[1]
C. Baron, ‘“The Player’s parody of Hollywood: A Different Kind of Suture”’, in Postmodernism in the cinema, C. Degli-Esposti, Ed. New York, New York: Berghahn Books, 1998, pp. 21–44.
[2]
R. Altman and M. Tolkin, ‘The player’. Pathe, [London], 2001.
[3]
B. Wilder, ‘Sunset Boulevard’. Paramount, [U.K.], 2003.
[4]
O. Welles, ‘Touch of evil’. Universal Pictures (UK) Ltd, [U.K.], 2006.
[5]
J. Poe et al., ‘The big knife’. Distributed by Optimum Releasing, [London], 2009.
[6]
W. Allen et al., ‘The purple rose of Cairo’. MGM Home Entertainment, Santa Monica, CA., 2001.
[7]
J. Coen, E. Coen, J. Turturro, J. Goodman, Universal Pictures (UK) Ltd, and Circle Films, ‘Barton Fink’. Universal Pictures, [London], 2005.
[8]
S. Jonze, ‘Adaptation’. Sony Pictures Home Entertainment, [London], 2008.
[9]
R. Altman et al., ‘MASH’. Twentieth-Century Fox Home Entertainment, [S.l.], 2002.
[10]
H. Gibson et al., Nashville, vol. Widescreen DVD collection. Hollywood, CA: Paramount, 2000.
[11]
R. Altman, R. Carver, C. Brokaw, A. MacDowell, B. Davison, and T. Robbins, ‘Short cuts: a Robert Altman film’. Paramount Home Entertainment, [U.K.], 2008.
[12]
R. Altman et al., Gosford Park, Collector’s ed.; Widescreen ver. United Kingdom: Entertainment in Video, 2002.
[13]
D. Bordwell, J. Staiger, and K. Thompson, ‘Since 1960: The Persistence of a Mode of Film Production’, in The Classical Hollywood cinema: film style & mode of production to 1960, London: Routledge, 1985, pp. 367–77.
[14]
M. K. Booker, Postmodern Hollywood: what’s new in film and why it makes us feel so strange. Westport, Conn: Praeger, 2007 [Online]. Available: http://www.loc.gov/catdir/toc/ecip0719/2007023400.html
[15]
T. Elsaesser, W. Buckland, and NetLibrary, Inc, ‘Classical/Post-Classical Narritive’, in Studying contemporary American film: a guide to movie analysis, London: Arnold, 2002, pp. 26–79 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039366850002418&institutionId=2418&customerId=2415
[16]
R. P. Kolker, A cinema of loneliness: Penn, Kubrick, Scorsese, Spielberg, Altman, 2nd ed., vol. Oxford paperbacks. New York: Oxford University Press, 1988.
[17]
J. Lewis, The new American cinema. Durham, NC: Duke University Press, 1998.
[18]
R. Maltby, Hollywood cinema, 2nd ed. Malden, MA: Blackwell Pub, 2003.
[19]
M. Smith and S. Neale, Contemporary Hollywood cinema. London: Routledge, 1998.
[20]
S. Hall, ‘Blockbusters in the 1970’s’, in Contemporary American cinema, London: Open University, 2006, pp. 164–181 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039311220002418&institutionId=2418&customerId=2415
[21]
F. F. Coppola et al., ‘The Godfather trilogy’, vol. DVD Video. Paramount Pictures, [S.l.], 2001.
[22]
T. Schatz, ‘The New Hollywood’, in Film theory goes to the movies, vol. AFI film readers, London: Routledge, 1993, pp. 8–36.
[23]
A. Penn, ‘Bonnie and Clyde [videorecording]’. Warner Home Video, 1998.
[24]
O. Stone, A. Pacino, M. Pfeiffer, B. De Palma, M. Bregman, and S. Bauer, ‘Scarface’. Universal Pictures [distributor], Universal City, CA, 2004.
[25]
R. De Niro et al., ‘Once upon a time in America’. Warner Home Video, [S.l.], 2003.
[26]
E. Burstyn et al., The Exorcist, 25th anniversary. Burbank, CA: Warner Home Video, 1999.
[27]
S. Spielberg and P. Benchley, ‘Jaws’. Universal, 2000.
[28]
G. Lucas, ‘Star Wars [1977]’, vol. Star wars. Twentieth Century Fox Home Entertainment, 2000.
[29]
F. F. Coppola, Directors Company, and Buena Vista Home Entertainment (Firm), ‘The conversation’. Buena Vista Home Entertainment, [U.K.], 1974.
[30]
F. F. Coppola et al., ‘The Godfather trilogy’. Paramount Pictures, [S.l.], 2001.
[31]
V. Storaro, M. Brando, R. Duvall, F. F. Coppola, M. Sheen, and J. Milius, ‘Apocalypse now’. Studiocanal, [London].
[32]
F. F. Coppola et al., ‘The Godfather: Part III [DVD] [1990]’. Paramount Pictures, [S.l.], 2001.
[33]
R. Altman and British Film Institute, Film/Genre. London: BFI Publishing, 1999.
[34]
J. Stringer, Movie blockbusters. London: Routledge, 2003 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231430002418&institutionId=2418&customerId=2415
[35]
P. Biskind, Easy riders, raging bulls: how the sex-drugs-and-rock ‘n’ roll generation saved Hollywood. New York: Simon & Schuster, 1998.
