jstor_archiveFQ.2010.64.1.18&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=2064585626892700089&scp.scps=primo_central_multiple_fe&fctV=2064585626892700089&tab=central&dstmp=1446633982068&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=alone%20on%20elm%20street&vid=44WHELF_ABW_VU1>.

Lucas, George et al. ‘American Graffiti’. 2003 : n. pag. Print.

---. ‘Star Wars [1977]’. 2000 : n. pag. Print.

Lukas, Scott A., and John Marmysz. Fear, Cultural Anxiety, and Transformation: Horror, Science Fiction, and Fantasy Films Remade. Lanham: Lexington Books, 2009. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037302170002418&institutionId=2418&customerId=2415>.

Lumet, Sidney. ‘Dog Day Afternoon’. 1998 : n. pag. Print.

Macor, Alison and ebrary, Inc. Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas. Austin: University of Texas Press, 2010. Web. <http://site.ebrary.com/lib/aber/Doc?id=10372221>.

Malick, Terrence. ‘Badlands’. 2003 : n. pag. Print.

Mallan, Kerry, and Sharyn Pearce. Youth Cultures: Texts, Images, and Identities. Westport, Conn: Praeger, 2003. Print.

Maltby, Richard. Hollywood Cinema. 2nd ed. Malden, MA: Blackwell Pub, 2003. Print.

Massood, Paula J. Black City Cinema: African American Urban Experiences in Film. Culture and the moving image. Philadelphia: Temple University Press, 2003. Print.

Mathijs, Ernest, and Murray Pomerance. From Hobbits to Hollywood: Essays on Peter Jackson’s Lord of the Rings. Contemporary cinema. Amsterdam: Rodopi, 2006. Print.

Mazdon, Lucy and British Film Institute. Encore Hollywood: Remaking French Cinema. London: British Film Institute, 2000. Print.

McClean, Shilo T. and ebrary, Inc. Digital Storytelling: The Narrative Power of Visual Effects in Film. Cambridge, Mass: MIT Press, 2007. Web. <http://site.ebrary.com/lib/aber/Doc?id=10553705>.

McDonald, Paul, and Janet Wasko. The Contemporary Hollywood Film Industry. Malden, MA: Blackwell Pub, 2008. Print.

Medavoy, Mike et al. Zodiac. Widescreen format. Hollywood, Calif: Warner Bros, 2007. Print.

‘Michael Clayton [DVD]’. Web. <http://www.amazon.co.uk/Michael-Clayton-DVD-George-Clooney/dp/B000ZN63S0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480156&sr=1-1&keywords=michael+clayton>.

Monaco, James, and David Lindroth. American Film Now: The People, the Power, the Money, the Movies. New York: New American Library, 1979. Print.

Moretz, Chloë et al. ‘Let Me In’. 2011 : n. pag. Print.

Neale, Steve. ‘The Last Good Time We Ever Had? Revising the Hollywood Renaissance’. Contemporary American Cinema. London: Open University Press, 2006. 90–108. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039383040002418&institutionId=2418&customerId=2415>.

‘New Mode of Cinema: How Digital Technologies Are Changing Aesthetics and Style’. Web. <http://www.kinephanos.ca/Revue_files/New%20Mode%20of%20Cinema_v1n1.pdf>.

Nichols, Mike et al. ‘Working Girl’. 2006 : n. pag. Print.

Nichols, Mike, and Jean Poiret. ‘Birdcage’. 2000 : n. pag. Print.

Nicholson, Jack et al. ‘The Last Detail’. 2001 : n. pag. Print.

Nordling, John et al. ‘Let the Right One In’. 2009 : n. pag. Print.

Nyqvist, Michael et al. ‘The Girl with the Dragon Tattoo’. 2010 : n. pag. Print.

Pakula, Alan J. et al. ‘All the President’s Men’. 2006 : n. pag. Print.

Penn, Arthur. ‘Bonnie and Clyde [Videorecording]’. 1998 : n. pag. Print.

Perren, A. ‘Sex, Lies and Marketing - Miramax and the Development of the Quality Indie Blockbuster’. Film QuarterlyFilm Quarterly 55.2 (2001): 30–39. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000173846300004&indx=1&recIds=TN_wos000173846300004&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=6821698944659487246&scp.scps=primo_central_multiple_fe&fctV=6821698944659487246&tab=central&dstmp=1446475863627&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=sex%2C%20lies%20and%20marketing&vid=44WHELF_ABW_VU1>.