[36]
Braudy, Leo, ‘The Sacraments of Genre: Coppola, DePalma, Scorsese’, Film QuarterlyFilm Quarterly, vol. 39, no. 3, pp. 17–28, 1986 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive1212373&indx=1&recIds=TN_jstor_archive1212373&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=3768204334165220625&scp.scps=primo_central_multiple_fe&fctV=3768204334165220625&tab=central&dstmp=1446463047548&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=The%20sacraments%20of%20genre&vid=44WHELF_ABW_VU1
[37]
N. Browne, Francis Ford Coppola’s Godfather trilogy, vol. Cambridge film handbooks series. Cambridge, UK: Cambridge University Press, 2000.
[38]
Carroll, Noël, ‘The Future of Allusion: Hollywood in the Seventies (And beyond)’, OctoberOctober, vol. 20, pp. 51–81, 1982 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive10.2307%2f778606&indx=2&recIds=TN_jstor_archive10.2307%2f778606&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=4&dscnt=0&frbg=&scp.scps=primo_central_multiple_fe&tab=central&dstmp=1446463285674&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=the%20future%20of%20allusion&vid=44WHELF_ABW_VU1
[39]
P. Cowie, The Godfather book. London: Faber and Faber, 1997.
[40]
R. Evans, The kid stays in the picture. London: Faber, 2004.
[41]
S. Hall, ‘Blockbusters in the 1970’s’, in Contemporary American cinema, London: Open University, 2006, pp. 164–181 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039311220002418&institutionId=2418&customerId=2415
[42]
P. Krämer, The new Hollywood: from Bonnie and Clyde to Star Wars, vol. Short cuts. London: Wallflower, 2005 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037303680002418&institutionId=2418&customerId=2415
[43]
J. Monaco and D. Lindroth, American film now: the people, the power, the money, the movies. New York: New American Library, 1979.
[44]
J. Stringer, Movie blockbusters. London: Routledge, 2003 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037231430002418&institutionId=2418&customerId=2415
[45]
G. King, ‘Chapter 1: New Hollywood, Version 1: The Hollywood Renaissance’, in New Hollywood cinema: an introduction, London: I. B. Tauris, 2002, pp. 11–48 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039310710002418&institutionId=2418&customerId=2415
[46]
P. Fonda, D. Hopper, T. Southern, J. Nicholson, and Columbia Pictures, ‘Easy rider’. Columbia Tristar Home Video, London, 1999.
[47]
H. Ashby et al., ‘Harold and Maude’. Paramount Home Entertainment (U.K.) Ltd, U.K., 2002.
[48]
W. Castle et al., Rosemary’s baby. United Kingdom: Paramount Pictures, 2004.
[49]
B. Rafelson et al., ‘Five easy pieces’. Columbia Tristar Home Video, U.K., 1998.
[50]
T. Malick, ‘Badlands’. Warner Home Video, [U.K.], 2003.
[51]
R. Polanski et al., ‘Chinatown’. Paramount Home Entertainment (UK), [S.l.], 2000.
[52]
S. Lumet, ‘Dog day afternoon’. Warner Home Video, 1998.
[53]
M. Phillips et al., ‘Taxi driver’. Sony Pictures Home Entertainment, [U.K., 2007.
[54]
J. Nicholson et al., ‘The last detail’. Columbia TriStar Home Entertainment, London, 2001.
[55]
H. Ashby, W. Beatty, J. Christie, and G. Hawn, Shampoo, Widescreen and Standard. Culver City, Calif: Columbia TriStar Home Entertainment, 2006.
[56]
J. Fonda et al., ‘Coming home’. MGM Home Entertainment, [UK], 2004.
[57]
H. Ashby et al., Being there. Burbank, CA: Warner Home Video, 2001.
[58]
P. Biskind, Easy riders, raging bulls: how the sex-drugs-and-rock ‘n’ roll generation saved Hollywood. New York: Simon & Schuster, 1998.
[59]
D. A. Cook, Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979, vol. History of the American cinema. New York: Charles Scribner’s, 2002.
[60]
A. Horwath, N. King, and T. Elsaesser, The last great American picture show: traditions, transitions and triumphs in 1970s cinema, vol. Film culture in transition. Amsterdam: Amsterdam University Press, 2004 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247760002418&institutionId=2418&customerId=2415
[61]
L. Hill, Easy rider, vol. BFI modern classics. London: British Film Institute Pub, 1996.
[62]
P. Lev and ebrary, Inc, American films of the 70s: conflicting visions, 1st ed. Austin, TX: University of Texas Press, 2000 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10194811
[63]
S. Neale, ‘The Last Good Time We Ever Had? Revising the Hollywood Renaissance’, in Contemporary American cinema, London: Open University Press, 2006, pp. 90–108 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039383040002418&institutionId=2418&customerId=2415
[64]
R. Wood, Hollywood from Vietnam to Reagan. New York: Columbia University Press, 1986.
[65]
‘Star Wars - The Complete Saga [Blu-ray] [1977]’. [Online]. Available: http://www.amazon.co.uk/Star-Wars-Complete-Saga-Blu-ray/dp/B013GTX6JI/ref=sr_1_2?s=dvd&ie=UTF8&qid=1446397320&sr=1-2&keywords=star+wars+blu+ray
[66]
T. Schatz, ‘New Hollywood, New Millenium’, in Film theory and contemporary Hollywood movies, vol. AFI film readers, New York: Routledge, 2009, pp. 19–46.
[67]
‘The Lord Of The Rings Trilogy [DVD]’. [Online]. Available: http://www.amazon.co.uk/Lord-Rings-Trilogy-DVD/dp/B008305P72/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446468848&sr=1-1&keywords=lord+of+the+rings+trilogy
[68]
‘The Hobbit Trilogy [DVD] [2015]’. [Online]. Available: http://www.amazon.co.uk/Hobbit-Trilogy-DVD-Martin-Freeman/dp/B00S80X00G/ref=sr_1_9?s=dvd&ie=UTF8&qid=1446468894&sr=1-9&keywords=the+hobbit
[69]
‘Ghostbusters/Ghostbusters 2 [DVD] [2005]’. [Online]. Available: http://www.amazon.co.uk/Ghostbusters-2-DVD-Bill-Murray/dp/B000A0XTPS/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446468951&sr=1-1&keywords=ghostbusters+1+and+2
[70]
Robert Zemeckis 1952-; Bob Gale 1951-; Neil Canton; Michael J. Fox 1961-; Christopher Lloyd 1938-; Lea Thompson 1961-; Crispin Glover; Elisabeth Shue; Thomas F. Wilson 1959-; Mary Steenburgen; Universal Studios Home Video (Firm), ‘Back to the future the complete trilogy’. 2005 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2139902220002418&indx=3&recIds=44WHELF_ABW_ALMA_DS2139902220002418&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=5&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446468988246&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=back%20to%20the%20future&vid=44WHELF_ABW_VU1
[71]
‘Batman: The Motion Picture Anthology 1989-1997 [DVD] [2005]’. [Online]. Available: http://www.amazon.co.uk/Batman-Motion-Picture-Anthology-1989-1997/dp/B002L7O7YK/ref=sr_1_2?s=dvd&ie=UTF8&qid=1446469034&sr=1-2&keywords=batman
[72]
‘Shrek/Shrek 2/Shrek The Third/Shrek: Forever After - The Final... [DVD]’. [Online]. Available: http://www.amazon.co.uk/Shrek-Third-Forever-After-Final/dp/B00EIDTDNK/ref=sr_1_3?s=dvd&ie=UTF8&qid=1446469094&sr=1-3&keywords=shrek
[73]
‘Harry Potter - Complete 8-Film Collection [DVD] [2001]’. [Online]. Available: http://www.amazon.co.uk/Harry-Potter-Complete-8-Film-Collection/dp/B00543R3WG/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469148&sr=1-1&keywords=harry+potter
[74]
‘Spider-Man Trilogy [DVD]’. [Online]. Available: http://www.amazon.co.uk/Spider-Man-Trilogy-DVD-Tobey-Maguire/dp/B007I1QUHG/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469189&sr=1-1&keywords=spider+man
[75]
‘Pirates of the Caribbean 1-4 Box Set [DVD]’. [Online]. Available: http://www.amazon.co.uk/Pirates-Caribbean-1-4-Box-Set/dp/B0058HCQMU/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469243&sr=1-1&keywords=Pirates+of+the+Caribbean
[76]
‘The Twilight Saga: The Complete Collection [DVD]’. [Online]. Available: http://www.amazon.co.uk/Twilight-Saga-Complete-Collection-DVD/dp/B00A6HL704/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446469289&sr=1-1&keywords=the+twilight+saga
[77]
T. Austin, Hollywood, hype and audiences: selling and watching popular film in the 1990s, vol. Inside popular film. Manchester: Manchester University Press, 2002.
[78]
J. Gray, Show sold separately: promos, spoilers, and other media paratexts. New York: New York University Press, 2010 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037247750002418&institutionId=2418&customerId=2415
[79]
L. Kernan, Coming attractions: reading American movie trailers, 1st ed., vol. Texas film and media studies series. Austin: University of Texas Press, 2004.
[80]
E. Mathijs and M. Pomerance, From hobbits to Hollywood: essays on Peter Jackson’s Lord of the Rings, vol. Contemporary cinema. Amsterdam: Rodopi, 2006.
[81]
P. McDonald and J. Wasko, The contemporary Hollywood film industry. Malden, MA: Blackwell Pub, 2008.
[82]
M. Smith and S. Neale, Contemporary Hollywood cinema. London: Routledge, 1998.
[83]
T. Shone, Blockbuster: How the Jaws and Jedi Generation Turned Hollywood into a Boom-town (New edition). Scribner; New edition edition, 19AD [Online]. Available: http://www.amazon.co.uk/Tom-Shone-Blockbuster-Generation-Hollywood/dp/B00I61CT8Q
[84]
J. Stringer, Movie blockbusters. London: Routledge, 2003 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037257850002418&institutionId=2418&customerId=2415
[85]
K. Thompson, The Frodo franchise: the Lord of the rings and modern Hollywood. Berkeley: University of California Press, 2007.
[86]
J. Wasko, How Hollywood works. Thousand Oaks, CA: Sage Publications.
[87]
Justin Wyatt, Marketing, The Film Reader (In Focus: Routledge Film Readers). Routledge.
[88]
S. Lee and L. Jones, ‘Do the right thing: a Spike Lee joint’. Fireside, New York, N.Y., 1989.
[89]
D. Kellner, ‘Aesthetics, Ethics and Politics in the Films of Spike Lee’, in Do the right thing: a Spike Lee joint, New York, N.Y.: Fireside, 1989, pp. 73–108.