Phillips, Michael et al. ‘Taxi Driver’. 2007 : n. pag. Print.

Phoca, Sophia, Rebecca Wright, and Richard Appignanesi. Introducing Postfeminism. Cambridge, England: Icon Books, 1999. Print.

Pierson, John, and Kevin Smith. Spike, Mike, Slackers and Dykes: A Guided Tour through a Decade of American Independent Cinema. London: Faber, 1996. Print.

‘Pirates of the Caribbean 1-4 Box Set [DVD]’. Web. <http://www.amazon.co.uk/Pirates-Caribbean-1-4-Box-Set/dp/B0058HCQMU/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469243&sr=1-1&keywords=Pirates+of+the+Caribbean>.

Platt, Marc, Ric Kidney, et al. ‘Legally Blonde’. Ed. Anita Brandt Burgoyne and Garth Craven. 2001 : n. pag. Print.

Platt, Marc, David A. Nicksay, et al. ‘Legally Blonde 2’. 2003 : n. pag. Print.

Poe, James et al. ‘The Big Knife’. 2009 : n. pag. Print.

Polanski, Roman et al. ‘Chinatown’. 2000 : n. pag. Print.

‘Primary Colors [DVD]’. Web. <http://www.amazon.co.uk/Primary-Colors-DVD-John-Travolta/dp/B00079FGXK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480283&sr=1-1&keywords=primary+colours>.

Radner, Hilary. Neo-Feminist Cinema: Girly Films, Chick Flicks, and Consumer Culture. New York: Routledge, 2011. Print.

Radner, Hilary, and Rebecca Stringer. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. London: Routledge, 2011. Print.

Rafelson, Bob et al. ‘Five Easy Pieces’. 1998 : n. pag. Print.

Ray, Nicholas. ‘Rebel without a Cause’. 2000 : n. pag. Print.

Reid, Mark A. ‘New Wave Black Cinema in the 1990’s’. Film Genre 2000: New Critical Essays. Ed. Wheeler W. Dixon. SUNY series, cultural studies in cinema/video. Albany: State University of New York Press, 2000. 123–28. Print.

Richard V Francaviglia; Jerome L. Rodnitzky 1936-; Robert A Rosenstone; ebrary, Inc. ‘In Praise of the Biopic’. Lights, Camera, History Portraying the Past in Film. N.p., 2007. 11–30. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&amp;ct=display&amp;fn=search&amp;doc=44WHELF_ABW_ALMA_DS5159336220002418&amp;indx=3&amp;recIds=44WHELF_ABW_ALMA_DS5159336220002418&amp;recIdxs=2&amp;elementId=2&amp;renderMode=poppedOut&amp;displayMode=full&amp;frbrVersion=&amp;dscnt=0&amp;frbg=&amp;scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&amp;tab=local&amp;dstmp=1446480832094&amp;srt=date&amp;mode=Basic&amp;&amp;dum=true&amp;tb=t&amp;vl(freeText0)=lights%20camera%20history&amp;vid=44WHELF_ABW_VU1>.

Robb, David L. Operation Hollywood: How the Pentagon Shapes and Censors the Movies. Amherst, N.Y.: Prometheus Books, 2004. Print.

Robert Zemeckis 1952-; Bob Gale 1951-; Neil Canton; Michael J. Fox 1961-; Christopher Lloyd 1938-; Lea Thompson 1961-; Crispin Glover; Elisabeth Shue; Thomas F. Wilson 1959-; Mary Steenburgen; Universal Studios Home Video (Firm). ‘Back to the Future the Complete Trilogy’. 2005. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2139902220002418&indx=3&recIds=44WHELF_ABW_ALMA_DS2139902220002418&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=5&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446468988246&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=back%20to%20the%20future&vid=44WHELF_ABW_VU1>.

Rosenstone, Robert A. History on Film/Film on History. 1st ed. History: concepts, theories and practice. Harlow: Pearson Longman, 2006. Print.

Sarandon, Susan et al. ‘Alfie’. 2004 : n. pag. Print.

Schatz, Thomas. ‘New Hollywood, New Millenium’. Film Theory and Contemporary Hollywood Movies. AFI film readers. New York: Routledge, 2009. 19–46. Print.