[90]
S. Soderbergh, ‘Sex, lies and videotape’. MGM, 2004.
[91]
Q. Tarantino et al., ‘Reservoir dogs’. LIVE Entertainment & Dog Eat Dog Inc, [California], 1991.
[92]
A. Heckerling et al., ‘Clueless’. Paramount Pictures, Hollywood, CA, 1999.
[93]
Q. Tarantino, ‘Pulp Fiction’. Buena Vista Home Entrtainment, [s.l.], 200AD.
[94]
M. Van Peebles et al., ‘New Jack City’. Warner Home Video, Burbank, CA, 1999.
[95]
C. Gooding et al., Boyz n the hood, Widescreen. [United States]: Sony Pictures Home Entertainment, 2005.
[96]
A. Hughes and A. Hughes, ‘Menace II society’. Entertainment in Video, 2004.
[97]
S. Lee, ‘She’s gotta have it’. Sony Pictures Home Entertainment, London, 2006.
[98]
S. Lee et al., Jungle fever, Widescreen. U.K.: Universal Pictures (UK) Ltd, 2005.
[99]
S. Lee, ‘Malcolm X’. Pathé Distribution, [London, 2004.
[100]
S. Lee et al., ‘Crooklyn’. Universal Home Video, Universal City, CA, 2006.
[101]
J. Berra and ebrary, Inc, Declarations of independence: American cinema and the partiality of independent production. Bristol, UK: Intellect, 2008 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10211686
[102]
P. Biskind, Down and dirty pictures: Miramax, Sundance and the rise of independent film. London: Bloomsbury, 2004.
[103]
D. Breskin, Inner views: filmmakers in conversation. Boston: Faber and Faber, 1992.
[104]
M. Diawara, Black American cinema: aesthetics and spectatorship, vol. AFI film readers. New York: Routledge, 1993.
[105]
E. Guerrero and British Film Institute, Do the right thing, vol. BFI modern classics. London: British Film Institute, 2001.
[106]
J. Hillier and British Film Institute, American independent cinema, vol. Sight and sound reader. London: British Film Institute, 2001.
[107]
G. King, Indiewood, USA: where Hollywood meets independent cinema. London: I. B. Tauris, 2009.
[108]
P. J. Massood, Black city cinema: African American urban experiences in film, vol. Culture and the moving image. Philadelphia: Temple University Press, 2003.
[109]
Perren, A, ‘Sex, lies and marketing - Miramax and the development of the quality Indie blockbuster’, Film QuarterlyFilm Quarterly, vol. 55, no. 2, pp. 30–39, 2001 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000173846300004&indx=1&recIds=TN_wos000173846300004&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=6821698944659487246&scp.scps=primo_central_multiple_fe&fctV=6821698944659487246&tab=central&dstmp=1446475863627&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=sex%2C%20lies%20and%20marketing&vid=44WHELF_ABW_VU1
[110]
J. Pierson and K. Smith, Spike, Mike, slackers and dykes: a guided tour through a decade of American independent cinema. London: Faber, 1996.
[111]
M. A. Reid, ‘New Wave Black Cinema in the 1990’s’, in Film genre 2000: new critical essays, vol. SUNY series, cultural studies in cinema/video, W. W. Dixon, Ed. Albany: State University of New York Press, 2000, pp. 123–28.
[112]
Y. Tzioumakis, American independent cinema: an introduction. Edinburgh: Edinburgh University Press, 2006.
[113]
R. Linklater, ‘Dazed and confused’. Criterion, [s.l], 2006.
[114]
R. Stone, ‘Chapter 2: Crafting Contradictions’, in The cinema of Richard Linklater: walk, don’t run, vol. Director’s cuts, London: Wallflower Press, 2013, pp. 39–73.
[115]
N. Ray, ‘Rebel without a cause’. Warner Home Video, 2000.
[116]
G. Lucas et al., ‘American graffiti’. Universal Studios, [U.K.], 2003.
[117]
E. Estevez et al., ‘The breakfast club’. Universal Pictures UK, U.K., 2005.
[118]
H. Deutch et al., ‘Pretty in pink’. Paramount Home Entertainment, [U.K.], 2005.
[119]
C. Slater et al., ‘Heathers’. Anchor Bay Entertainment (UK), [United Kingdom], 2006.
[120]
A. Heckerling et al., ‘Clueless’. Paramount Pictures, Hollywood, CA, 1999.
[121]
P. Weitz et al., ‘American pie: all 8 pieces of pie’. Universal Pictures (U.K.) Ltd, [London], 2012.
[122]
G. Junger, ‘10 things I hate about you’. Touchstone Home Video, 2000.
[123]
M. Waters et al., Mean Girls, Fullscreen collection. Hollywood, Calif: Paramount, 2004.
[124]
L. Halfon et al., ‘Juno’. 20th Century Fox Home Entertainment, Beverly Hills, Calif, 2008.
[125]
W. Gluck, B. V. Royal, M. Grady, P. Badgley, A. Bynes, and T. H. Church, ‘Easy A’. Sony Pictures Home Entertainment, London, 2011.
[126]
T. P. Doherty and ebrary, Inc, Teenagers and teenpics: the juvenilization of American movies in the 1950s, Rev. and Expanded ed. Philadelphia: Temple University Press, 2002 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10397268
[127]
C. Driscoll and ebrary, Inc, Teen film: a critical introduction, English ed., vol. Berg film genres series. Oxford: Berg, 2011 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10493972
[128]
F. K. Gateward and M. Pomerance, Sugar, spice, and everything nice: cinemas of girlhood, vol. Contemporary film and television series. Detroit: Wayne State University Press, 2002.
[129]
Harrod, Mary, ‘The aesthetics of pastiche in the work of Richard Linklater’, ScreenScreen, vol. 51, no. 1, pp. 21–37, 2010 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_oxford10.1093%2fscreen%2fhjp046&indx=1&recIds=TN_oxford10.1093%2fscreen%2fhjp046&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=1&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=5402771873161260220&scp.scps=primo_central_multiple_fe&fctV=5402771873161260220&tab=central&dstmp=1446477399222&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=the%20aesthetics%20of%20pastiche&vid=44WHELF_ABW_VU1
[130]
R. Kaveney, Teen dreams: reading teen film from Heathers to Veronica Mars. London: I. B. Tauris, 2006.
[131]
C. Lee, Screening Generation X: the politics and popular memory of youth in contemporary cinema. Burlington, VT: Ashgate, 2010.
[132]
J. Lewis, The road to romance & ruin: teen films and youth culture. New York: Routledge, 1992.
[133]
B. Langford, Film genre: Hollywood and beyond. Edinburgh: Edinburgh University Press, 2005.
[134]
A. Macor and ebrary, Inc, Chainsaws, slackers, and spy kids: thirty years of filmmaking in Austin, Texas. Austin: University of Texas Press, 2010 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10372221
[135]
K. Mallan and S. Pearce, Youth cultures: texts, images, and identities. Westport, Conn: Praeger, 2003.
[136]
T. Shary, Teen movies: American youth on screen, vol. Short cuts. London: Wallflower, 2005.
[137]
W. W. Dixon, Film genre 2000: new critical essays. Albany: State University of New York Press, 2000.
[138]
M. Platt et al., ‘Legally blonde’. MGM Home Entertainment, Santa Monica, CA, 2001.
[139]
S. Ferriss and M. Young, ‘Introduction: Chick Flicks and Chick Culture’, in Chick flicks: contemporary women at the movies, New York: Routledge, 2008, pp. 1–17 [Online]. Available: http://www.loc.gov/catdir/toc/ecip0722/2007028439.html
[140]
S. Ferriss and M. Young, ‘The Return of the Pink: Legally Blonde, third wave feminism and having it all’, in Chick flicks: contemporary women at the movies, New York: Routledge, 2008, pp. 58–78 [Online]. Available: http://www.loc.gov/catdir/toc/ecip0722/2007028439.html
[141]
B. Gilbert et al., ‘9 to 5’. 20th Century Fox Home Entertainment, Beverly Hills, California, 2006.
[142]
W. Finerman et al., ‘The devil wears Prada’. 20th Century Fox Home Entertainment, Beverly Hills, Calif, 2006.
[143]
M. Platt et al., ‘Legally blonde 2’. MGM Home Entertainment, [Santa Monica, Calif.], 2003.
[144]
S. Bullock et al., ‘Miss Congeniality’. Warner Home Video, [Burbank, California], 2001.
[145]
G. Hawn et al., Private Benjamin, Standard version. Burbank, Calif: Warner Home Video, 1997.
[146]
B. A. Block et al., ‘Something’s gotta give’. Columbia Pictures, [Culver City, California], 2004.
[147]
M. Nichols et al., ‘Working Girl’. Twentieth Century Fox Home Entertainment, United Kingdom, 2006.
[148]
J. Bernard, Chick flicks: a movie lover’s guide to the movies women love. Secaucus, NJ: Carol Pub. Group, 1996.
[149]
S. Ferriss and M. Young, Chick flicks: contemporary women at the movies. New York: Routledge, 2008 [Online]. Available: http://www.loc.gov/catdir/toc/ecip0722/2007028439.html
[150]
R. Garrett, Postmodern chick flicks: the return of the woman’s film. Basingstoke: Palgrave Macmillan, 2007.
[151]
J. Gwynne and N. Müller, ‘Introduction: Postfeminism and contemporary Hollywood cinema’, in Postfeminism and contemporary Hollywood cinema, Basingstoke: Palgrave Macmillan, 2013, pp. 1–10.
[152]
M. Haskell, From reverence to rape: the treatment of women in the movies, 2nd ed. Chicago: University of Chicago Press, 1987.
[153]
H. Radner, Neo-feminist cinema: girly films, chick flicks, and consumer culture. New York: Routledge, 2011.
[154]
H. Radner and R. Stringer, Feminism at the movies: understanding gender in contemporary popular cinema. London: Routledge, 2011.
[155]
S. Phoca, R. Wright, and R. Appignanesi, Introducing postfeminism. Cambridge, England: Icon Books, 1999.
[156]
Y. Tasker, ‘New Hollywood’, in Working girls: gender and sexuality in popular cinema, London: Routledge, 1998, pp. 1–19 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039366830002418&institutionId=2418&customerId=2415
[157]
Y. Tasker, ‘Cross-dressing, aspiration and transformation’, in Working girls: gender and sexuality in popular cinema, London: Routledge, 1998, pp. 19–49 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039383030002418&institutionId=2418&customerId=2415
[158]
Y. Tasker, ‘Acting Funny: comedy and authority’, in Working girls: gender and sexuality in popular cinema, London: Routledge, 1998, pp. 161–177 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039366810002418&institutionId=2418&customerId=2415
[159]
‘Charlie Wilson’s War [DVD]’. [Online]. Available: http://www.amazon.co.uk/Charlie-Wilsons-War-DVD-Hanks/dp/B0014JGFD2/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446397671&sr=1-1&keywords=charlie+wilsons+war
[160]
M. Landy, ‘The Historical Film: Looking at the Past in a Post-literate Age’, in The historical film: history and memory in media, London: Athlone Press, 2001, pp. 50–66.