---. ‘The New Hollywood’. Film Theory Goes to the Movies. AFI film readers. London: Routledge, 1993. 8–36. Print.

Schneider, Steven Jay. ‘Murder as Art/The Art of Murder: Aestheticising Violence in Modern Cinematic Horror*’. Web. <https://intensitiescultmedia.files.wordpress.com/2012/12/schneider-murder-as-art.pdf>.

Scorsese, Martin et al. ‘The Departed’. 2007 : n. pag. Print.

Shary, Timothy. Teen Movies: American Youth on Screen. Short cuts. London: Wallflower, 2005. Print.

Shone, Tom. Blockbuster: How the Jaws and Jedi Generation Turned Hollywood into a Boom-Town (New Edition). Scribner; New edition edition, 19AD. Web. <http://www.amazon.co.uk/Tom-Shone-Blockbuster-Generation-Hollywood/dp/B00I61CT8Q>.

‘Shrek/Shrek 2/Shrek The Third/Shrek: Forever After - The Final... [DVD]’. Web. <http://www.amazon.co.uk/Shrek-Third-Forever-After-Final/dp/B00EIDTDNK/ref=sr_1_3?s=dvd&ie=UTF8&qid=1446469094&sr=1-3&keywords=shrek>.

Siegel, Don et al. ‘Dirty Harry’. 2001 : n. pag. Print.

Slater, Christian et al. ‘Heathers’. 2006 : n. pag. Print.

Smith, Murray, and Stephen Neale. Contemporary Hollywood Cinema. London: Routledge, 1998. Print.

---. Contemporary Hollywood Cinema. London: Routledge, 1998. Print.

Soderbergh, Steven. ‘Sex, Lies and Videotape’. 2004 : n. pag. Print.

Sorkin, Aaron et al. ‘The Social Network’. 2011 : n. pag. Print.

---. ‘The Social Network’. 2011 : n. pag. Print.

‘Spider-Man Trilogy [DVD]’. Web. <http://www.amazon.co.uk/Spider-Man-Trilogy-DVD-Tobey-Maguire/dp/B007I1QUHG/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469189&sr=1-1&keywords=spider+man>.

Spielberg, Steven, and Peter Benchley. ‘Jaws’. 2000 : n. pag. Print.

‘Star Wars - The Complete Saga [Blu-Ray] [1977]’. Web. <http://www.amazon.co.uk/Star-Wars-Complete-Saga-Blu-ray/dp/B013GTX6JI/ref=sr_1_2?s=dvd&ie=UTF8&qid=1446397320&sr=1-2&keywords=star+wars+blu+ray>.

Steven Spielberg 1946-. ‘Munich’. 2007. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2147413820002418&indx=2&recIds=44WHELF_ABW_ALMA_DS2147413820002418&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446480170940&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=Munich&vid=44WHELF_ABW_VU1>.

Stone, Oliver et al. ‘Scarface’. 2004 : n. pag. Print.

Stone, Rob. ‘Chapter 2: Crafting Contradictions’. The Cinema of Richard Linklater: Walk, Don’t Run. Director’s cuts. London: Wallflower Press, 2013. 39–73. Print.

Storaro, Vittorio et al. ‘Apocalypse Now’. : n. pag. Print.

Stringer, Julian. Movie Blockbusters. London: Routledge, 2003. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231430002418&institutionId=2418&customerId=2415>.

---. Movie Blockbusters. London: Routledge, 2003. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231430002418&institutionId=2418&customerId=2415>.

---. Movie Blockbusters. London: Routledge, 2003. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037257850002418&institutionId=2418&customerId=2415>.

Swallow, James. Dark Eye: The Films of David Fincher. London: Reynolds & Hearn, 2003. Print.

Tarantino, Quentin. ‘Pulp Fiction’. 200AD : n. pag. Print.

---. ‘Reservoir Dogs’. 1991 : n. pag. Print.

Tasker, Yvonne. ‘Acting Funny: Comedy and Authority’. Working Girls: Gender and Sexuality in Popular Cinema. London: Routledge, 1998. 161–177. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039366810002418&institutionId=2418&customerId=2415>.

---. ‘Cross-Dressing, Aspiration and Transformation’. Working Girls: Gender and Sexuality in Popular Cinema. London: Routledge, 1998. 19–49. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039383030002418&institutionId=2418&customerId=2415>.