[161]
Doug Liman; Robert Ludlum 1927-2001.; Tony Gilroy; Matt Damon; Franka Potente 1974-, ‘The Bourne identity’. 2003 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2151368230002418&indx=1&recIds=44WHELF_ABW_ALMA_DS2151368230002418&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446480010326&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=the%20bourne&vid=44WHELF_ABW_VU1
[162]
‘The Good Shepherd [DVD]’. [Online]. Available: http://www.amazon.co.uk/Good-Shepherd-DVD-Matt-Damon/dp/B000PMGRM8/ref=sr_1_sc_1?s=dvd&ie=UTF8&qid=1446480057&sr=1-1-spell&keywords=the+good+sheppard
[163]
‘JFK [DVD] [1991]’. [Online]. Available: http://www.amazon.co.uk/JFK-DVD-Kevin-Costner/dp/B009TR7EW2/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480104&sr=1-1&keywords=jfk
[164]
‘Michael Clayton [DVD]’. [Online]. Available: http://www.amazon.co.uk/Michael-Clayton-DVD-George-Clooney/dp/B000ZN63S0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480156&sr=1-1&keywords=michael+clayton
[165]
Steven Spielberg 1946-, ‘Munich’. 2007 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS2147413820002418&indx=2&recIds=44WHELF_ABW_ALMA_DS2147413820002418&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=1&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446480170940&srt=date&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=Munich&vid=44WHELF_ABW_VU1
[166]
‘U-571 [DVD] [2000]’. [Online]. Available: http://www.amazon.co.uk/U-571-DVD-Matthew-McConaughey/dp/B0000505IM/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480233&sr=1-1&keywords=u-571
[167]
‘Primary Colors [DVD]’. [Online]. Available: http://www.amazon.co.uk/Primary-Colors-DVD-John-Travolta/dp/B00079FGXK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1446480283&sr=1-1&keywords=primary+colours
[168]
A. Sorkin et al., ‘The social network’. Sony Pictures Home Entertainment, Culver City, Calif, 2011.
[169]
M. Alford, M. Parenti, and ebrary, Inc, Reel power: Hollywood cinema and American supremacy. London: Pluto Press, 2010 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10479775
[170]
D. Bingham, Whose lives are they anyway?: the biopic as contemporary film genre. New Brunswick, N.J.: Rutgers University Press, 2010.
[171]
R. V. Francaviglia, J. L. Rodnitzky, R. A. Rosenstone, and ebrary, Inc, ‘In Defense of Filmmakers’, in Lights, camera, history: portraying the past in film, 1st ed., vol. The Walter Prescott Webb memorial lectures, College Station: Published for the University of Texas at Arlington by Texas A&M University Press, 2007, pp. 113–135 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039445250002418&institutionId=2418&customerId=2415
[172]
D. Cartmell, I. Q. Hunter, and I. Whelehan, Retrovisions: reinventing the past in film and fiction, vol. Film/fiction. London: Pluto Press, 2001 [Online]. Available: http://www.theacademiclibrary.com/login_cat.asp?filename=0745315836&libcode=PLC
[173]
G. F. Custen, Bio/pics: how Hollywood constructed public history. New Brunswick, N.J.: Rutgers University Press, 1992.
[174]
R. V. Francaviglia, J. L. Rodnitzky, R. A. Rosenstone, and ebrary, Inc, Lights, camera, history: portraying the past in film, 1st ed., vol. The Walter Prescott Webb memorial lectures. College Station: Published for the University of Texas at Arlington by Texas A&M University Press, 2007 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10447184
[175]
M. Hughes-Warrington, History Goes to the Movies: Studying history on film. London: Routledge, 2007.
[176]
M. Hughes-Warrington, History on film reader, vol. Routledge readers in history. Abingdon: Routledge, 2009.
[177]
M. Landy, Cinematic uses of the past. Minneapolis, Minn: University of Minnesota Press [Online]. Available: http://www.h-net.org/review/hrev-a0a9l8-aa
[178]
D. L. Robb, Operation Hollywood: how the Pentagon shapes and censors the movies. Amherst, N.Y.: Prometheus Books, 2004.
[179]
R. A. Rosenstone, History on film/film on history, 1st ed., vol. History: concepts, theories and practice. Harlow: Pearson Longman, 2006.
[180]
Richard V Francaviglia; Jerome L. Rodnitzky 1936-; Robert A Rosenstone; ebrary, Inc., ‘In Praise of the Biopic’, in Lights, camera, history portraying the past in film, 2007, pp. 11–30 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44WHELF_ABW_ALMA_DS5159336220002418&indx=3&recIds=44WHELF_ABW_ALMA_DS5159336220002418&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&tab=local&dstmp=1446480832094&srt=date&mode=Basic&&dum=true&tb=t&vl(freeText0)=lights%20camera%20history&vid=44WHELF_ABW_VU1
[181]
M. Medavoy et al., Zodiac, Widescreen format. Hollywood, Calif: Warner Bros, 2007.
[182]
Gabriel F. Giralt, ‘Realism and Realistic Representation in the Digital Age’, Journal Of Film And VideoJournal of Film and Video, vol. 62, no. 3, pp. 3–16, 2010 [Online]. Available: https://www.jstor.org/stable/pdf/10.5406/jfilmvideo.62.3.0003.pdf
[183]
‘That 70s Sequence: Remembering the Bad Old Days in Summer of Sam - Cinephile: The University of British Columbia’s Film Journal’ [Online]. Available: http://cinephile.ca/archives/volume-5-no-2-the-scene/that-70s-sequence-remembering-the-bad-old-days-in-summer-of-sam/
[184]
D. Siegel et al., ‘Dirty Harry’. Warner Home Video, [Burbank, CA], 2001.
[185]
A. J. Pakula et al., ‘All the president’s men’. Warner Home Video, Burbank, CA, 2006.
[186]
C. Crowe et al., ‘Almost famous’. Sony Pictures, [U.K.], 2006.
[187]
R. Fire et al., ‘Henry: portrait of a serial killer’. Optimum Releasing, [London], 2004.
[188]
J. Demme, ‘The Silence of the Lambs’. MGM Home Video, [U.K.], 2006.
[189]
J. Amiel, S. Weaver, H. Hunter, Regency Enterprises, and Warner Home Video (Firm), ‘Copycat’. Warner Home Video, [Burbank, CA], 2009.
[190]
S. Lee et al., ‘Summer of Sam’. Downtown Pictures Ltd, [California?], 2000.
[191]
D. Fincher et al., ‘Fight club’. Twentieth Century Fox Home Entertainment, [Beverly Hills, CA], 2009.
[192]
K. Kennedy et al., ‘The Curious Case of Benjamin Button’. Distributed by Warner Home Video, [Burbank, CA], 2009.
[193]
A. Sorkin et al., ‘The social network’. Sony Pictures Home Entertainment, Culver City, Calif, 2011.
[194]
D. Bordwell, Narration in the fiction film. Madison: University of Wisconsin Press, 1985.
[195]
D. Bordwell, The way Hollywood tells it: story and style in modern movies. Berkeley: University of California Press, 2006.
[196]
‘New Mode of Cinema: How Digital Technologies are Changing Aesthetics and Style’. [Online]. Available: http://www.kinephanos.ca/Revue_files/New%20Mode%20of%20Cinema_v1n1.pdf
[197]
T. Elsaesser, W. Buckland, and NetLibrary, Inc, ‘Classical/Post-Classical Narrative’, in Studying contemporary American film: a guide to movie analysis, London: Arnold, 2002, pp. 26–79 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039357500002418&institutionId=2418&customerId=2415
[198]
Kerins, Mark, ‘Narration in the cinema of digital sound.’, Velvet Light TrapVelvet Light Trap, no. 58, 2006 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_gale_ofa151394854&indx=1&recIds=TN_gale_ofa151394854&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&frbg=&scp.scps=primo_central_multiple_fe&tab=central&dstmp=1446627146704&srt=rank&mode=Basic&&dum=true&tb=t&vl(freeText0)=Narration%20in%20the%20Cinema%20of%20Digital%20Sound&vid=44WHELF_ABW_VU1
[199]
S. T. McClean and ebrary, Inc, Digital storytelling: the narrative power of visual effects in film. Cambridge, Mass: MIT Press, 2007 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10553705
[200]
‘Deciphering the Indecipherable: Procedure as Art in Fincher’s Zodiac - Bright Lights Film Journal’. [Online]. Available: http://brightlightsfilm.com/deciphering-the-indecipherable-procedure-as-art-in-finchers-zodiac/#.VjnIVNLNyUk
[201]
S. J. Schneider, ‘Murder as Art/The Art of Murder: Aestheticising Violence in Modern Cinematic Horror*’. [Online]. Available: https://intensitiescultmedia.files.wordpress.com/2012/12/schneider-murder-as-art.pdf
[202]
S. Hantke and ebrary, Inc, American horror film: the genre at the turn of the millennium. Jackson: University Press of Mississippi, 2010 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10395132
[203]
J. Swallow, Dark eye: the films of David Fincher. London: Reynolds & Hearn, 2003.
[204]
K. Thompson, Storytelling in the new Hollywood: understanding classical narrative technique. Cambridge, Mass: Harvard University Press, 1999.
[205]
M. Nyqvist et al., ‘The girl with the dragon tattoo’. Alliance Films t/a Momentum Pictures, [U.K], 2010.
[206]
‘“The Icegirl Cometh”’, in Sight and sound, vol. 22, no. 2, London: British Film Institute.