---. ‘New Hollywood’. Working Girls: Gender and Sexuality in Popular Cinema. London: Routledge, 1998. 1–19. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039366830002418&institutionId=2418&customerId=2415>.

‘That 70s Sequence: Remembering the Bad Old Days in Summer of Sam - Cinephile: The University of British Columbia’s Film Journal’. n. pag. Web. <http://cinephile.ca/archives/volume-5-no-2-the-scene/that-70s-sequence-remembering-the-bad-old-days-in-summer-of-sam/>.

‘The Good Shepherd [DVD]’. Web. <http://www.amazon.co.uk/Good-Shepherd-DVD-Matt-Damon/dp/B000PMGRM8/ref=sr_1_sc_1?s=dvd&ie=UTF8&qid=1446480057&sr=1-1-spell&keywords=the+good+sheppard>.

‘The Hobbit Trilogy [DVD] [2015]’. Web. <http://www.amazon.co.uk/Hobbit-Trilogy-DVD-Martin-Freeman/dp/B00S80X00G/ref=sr_1_9?s=dvd&ie=UTF8&qid=1446468894&sr=1-9&keywords=the+hobbit>.

‘“The Icegirl Cometh”’. Sight and Sound. Vol. 22. London: British Film Institute. Print.

‘The Lord Of The Rings Trilogy [DVD]’. Web. <http://www.amazon.co.uk/Lord-Rings-Trilogy-DVD/dp/B008305P72/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446468848&sr=1-1&keywords=lord+of+the+rings+trilogy>.

‘The Thing [DVD]’. Web. <http://www.amazon.co.uk/Thing-Double-Pack-Including-Original/dp/B006W99PMM/ref=sr_1_sc_2?s=dvd&ie=UTF8&qid=1446565793&sr=1-2-spell&keywords=the+thing+van+heijiningen>.

‘The Twilight Saga: The Complete Collection [DVD]’. Web. <http://www.amazon.co.uk/Twilight-Saga-Complete-Collection-DVD/dp/B00A6HL704/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469289&sr=1-1&keywords=the+twilight+saga>.

Thompson, Kristin. Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Cambridge, Mass: Harvard University Press, 1999. Print.

---. The Frodo Franchise: The Lord of the Rings and Modern Hollywood. Berkeley: University of California Press, 2007. Print.

Tzioumakis, Yannis. American Independent Cinema: An Introduction. Edinburgh: Edinburgh University Press, 2006. Print.

‘U-571 [DVD] [2000]’. Web. <http://www.amazon.co.uk/U-571-DVD-Matthew-McConaughey/dp/B0000505IM/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480233&sr=1-1&keywords=u-571>.

Van Peebles, Mario et al. ‘New Jack City’. 1999 : n. pag. Print.

Verevis, Constantine. ‘“Introduction” in Film Remakes’. Film Remakes. Edinburgh: Edinburgh University Press, 2006. 1–34. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039310680002418&institutionId=2418&customerId=2415>.

Verevis, Constantine and ebrary, Inc. Film Remakes. Edinburgh: Edinburgh University Press, 2006. Web. <http://site.ebrary.com/lib/aber/Doc?id=10130497>.

Wasko, Janet. How Hollywood Works. Thousand Oaks, CA: Sage Publications. Print.

Waters, Mark et al. Mean Girls. fullscreen collection. Hollywood, Calif: Paramount, 2004. Print.

Wee, V. ‘Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring’. Cinema JournalCinema Journal 50.2 (2011): 41–60. Web. <http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000288102100003&indx=1&recIds=TN_wos000288102100003&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=1&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=4861417604514523263&scp.scps=primo_central_multiple_fe&fctV=4861417604514523263&tab=central&dstmp=1447071927784&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=Visual%20Aesthetics%20and%20Ways%20of%20Seeing&vid=44WHELF_ABW_VU1>.

Weitz, Paul et al. ‘American Pie: All 8 Pieces of Pie’. 2012 : n. pag. Print.

Welles, Orson. ‘Touch of Evil’. 2006 : n. pag. Print.

Wilder, Billy. ‘Sunset Boulevard’. 2003 : n. pag. Print.

Wood, Robin. Hollywood from Vietnam to Reagan. New York: Columbia University Press, 1986. Print.