[207]
C. Verevis, ‘“Introduction” in Film remakes’, in Film remakes, Edinburgh: Edinburgh University Press, 2006, pp. 1–34 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3039310680002418&institutionId=2418&customerId=2415
[208]
M. Scorsese et al., ‘The departed’. Entertainment in Video, [London?], 2007.
[209]
A. Lau and A. Mak, ‘Infernal affairs’. Tartan Video, London, 2004.
[210]
Hideo Nakata, ‘Ring.’ 2002 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=dedupmrg45855459&indx=2&recIds=dedupmrg45855459&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&dscnt=0&fctN=facet_pfilter&rfnGrp=1&frbg=&scp.scps=scope%3A%2844WHELF_ABW_ALMA_DS%29%2Cscope%3A%2844WHELF_ABW_ML_DS%29&fctV=audio_video&tab=local&dstmp=1446565505101&srt=rank&mode=Basic&dum=true&tb=t&rfnGrpCounter=1&vl(freeText0)=the%20ring&vid=44WHELF_ABW_VU1
[211]
A. Hitchcock, ‘Psycho’. Columbia Tristar Home Video, 1999.
[212]
A. Hitchcock, ‘Psycho’, vol. The Hitchcock Collection. Columbia Tristar Home Video, 1999.
[213]
J. Carpenter, ‘The thing’. Universal, 1999.
[214]
H. Hawks and C. Nyby, ‘The thing from another world’. Universal, U.K., 2007.
[215]
‘The Thing [DVD]’. [Online]. Available: http://www.amazon.co.uk/Thing-Double-Pack-Including-Original/dp/B006W99PMM/ref=sr_1_sc_2?s=dvd&ie=UTF8&qid=1446565793&sr=1-2-spell&keywords=the+thing+van+heijiningen
[216]
M. Nichols and J. Poiret, ‘Birdcage’. MGM, 2000.
[217]
C. Moretz et al., ‘Let me in’. Icon Home Entertainment, Los Angeles, CA, 2011.
[218]
J. Nordling et al., ‘Let the right one in’. Momentum, U.K., 2009.
[219]
T. Cruise et al., ‘Vanilla sky’. Paramount, Hollywood, Calif, 2002.
[220]
A. Amenábar et al., ‘Abre los ojos’. [SOGECINE], Madrid, 2000.
[221]
M. Haneke et al., Funny games, vol. The Michael Haneke collection. U.K.: Artificial Eye, 2009.
[222]
L. Gilbet, ‘Alfie’. Paramount, [U.K.], 2005.
[223]
S. Sarandon, M. Tomei, J. Law, C. Shyer, and B. Naughton, ‘Alfie’. Paramount Home Entertainment, 2004.
[224]
J. Forrest, L. R. Koos, and ebrary, Inc, Dead ringers: the remake in theory and practice, vol. The SUNY series, cultural studies in cinema/video. Albany: State University of New York Press, 2002 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10587144
[225]
A. Horton and S. Y. McDougal, Play it again, Sam: retakes on remakes. Berkeley: University of California Press, 1998 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037229430002418&institutionId=2418&customerId=2415
[226]
Jankowiak, Steve, ‘Cult film and politically correct remakes’, Film InternationalFilm International, vol. 7, no. 3, pp. 28–35, 2009 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_crossref10.1386%2ffiin.7.3.28&indx=1&recIds=TN_crossref10.1386%2ffiin.7.3.28&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=9098707061546580013&scp.scps=primo_central_multiple_fe&fctV=9098707061546580013&tab=central&dstmp=1446628021780&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=cult%20film%20and%20politically%20correct%20remakes&vid=44WHELF_ABW_VU1
[227]
J. Forrest and L. R. Koos, ‘Twice Told Tales: Disavowal and the Rhetoric of the Remake’, in Dead ringers: the remake in theory and practice, vol. SUNY series, cultural studies in cinema/video, Albany: State University of New York Press, 2002, pp. 37–62 [Online]. Available: https://ebookcentral.proquest.com/lib/ABER/detail.action?docID=3407946
[228]
Lowenstein, Adam, ‘Alone on Elm Street’, Film QuarterlyFilm Quarterly, vol. 64, no. 1, pp. 18–22, 2010 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archiveFQ.2010.64.1.18&indx=1&recIds=TN_jstor_archiveFQ.2010.64.1.18&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=0&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=2064585626892700089&scp.scps=primo_central_multiple_fe&fctV=2064585626892700089&tab=central&dstmp=1446633982068&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=alone%20on%20elm%20street&vid=44WHELF_ABW_VU1
[229]
S. A. Lukas and J. Marmysz, Fear, cultural anxiety, and transformation: horror, science fiction, and fantasy films remade. Lanham: Lexington Books, 2009 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3037302170002418&institutionId=2418&customerId=2415
[230]
L. Mazdon and British Film Institute, Encore Hollywood: remaking French cinema. London: British Film Institute, 2000.
[231]
C. Verevis and ebrary, Inc, Film remakes. Edinburgh: Edinburgh University Press, 2006 [Online]. Available: http://site.ebrary.com/lib/aber/Doc?id=10130497
[232]
Wee, V, ‘Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring’, Cinema JournalCinema Journal, vol. 50, no. 2, pp. 41–60, 2011 [Online]. Available: http://whel-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000288102100003&indx=1&recIds=TN_wos000288102100003&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&fctN=facet_frbrgroupid&dscnt=1&rfnGrp=frbr&origsort=Sorted+by%3ARelevanceOr+hit+Enter+to+replace+sort+method&frbg=4861417604514523263&scp.scps=primo_central_multiple_fe&fctV=4861417604514523263&tab=central&dstmp=1447071927784&srt=date&frbrRecordsSource=Primo+Central&cs=frb&mode=Basic&lastPagIndx=1&dum=true&lastPag=&tb=t&vl(freeText0)=Visual%20Aesthetics%20and%20Ways%20of%20Seeing&vid=44WHELF_ABW_VU1